Damian D
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Contributing Member
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Posts: 893
Re: Nokia N8 sensor is 1/1.83"
halc
wrote:
Thanks for posting here Damian.
Let me first say that you have indeed pulled of something quite remarkable and I congratulate you on your work! Must not have been an easy feat, but I'm sure the process was interesting!
Hobbyists, semi-pros and yes, even pros, here are probably interested on how far can we push the camera on the N8.
Yes, it's a real benefit to be able to carry a decent enough camera with oneself all the time!
But what about performance in:
macro (below 60cm)
higher real ISO sensitivity performance (say 400 or 800 or even 1600)
sensor reading artifacts in panning and sideways moving action (video)
true resolving power of the whole unit in still / video (let's be honest here, it won't resolve anywhere near 720 lph/vertical for video)
performance under low light situation (longer exposure, higher ISO, esp. noise characteristics, e.g. will it splatter chroma all over like almost everything else)
auto-WB peformance under various / mixed lighting conditions (a major failing with most phones)
lens characteristics (distortions)
You surely know all this. It's just that we are hungry for more information.
I sincerely hope you will publish more information as you progress towards the final release version of the phone.
Hi, let's taker those 1 by 1.
1. Macro will be down to around 10cm, it's very good. We've spent quite a bit of time improving the performance of AF in this area too, so it's more reliable and dependable in such situations.
2. ISO range will be 100 to 1200. There will be a choice of three fixed manual settings, of which 1 will be ISO 100 the others are under study still.
3. We use a mechanical shutter for stills so you won't get those motion effects. However, in video you will see this in some situations as you do even with high end DSLR's with HD video. But for most situations I believe it will be OK. It's a limitation of the readout speed of the sensor. I expect one day that this issue will disappear.
4. In terms of stills, many camera optics (including dedicated cameras) often don;t resolve anywhere near their sensor resolution. For example some 10-12mp sensor equipped cameras can barely provide true 5mp resolution. In the case of the optics we're using here the theoretical output resolution is so close to 12mp that it's not worth mentioning. However, of course in the real world after balacning the multiple paramaters (which we're still doing) it may be a different story, let's see.
In the case of video, the limitation here is actually the binning process which most cameras do in video. We're still playing here also as you can imagine so I can't comment fully at this time, but I can say the following: In daylight case we're not using ANY noise reduction in video, yet in normal viewign I don't expect you to see any noise either. The reason for this is that the binning process is wiping out any noise we would have in the system allowing us to maintain as much detail as possible. So it's the combination of the sensor and optics which allow this.
I've seen video comparisons we've been doing with very well known brand digital cameras which include both 720p and 1080p video and I have to say (despite my bias) that we're resolving more detail right now. Of course there are other paramaters you need to factor in. Some we may be slightly worse on depending on what you're comparing against, we can't be best in every aspect, no one can as imaging always leads to a compromise somewhere even in the most expensive products.
One area I think we're really good in which many people forget is audio. Of course we have a lot of experience here and the N8 capatilises a lot on this. We have new algorithms working in conjunction to our unique approach to stereo where we have one mic on the front, the other on the back. The result when you put this altogether is a much greater feeling of the original audio ambience and a greater spatial awareness. Again I'm biased, but compared to other mobiles at least, we blow everything out of the water in this area.
5. I'm going to talk about low light when we have more work done here, we're putting most attention to this area as I write, it's why we put that big sensor in there in the first place.
6. AWB. Again work is ongoing here but we really use the benefits of people around the world to tune this as much as possible. We actively don't follow the technically correct approach here which some purists won't like. For example when at the ends of the colour temperature spectrum we don't try and make things technically perfect, The result would be something that doesn't match your minds eye. For these products we believe this is much mopre important than technically correct. However we do have a few manual white balance presets if you prefer to overide ths system still.
An example of this is when shooting under candle light. The warm ambience created by the candle light you want to retain, so we recognise these situations and then adjust the AWB accordingly. A red rose on a cloudy day is another example. you'll remember it more vividly than reality.
7. Distortion is very low, lower than many high end zoom lenses.
atb
Damian