Opinions on 25mm options

Opinions on 25mm options


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The 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
The OM 20mm f1.4 is the alternative
Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision therefore :)
 
The 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
The OM 20mm f1.4 is the alternative
Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision therefore :)
The 20/1.4 also has more SA, which gives smoother background bokeh but more glow around lights, flowers in sunlight etc.

Andrew
 
The 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
The OM 20mm f1.4 is the alternative
Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision therefore :)
I have never had a problem as I don't base my opinions on internet reviews or forum opinions, rather I apply real world personal usage. I sold my PL25 after a couple of weeks ....no mythical glow no go. with a rattle, otherwise it seemed ato be a great lens.

Yea it's easy to find a situation where a any lens does not perform well but iis ignored about it being great in other situations
 
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The 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
The OM 20mm f1.4 is the alternative
Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision therefore :)
I have never had a problem as I don't base my opinions on internet reviews or forum opinions, rather I apply real world personal usage. I sold my PL25 after a couple of weeks ....no mythical glow no go. with a rattle, otherwise it seemed ato be a great lens.

Yea it's easy to find a situation where a any lens does not perform well but iis ignored about it being great in other situations
Sadly I don’t have access to testing gear and returning it if it doesn’t work for me. So I’ve relied most of my purchases on several polls I’ve posted over the years, and I can say with certainty that people’s opinions have not disappointed.

To me, forum opinions are 80% real world use and 20% personal bias, and I’m good with that. Maybe a bit more on the bias, but it’s ok. I understand.

At the end of the day, advise here has proven to me to be very solid.
 
Sure but real advice is far and few between people like medisn and markusweld show results that they have taken, most just cut and paste internet stuff.

markusweld presented the positives of the G100 and medisn presented the shortcomings of the 20mm f1.4 ....... I bought both the products

the twitchers are a world of their own
 
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The 25/1.4 ii eventually ticked all those newly added boxes. Fortunately, it possess some of those special rendering qualities,
The OM 20mm f1.4 is the alternative
Indeed, I was between those two. Judging from the reviews and user reports I concluded the PL25 had a bit better IQ at the larger apertures, especially when it comes to purple fringing which can be ugly in starry skies. It was also cheaper, lighter and smaller. An easy decision therefore :)
I have never had a problem as I don't base my opinions on internet reviews or forum opinions, rather I apply real world personal usage. I sold my PL25 after a couple of weeks ....no mythical glow no go. with a rattle, otherwise it seemed ato be a great lens.

Yea it's easy to find a situation where a any lens does not perform well but iis ignored about it being great in other situations
Sadly I don’t have access to testing gear and returning it if it doesn’t work for me. So I’ve relied most of my purchases on several polls I’ve posted over the years, and I can say with certainty that people’s opinions have not disappointed.

To me, forum opinions are 80% real world use and 20% personal bias, and I’m good with that. Maybe a bit more on the bias, but it’s ok. I understand.

At the end of the day, advise here has proven to me to be very solid.
I'm like you, no complaints with the recommendations from the forum, and I've never touched anything before buying XD all good so far :D

When I bought the 25mm ii, the galleries for the mark i convinced me, along with forum posts.

Its my only prime right now, I only really want to add a manual f/0.95 (the 60mm preferably), but thats a want, my needs are met with my two zooms and the 25mm tbh.
 
I have the Panasonic 25mm F1.7

I got it because it was super cheap brand new. I do use it a lot. It is light weight, comes with a lens hood, focuses fast and the fast aperture is great for indoors. However, the issues with regards to the focus shift are real. In real use, most of the time I don't notice it, but it can be noticed in some photos and it has messed up a few shots. It seems to be most noticeable in mid focus distances when stopped down a bit (around F4 seems worst). If you use it only wide open or really stopped down it won't be an issue. There is a work around with Panasonic cameras apparently where you use constant preview in manual mode so that it focuses while stopped down, but I have an Olympus.

If I had to buy a lens now, I think I would look for a used Olympus 25 f1.8 instead as the focus is more reliable and it is smaller/more compact. Plus I have an Olympus camera.

Chris
 
us.

If I had to buy a lens now, I think I would look for a used Olympus 25 f1.8 instead as the focus is more reliable and it is smaller/more compact. Plus I have an Olympus camera.

Chris
I am a late comer to the party but I am in agreement. Just get what 'works' all the time. I don't mind the Panasonic but I don't / didn't want reliable 'most of the time' and for a relatively few bucks more, get what is reliable 'all the time'
 
If this is for an Olympus body, I suggest you avoid the Lumix 25mm f1.7.

I owned one for a while and found that whilst it works fine on a Lumix body, on an Olympus it tends to focus a little in front of wherever you wanted to focus.

There are YouTube videos confirming this.
G9 and GX9 in my case. Thanks for the warning. Already got the PL.
 
If this is for an Olympus body, I suggest you avoid the Lumix 25mm f1.7.

I owned one for a while and found that whilst it works fine on a Lumix body, on an Olympus it tends to focus a little in front of wherever you wanted to focus.

There are YouTube videos confirming this.
G9 and GX9 in my case. Thanks for the warning. Already got the PL.
How's it going so far?

Peter
Well, just got it in my hands yesterday, as I have to go through the whole ordeal or freight forwarders. On the very positive side, is in amazing shape. Really looks brand new to me. My wife just invited me to a local farmer’s market on Sunday, so I will have a chance to use it and report back.
 
If this is for an Olympus body, I suggest you avoid the Lumix 25mm f1.7.

I owned one for a while and found that whilst it works fine on a Lumix body, on an Olympus it tends to focus a little in front of wherever you wanted to focus.

There are YouTube videos confirming this.
G9 and GX9 in my case. Thanks for the warning. Already got the PL.
How's it going so far?

Peter
Well, just got it in my hands yesterday, as I have to go through the whole ordeal or freight forwarders. On the very positive side, is in amazing shape. Really looks brand new to me. My wife just invited me to a local farmer’s market on Sunday, so I will have a chance to use it and report back.
Sounds good to me!

If doing requests, some photos of edibles, rather than craft works etc, would be particularly appreciated?

Peter
 
Just a few from the International Chorrera Fair:

f4a2f37929444d44858fafdf9936f8f1.jpg


Ah, food. I was tasked with some food. Not much available, but I do love some BBQ

Ah, food. I was tasked with some food. Not much available, but I do love some BBQ

Ponies!!! who doesn't love ponies?

Ponies!!! who doesn't love ponies?

The wife, always posing for me

The wife, always posing for me

More food!!!

More food!!!

And more BBQ... Not for vegans, sorry.

And more BBQ... Not for vegans, sorry.

Although we also have some vegetables and fruits

Although we also have some vegetables and fruits

And plants. I had to haul my fair share of plants back to the car, as expected.

And plants. I had to haul my fair share of plants back to the car, as expected.

And finally, a shaved ice vendor.

And finally, a shaved ice vendor.

Thanks for watching. Hope you like the 25mm f:1.4. I do love it myself. Really like the focal length, and while I was tempted to jump to my 12-40mm, as my 12-60mm hasn't arrived yet, I didn't yield and kept shooting with the 25mm. It was a great experience which I'm hoping to become a regular. I do find the focal length not too restrictive, but long enough to clean up clutter and focus on the subject.

--
Martin
"One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it" - Galen Rowell
 
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I really like this lens but for some reason it does not come out as often as it should.

Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.
Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.
It was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.

Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.

Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
 
I have two favorites:

I just LOVE this shot. It's like a little painting. I'd level it a bit, but don't touch it otherwise!
Although we also have some vegetables and fruits

Although we also have some vegetables and fruits
And you really captured a great moment here.
Ponies!!! who doesn't love ponies?

Ponies!!! who doesn't love ponies?
I am glad you are enjoying the lens. It's definitely working well for you.

-J
 
I really like this lens but for some reason it does not come out as often as it should.

Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.
Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.
It was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.

Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.

Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
My Canon EF 40mm f2.8 pancake disagrees with you



8c0268ce3ec14d5e86f28960bf221aee.jpg




ca13c5a3321a4680a5392feb02aac1c0.jpg




35e3fb8c6e89410bb2002f1baff5735f.jpg
 
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I really like this lens but for some reason it does not come out as often as it should.

Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.
Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.
It was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.

Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.

Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
My Canon EF 40mm f2.8 pancake disagrees with you
Good point, and nice pictures from such a low cost and small lens.

I was talking SLR lenses of back in the film days, where that "50mm standard FL" originates from. That is a much newer DSLR lens you use there. The availability of better glasses and computational lens design has somewhat changed the "soft spot" for what is the smallest and easiest/cheapest to make FL's towards the wider end. The same is true in m43, that "soft spot" is more the 20mm FL.

8c0268ce3ec14d5e86f28960bf221aee.jpg

 
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I have two favorites:

I just LOVE this shot. It's like a little painting. I'd level it a bit, but don't touch it otherwise!
Although we also have some vegetables and fruits

Although we also have some vegetables and fruits
And you really captured a great moment here.
Ponies!!! who doesn't love ponies?

Ponies!!! who doesn't love ponies?
I am glad you are enjoying the lens. It's definitely working well for you.

-J
Thanks Janet. Is definitely growing on me, and is just my first outing with it. I see it accompanying me very often. I love how the restrictive FOV helps you focus on what is important and helps you provide a sense of story.



c88f85517aa64fb2bc6ee663d0f731e2.jpg


Here you go, leveled.

--
Martin
"One of the biggest mistakes a photographer can make is to look at the real world and cling to the vain hope that next time his film will somehow bear a closer resemblance to it" - Galen Rowell
 
I really like this lens but for some reason it does not come out as often as it should.

Not an issue with the lens itself - more that I don't get that much call for a 25mm prime.
Agreed - lens looked great on paper, but demands have always been either more wide angle or more portrait.
Yes it represents to old 135 film format "Standard" fov which in my reckoning was anything but "standard" but was nevertheless made to do duty as that was its general recommendation of purpose at the time.
It was "standard" because 50mm is the focal length that is the easiest and cheapest to design for the 135mm format, and it is also the physically smallest to make FL for that format. Longer or shorter FL's like the next up 75mm or the next down 35mm already get larger and more expensive to correct to the same IQ level. And hence, virtually every SLR camera&lens kit in the film days came with a 50mm lens.

Me personally, I never owned a 50mm in the film days, it's an FL that I never cared for. I rather always had a 35 and a 75, and never missed the in-between.
Arguably we are all better off with a variety of lens stocks including the inevitable mid-range zoom that crosses the full range of "standard" from wider to longer and becomes more convenient for use, especially considering that present day zoom lenses are now very capable in their own right.

Once was the sort of lens that you might have as a general purpose lens when you only had one in that middle reach fov and it wasn't a zoom. Make a bit faster and it was as close as you might get to one-lens one-camera-body heaven.
My Canon EF 40mm f2.8 pancake disagrees with you
Good point, and nice pictures from such a low cost and small lens.

I was talking SLR lenses of back in the film days, where that "50mm standard FL" originates from. That is a much newer DSLR lens you use there. The availability of better glasses and computational lens design has somewhat changed the "soft spot" for what is the smallest and easiest/cheapest to make FL's towards the wider end. The same is true in m43, that "soft spot" is more the 20mm FL.

8c0268ce3ec14d5e86f28960bf221aee.jpg

Yeah, it knocks my socks off every time I use it, especially when you look at the front element, & it's basically the size of your little pinkies fingernail. I read somewhere that the easiest & smallest focal length to make & design is expressly related to the diagonal measurement of the sensor. Can't remember exactly how, but it seems to work in this case. I liked it much better than the EF 50 STM that I had at the same time. Everyone's different but :)
 

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