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The OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
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The OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision thereforeThe OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
The 20/1.4 also has more SA, which gives smoother background bokeh but more glow around lights, flowers in sunlight etc.Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision thereforeThe OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,![]()
I have never had a problem as I don't base my opinions on internet reviews or forum opinions, rather I apply real world personal usage. I sold my PL25 after a couple of weeks ....no mythical glow no go. with a rattle, otherwise it seemed ato be a great lens.Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision thereforeThe OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,![]()
Sadly I don’t have access to testing gear and returning it if it doesn’t work for me. So I’ve relied most of my purchases on several polls I’ve posted over the years, and I can say with certainty that people’s opinions have not disappointed.I have never had a problem as I don't base my opinions on internet reviews or forum opinions, rather I apply real world personal usage. I sold my PL25 after a couple of weeks ....no mythical glow no go. with a rattle, otherwise it seemed ato be a great lens.Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision thereforeThe OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,![]()
Yea it's easy to find a situation where a any lens does not perform well but iis ignored about it being great in other situations
I'm like you, no complaints with the recommendations from the forum, and I've never touched anything before buying XD all good so farSadly I don’t have access to testing gear and returning it if it doesn’t work for me. So I’ve relied most of my purchases on several polls I’ve posted over the years, and I can say with certainty that people’s opinions have not disappointed.I have never had a problem as I don't base my opinions on internet reviews or forum opinions, rather I apply real world personal usage. I sold my PL25 after a couple of weeks ....no mythical glow no go. with a rattle, otherwise it seemed ato be a great lens.Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision thereforeThe OM 20mm f1.4 is the alternativeThe 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,![]()
Yea it's easy to find a situation where a any lens does not perform well but iis ignored about it being great in other situations
To me, forum opinions are 80% real world use and 20% personal bias, and I’m good with that. Maybe a bit more on the bias, but it’s ok. I understand.
At the end of the day, advise here has proven to me to be very solid.
I am a late comer to the party but I am in agreement. Just get what 'works' all the time. I don't mind the Panasonic but I don't / didn't want reliable 'most of the time' and for a relatively few bucks more, get what is reliable 'all the time'us.
If I had to buy a lens now, I think I would look for a used Olympus 25 f1.8 instead as the focus is more reliable and it is smaller/more compact. Plus I have an Olympus camera.
Chris
G9 and GX9 in my case. Thanks for the warning. Already got the PL.If this is for an Olympus body, I suggest you avoid the Lumix 25mm f1.7.
I owned one for a while and found that whilst it works fine on a Lumix body, on an Olympus it tends to focus a little in front of wherever you wanted to focus.
There are YouTube videos confirming this.
Well, just got it in my hands yesterday, as I have to go through the whole ordeal or freight forwarders. On the very positive side, is in amazing shape. Really looks brand new to me. My wife just invited me to a local farmer’s market on Sunday, so I will have a chance to use it and report back.How's it going so far?G9 and GX9 in my case. Thanks for the warning. Already got the PL.If this is for an Olympus body, I suggest you avoid the Lumix 25mm f1.7.
I owned one for a while and found that whilst it works fine on a Lumix body, on an Olympus it tends to focus a little in front of wherever you wanted to focus.
There are YouTube videos confirming this.
Peter
Don't listen to these people..... pictures of brick a wall at all apertures with 100% crops of centers and all 4 corners.
Sounds good to me!Well, just got it in my hands yesterday, as I have to go through the whole ordeal or freight forwarders. On the very positive side, is in amazing shape. Really looks brand new to me. My wife just invited me to a local farmer’s market on Sunday, so I will have a chance to use it and report back.How's it going so far?G9 and GX9 in my case. Thanks for the warning. Already got the PL.If this is for an Olympus body, I suggest you avoid the Lumix 25mm f1.7.
I owned one for a while and found that whilst it works fine on a Lumix body, on an Olympus it tends to focus a little in front of wherever you wanted to focus.
There are YouTube videos confirming this.
Peter
It was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.I really like this lens but for some reason it does not come out as often as it should.
Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.
Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
And you really captured a great moment here.
I am glad you are enjoying the lens. It's definitely working well for you.
My Canon EF 40mm f2.8 pancake disagrees with youIt was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.I really like this lens but for some reason it does not come out as often as it should.
Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.
Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
Good point, and nice pictures from such a low cost and small lens.My Canon EF 40mm f2.8 pancake disagrees with youIt was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.I really like this lens but for some reason it does not come out as often as it should.
Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.
Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
Thanks Janet. Is definitely growing on me, and is just my first outing with it. I see it accompanying me very often. I love how the restrictive FOV helps you focus on what is important and helps you provide a sense of story.I have two favorites:
I just LOVE this shot. It's like a little painting. I'd level it a bit, but don't touch it otherwise!
And you really captured a great moment here.
I am glad you are enjoying the lens. It's definitely working well for you.
-J
Yeah, it knocks my socks off every time I use it, especially when you look at the front element, & it's basically the size of your little pinkies fingernail. I read somewhere that the easiest & smallest focal length to make & design is expressly related to the diagonal measurement of the sensor. Can't remember exactly how, but it seems to work in this case. I liked it much better than the EF 50 STM that I had at the same time. Everyone's different butGood point, and nice pictures from such a low cost and small lens.My Canon EF 40mm f2.8 pancake disagrees with youIt was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.I really like this lens but for some reason it does not come out as often as it should.
Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.
Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
I was talking SLR lenses of back in the film days, where that "50mm standard FL" originates from. That is a much newer DSLR lens you use there. The availability of better glasses and computational lens design has somewhat changed the "soft spot" for what is the smallest and easiest/cheapest to make FL's towards the wider end. The same is true in m43, that "soft spot" is more the 20mm FL.