X-H2 Dpreview studio scene and Lr/adobe
OP
Dylan10
•
Regular Member
•
Posts: 200
Re: X-H2 Dpreview studio scene and Lr/adobe
pidera wrote:
Erik Baumgartner wrote:
Dylan10 wrote:
I hear this is a hot topic, sorry, but I was intrigued to find out for myself why everything is so soft in Lr, I still have no idea. So, I updated my version of dxo to support the X-H2 and was very surprised at the output using noise reduction setting deep prime, indeed it does make things look far far better to my eyes anyway. So much so it seems to be equivalent, possibly better, than the A7IV which I'm sort of frustrated with. On the one hand the A7IV is a really great FF camera but on the other it really isn't great for long exposures. The wifi remote control is flaky and the Bluetooth control irritating. Although I'd prefer a smaller body than X-H2 it at least seems to do everything I want, including long exposures and focus stacking options in-camera without requiring remotes and controllers.
I am very interested in the X-H2 for travel with the Sigma 18-50 2.8 lens and Fuji 55-200, and probably the Tamron 11-20 once available but have noticed the 18-50 isn't working well for many with X-T5, is it the same issues on the X-H2?
Here's the conversion I did in Dxo which I found to be a lot better than the dpreview studio scene sample, anyone know what's happening with Lightroom?

Everything looks better than the DPR's X-Trans RAW examples. They use default Lightroom import settings which are FAR from optimal for the 40MP files. This is Lightroom w/X-Transformer...

I mostly shoot my X-mount camera's in JPEG + RAW but hardly ever use the RAW files. Fuji's own in-camera conversion on the 40 MP cameras also seems lacking by default. I know returns should be expected to diminish, but surely everyone expected a bit more, no ? I'm not checking what has been written about this all over the internet, do you or anyone else know if there is some kind of consensus on what's going on and how to find extra resolving power ?
The main issue is the lack of actual raw images on-line to test results but the imaging resource site now has lots of images so will test some more samples. I like the idea of this camera for sure and dxo does seem to be bringing the best out of the raw files.
Sony a1
Samyang AF 50mm F1.4 FE
Sony FE 24-105mm F4
Samyang AF 18mm F2.8 FE
Tamron 70-180mm F2.8 Di III VXD
+5 more
|
Post
(hide subjects)
|
Posted by
|
When
|
|
|
|
|
3 weeks ago
|
3 |
|
|
|
3 weeks ago
|
1 |
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
3 |
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
|
|
|
3 weeks ago
|
|
Keyboard shortcuts:
FForum
PPrevious
NNext
WNext unread
UUpvote
SSubscribe
RReply
QQuote
BBookmark
MMy threads
Color scheme?
Blue /
Yellow
|
|
|
|
|
Mar 20, 2023
|
Feb 26, 2023
|
Feb 25, 2023
|
Jan 23, 2023
|
We're Noct messing around with this review.
Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow!
The Sony ZV-E1 is the company's latest vlogging-focused camera: a full-frame mirrorless camera based the FX3/a7S III sensor, aimed at YouTubers and 'creators' looking to go pro.
The Sony ZV-E1 is a full frame camera targeting YouTubers. Chris and Jordan are Youtubers, what do they think?
Holy Stone produces dozens of low-cost drone models aimed at consumers. We look at the HS710 and HS175D to see if they stack up to other sub-250g offerings. Are these secretly great or more like toys?
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.