Primes are great if you have the cash, and the muscles to carry them.
Thank you for a very well thought-out thread.
Obviously, you have hit on a prickly subject.
When it comes down to the final image, prime lenses will, in the majority of cases, have the edge over zooms, albeit at a higher price in terms of dollars and versatility.
There are some primes that are sharpest at the mid-range apertures, and some zooms that are very sharp at the same apertures. When comparing lenses, you have to consider the full aperture range, the corner-to-corner contrast, edge resolution, distortion, and chromatic aberrations.
Often, only a trained eye will catch the minor flaws in a reasonably good lens, especially if you shoot at the sweet spot in the aperture and focal length range.
In an ideal world, we would all use the finest optics available - in the real world, most of us cannot justify the expense of the "best of the best" in photographic equipment, so we make do with what we can afford.
For professional use, or for the really active amateur, the build quality of the prime lenses tends to surpass the build quality of the "prosumer" zooms. This is true for most of the manufacturers - not only Pentax.
The build quality and optical performance of the old FA* and the new DA* lenses is at or above the level of the "best in class" across the industry.
The 24-90mm is a particularly interesting lens - build quality is not something to write home about, but the optical performance is very, very good throughout the aperture and focal length range, thanks to the top quality aspherical lens and internal focussing design. It is a real steal at today's used lens prices.
We have three of the smc PENTAX-FA 24-90mm F3.5-4.5 AL [IF] zoom lenses in the office, and I have an smc PENTAX-FA* 28-70mm F2.8 AL zoom, which is quite outstanding, but large and heavy. On days when I just can't see myself schlepping the extra weight, I swap the 28-70 for the 24-90, and I shoot at mid-range apertures (which I tend to do in most cases). The results are quite excellent. On assignments when I must have the absolute best sharpness possible, I mount the smc Pentax FA 50mm f/1.4 - the least expensive yet sharpest Pentax prime lens in the line.
Bottom line - why anguish over the price of the lenses in your bag? It's the value and performance that counts - you are better off acquiring reasonably good lenses that you can afford, and trade-up to the top-rated optics when you have the cash (or the burning desire) to refresh your optical capabilities.
I usually travel with three Pentax lenses - a 12-24mm, 28-70mm, and 50mm; plus a 70-300mm Tamron, and two flashes in my bag. That covers any assignment I may be called upon to handle. If I had to carry the primes to cover that focal length range, I would have to hire a Sherpa.
So thank you for your observations - you are quite correct in your general premise - for the average photographer, a good quality zoom can stand-in for two or three primes, at a fraction of the price... for the perfectionists, however, the assumption (however correct) that a prime lens would deliver better results would just rot their socks.
Don't let the gear heads get you down... the important thing is that you shot the cactus, and won. Of course, comparing the pricey prime to an FA* or DA* zoom would have made the debate a bit more interesting...
Norm.
Guess what lens this is...
