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There must be a reason Porsche and other cars don't have that configuration any more. Usually things like this are determined by usability from a large sample of the population.Except the reason the steering wheel is between the seats and the radio is near the floor in the Porsche Z911f is that the original 911 had its steering wheel between the seats and the radio near the floor, and there is a segment of the sports car crowd that loves that non-ergonomic design, pines for it, and is willing to pay just as much for it as others will for the newest generation that reflects Porsche listening to the majority of drivers who prefer designs that make it easier to control the vehicle.No. It is like complaining that Porsche put the steering wheel in between the two seats and the radio near the floor.
True, but I still sometimes like to use my Canon 7ne with motor drive. There is something about film going thru it at 3 fps that I like.Nikon made a retro camera. It is patently obvious looking at every picture of the Zf that they ignored 45 years of ergonomic design principles because some people like the FE and want a digital camera that feels like an FE. It is therefore disingenuous for a Zf buyer to complain about the FE-era design idiosyncrasies Nikon put in the Zf. If anything, people should be complaining about inclusion of video, and AF, and that tiny bump in front, and that they don’t have to flick a winder with their right thumb after every shot OR buy an MD-10 weight bottom thingy to make that go away.
Whining is for kids.I owned a Nikon FM for several years, and the MB-10. I really liked it, in 1979 when I bought it. But today? I have no desire ever to use one of those again. I appreciate modern ergonomics. But I’m also smart enough that if I ever did find myself consciously buying a 1980s-era camera, I would not whine that it acted like a 1980s-era camera.
Not true. Nikon, Canon and people that read his site send him cameras to review.Not a great resource for Nikon reviews IMO, because he does not even get to see the camera until Thom and other more reputable reviewers have already had it in hand for weeks.His site is still a great resource and I've sent him tips/coffee over the years. Using he same methodology with samples is still better than most other content or reviews. Especially when comparing similar gear.
Hearing information I disagree with strengthens or confirms my point of view. Maybe we hear too much of that lately...
"Perfectly Clear" - Other pros have heard of it. He also uses Photo Mechanic, Affinity and Nero. He has sold his Jpeg files to clients like Disneyland.But if you are going to Ken for information to disagree with, then you are going to the right place.
More bad advice from Ken: I always shoot extra small, extra vivid, JPG only, no RAWs needed, ever, and I always process my extra tiny, extra vivid JPEGs using this thing called "Perfectly Clear" which I am not sure anybody else has ever heard of, but, Ken assures us that his buddy is selling us the greatest software since sliced bread!
Ok, down off of soapbox.
Because he has a platform... Ken is a.. influencer- like you know, what some do on instragram or tiktok showing off things like their makeup products which gets a lot of views? This doesn't make him in the clear- there are bad influencers out there which companies still support, even if people are putting pressure on the company to not.Not true. Nikon, Canon and people that read his site send him cameras to review.Not a great resource for Nikon reviews IMO, because he does not even get to see the camera until Thom and other more reputable reviewers have already had it in hand for weeks.His site is still a great resource and I've sent him tips/coffee over the years. Using he same methodology with samples is still better than most other content or reviews. Especially when comparing similar gear.
Hearing information I disagree with strengthens or confirms my point of view. Maybe we hear too much of that lately...
"Perfectly Clear" - Other pros have heard of it. He also uses Photo Mechanic, Affinity and Nero. He has sold his Jpeg files to clients like Disneyland.But if you are going to Ken for information to disagree with, then you are going to the right place.
More bad advice from Ken: I always shoot extra small, extra vivid, JPG only, no RAWs needed, ever, and I always process my extra tiny, extra vivid JPEGs using this thing called "Perfectly Clear" which I am not sure anybody else has ever heard of, but, Ken assures us that his buddy is selling us the greatest software since sliced bread!
Ok, down off of soapbox.
Yes. Shakedown is hyperbole. I do not care for the "please help please help please help" business model, the affiliate links (AKA "my officially approved sources") peppered throughout the reviews, OR the content.Hyperbole. Shakedown? A shakedown is a kid demanding your lunch money or he will beat you up. Or similar threat of harm unless you pay.He does not ask for donations, he demands donations. Each "review" is in fact a shakedown, beginning with groveling, ending with groveling, and with groveling in the middle. His site is 65% money-grubbing and 35% content, most of which is biased or just plain wrong. That does not strike me as a good source of information, and what's more, it's just in bad taste.Absolutely disagree. His website has NO ads so he asks for donations. How is that worse than DPreview stuffing car ads and other annoying pop ups?? Or any other Ad funded website for that matter? I get it - they need money but KR's methods are more honest IMO.
Additionally I find his product photography superior to most, even though his personal photographic style is not to my taste.
I have never received a threat from Ken Rockwell. He is very heavy with his requests for payment, yes, but that is not shaking someone down, it is simple begging. If I/you/anyone doesn’t want to donate, we simply don’t and no harm.
Ken's databases on the Nikkor lenses and the old film bodies are a real treasure, and I have sent him a few bucks in the past because of that.I didn’t watch the review video. I did scan his written review on his site.
The first thing he gets wrong is to say the camera is effectively a Z6ii in an FM2 package. It is not. To begin with, the Z6ii uses dual Expeed6 processors and the Zf uses the Expeed7, the same as theZ8/9. He complained a lot bout ergonomics, ignoring that this camera was not introduced as an ergo camera but retro. I stopped reading about then.
admiringlight.com
admiringlight.com
One has to wonder about peoples comprehension abilities. There is a lot of hate going on, but really objectively, where was their review bitter? (I am not a regular watcher of them, so I'm unbiased):And, FTR, I found his "review" of the Z f flawed on so many levels, not at all accurate, like he was rushing it. I would expect as experienced of a photographer as he purports to be to do a much more comprehensive and accurate review. The only worse review on YT was Tony and Chelsea's rather bitter review, because Nikon USA is ghosting them these days...and for good reasons.
Thanks for sharing. I found it to be a very balanced, and excellent review, even if I don't get some of his cons.A bit off topic perhaps, but a review of the Zf has recently been published on Admiring Light:
https://admiringlight.com/blog/review-nikon-zf/
It may or may not convey any new information, but I enjoy his reviews, which I find to be fair and thoughtful, and his sample images never fail to impress.
He has only written a handful of Nikon reviews, but IMO they are all worth your time, if only for enjoyment.
https://admiringlight.com/blog/review-index/#Nikon-Reviews
--I have enjoyed the experience and quality of the camera so much that I have ended up using the Zf just as much as my Z8 over the past several months. It’s a fun camera that also has it where it counts.
Ha, this thread got me to visit his site. 10 or 12 years ago, as a newby, I got some useful info from his site. But even then, the oversaturated photos were odd. Now, he's gone all-in on his home page, with every photo extremely oversaturated. It's a style, I guess.I didn’t watch the review video. I did scan his written review on his site.
The first thing he gets wrong is to say the camera is effectively a Z6ii in an FM2 package. It is not. To begin with, the Z6ii uses dual Expeed6 processors and the Zf uses the Expeed7, the same as theZ8/9. He complained a lot bout ergonomics, ignoring that this camera was not introduced as an ergo camera but retro. I stopped reading about then.
The R8 is the better action camera (if you can use the electronic shutter) compared to Zf and Z6 III and will bless you with a better keeper rate. IBIS is a gimmick in that setting. I can say that with confidence having shot tousands of images with both cameras.I guess we'll just agree to disagree about The Fro being a "solid" photographer. Anyone who puts out an hour + setup video about the biggest hunk of junk Canon has released in the last 2 decades (R100) and claims it is somewhat functional...is bought and paid for. That, and his constant slobbering over the R8 - any other manufacturer that put out a FF MILC without IBIS, he'd be tearing them from pillar to post.
Also his constant attempts at explaining/justifying why he shoots landscapes wide open (huh? I guess there is a reason he doesn't post his landscape photos then) and his constant shilling for his presets ("Skittles" seems to be his pride and joy...and for my tastes, that might be the worst preset I have ever seen.)
And I hate to burst his bubble, but it ain't that hard to take pictures of Bryce Harper hitting home runs at Phillies home games given the pro glass and pro bodies he has access to. Yet, every time, he fawns over them like they are all somehow Pulitzer-worthy.
The Nortrops reviewed the Z f like it was a modern design MILC era that costs much more than the $2K camera that it was. Their complaints about ergonomics were both puzzling and inconsistent considering their constant fawning over the Q3/Q2 and the 100V/VI. And AF? C'mon...(again, Q3/Q2 and X100V/VI.)
The source matters to me, and their credibility. For example, I do not waste time reading the National Enquirer, even if they say something truthful from time to time. I am perfectly comfortable ignoring it, because it is not considered a reliable source of information. I do read the Washington Post, because it is reliable. Feel free to plug in your own "reliable source" if for some reason you don't like the Post. =)I think the key is to no be influenced by anyone, but also not ignore them. We're hit with so much information these days that we have to filter what is important and what is not.
You also have to decide if the information is intended to mislead you or not. The bigger problem is when corporations follow or rely on these influencers. Instead of following what aspects made them great. A stopped watch is right twice a day, and more than half of his observations are rather relevant, as I broke several of them down here:
https://www.dpreview.com/forums/post/67841924
If by clients you mean Youtube viewers, then yes that is true, but you can do that in other ways. Take Matt Granger and Steve Perry for example, who probably have larger audiences than KR, but put out good content that people actually want to hear about. Not some guy complaining about a camera system that he probably really doesn't like in the end.Did you miss the part where he said that he has to satisfy his clients?Granted he's a professional photographer (former? maybe) he's lost quite a bit of credibility in photography circles/groups. Not as bad as Fro or the Northups perhaps which are mostly click-bait these days, but he's practically in the same class IMO.By Ken Rockwell:
Yes and I've taken that into account too when watching his videos (I obviously disagree with him on many points in his reviews, but it's also that I likely don't shoot the way he does either). But like Fro, he will find any attempt to try to jab at Nikon and compare them to Sony and Canon.It was obvious to me that he reviewed the camera based on his shooting style and workflow.Basically take what he says only as his opinion and with a grain of salt so to speak. He does occasionally have some valid points but most of it is personal bias towards other brands or film cameras.
I think you don't fully understand the ISO dial and Auto ISO integration. When ion 'C' the Auto ISO uses whatever settings you put into it in the menu. By changing the ISO dial you either;I almost bought one because it was cool and had the Expeed 7 processor. But, in trying out one in a camera store, the strange way the ISO dial/menu settings worked made me decline. As Thom put it, the ISO dial can be "lying" to you in certain situations. That could have been avoided by a green "A" position, but that's not what Nikon did.