Greg7579
Forum Pro
No it's not. The output of 4K is always better looking than any monitor of lower res and that includes HDR. Color specs have nothing to do with it because the best pro monitors are of course all 4K and up.... That is an absolute certainty that you can take to the bank. I'm astounded that you would say otherwise.The Alienware is a new line and the 4K models are also 1000 nit, with the same implementation of HDR. Their output of HDR content is identical, except more pixels and a curved screen.
What does photobooks and large print exhibitions have to do with this monitor HDR still discussion? I spend a lot of time in galleries and exhibitions, and I love big prints. That has absolutely nothing to do with buying a pro 4K monitor, which every GFX and Hassy photographer should do in order to enjoy their own their own raw files to the greatest extent possible. Progress man.... If you are "avoiding" 4K, that won't last long, just like with TVs. You won't have much choice. Enjoy. Don't fight it Adam.There are more photobooks published now than ever before. Thousands every year. Paris Photo is busier than ever. Exhibitions are still a thing.What software and what OS? I'm curious. I have zero scaling issues with 4 and 6K on Windows (unless I click on view at 100% res in DPR).I'm avoiding it because I use software that has UI scaling issues,
Really? You don't know what you are missing. You don't look at any of the stuff we p[ost here on DPR or Flickr or anywhere? Geeez. You don't see much photography. Only look at prints huh? That is really old-school but getting really hard to pull off. You don't enjoy looking at your own raw files after editing them?and in any case I don't look at photography on a screen except to edit.
I also wanted to comment on your remark on another part of this thread that "pro" photographers often post at lower res so why worry about a high-res monitor? My reply is that even low-res web shots look better on these new tech higher end monitors of several types for many reasons and advancements I won't bother to list here, and 4K and above always wins no matter what. Plus, those photographers are doing the opposite of what I do. They are protecting their work and want people to pay for the high-res digital image, not just a print. It often has nothing to do with printing. They used to post stuff at higher res with watermarks, but now watermarks can be easily removed so they post images at carefully crafted smaller sizes so that people can't download them and use them as a strong base for further resizing, editing or printing.
I do the opposite because I want people to "steal" my work. I post MF and high-res FF images at full size and very high quality and thousands of them have been downloaded at full quality original for various purposes - printing, advertisements, books, posters, brochures, magazines, articles, church publications, and prints for walls. The only entities who don't are the stock agencies because they can't and two have tried to buy my entire Flickr output and want me to commit to shooting for them. No happening. Plus, if someone wants the raw I give it to them.
--You can have both of course. The pro 4K monitors are far better in that regard than the no 4K. Plus, I disagree that less than 4K is ever the way to go in photography unless you absolutely can't afford it, which is a hard sell for anyone who has bought the stuff we talk about on tuis forum.but I'm sure it is for many, and in that scenario if you value colour accuracy and panel uniformity over extra pixels then this is the way to go.
Greg Johnson, San Antonio, Texas
https://www.flickr.com/photos/139148982@N02/albums
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