Fujifilm X-H2 for video—how am I supposed to use this thing?
Re: Fujifilm X-H2 for video—how am I supposed to use this thing?
1
iruyo wrote:
Kaoticphoto wrote:
Fuji Maine wrote:
Kaoticphoto wrote:
as s X-H2S user
i set C1 to photo (Studio setting)
C2 to video 4K 25
C3 4K 50, FPS, C4 4K 100 fos, C5 FHD 200 fps
This is exactly what I was going to suggest as well. I use the custom settings exclusively for my video presets. C1 24fps 1/48 C2 60fps 1/60 C3 120p 1/240. C4 & C5 are 24&60 but with ProRes, C6 6.2k open gate. In the settings menu make sure to select that the custom setting is video mode and not photo mode. I reserve C7 for any kind of photo or video setting that happens to be specific to what I'm doing before I head out. Because I know what C1-C6 are and they never change it's just a flip of the dial. I thought after years with the regular Fuji dials going back to pasm would be a nightmare. With the ability to program seven custom settings I'd say this is actually my preferred control format. Whenever I need to use my XT4 for a second camera, I actually find myself fumbling around with the dials and makes me much less efficient.
coming from xpro1/2/3 xe1/2 xt2/3
i have to say custom modes are useful in studio but i miss the straightforward menu if previous series.
having separate menu for photo and video, as well 1s my menu for both, Custom modes for both, missing a lot the clickable dial zoom focus or switch between MF assist modes (peak, split, etc)
it's seem impossible to leave some settings out from C1/7 like af modes or WB.
missing an instant view on important setting (aperture, speed, etc on top lcd wit default settings when in movie control)
hating rhe new lcd always stuck with usb cables or hdmi output
really, while globally I like the custom.modes, Fujifilm implementation seem quite confusing
yeah, I'm with you on these. I really miss the easy switching / turning off of MF assist. actually, MF assist doesn't even seem to work in video mode at all (works in stills mode fine).
I also can't get any information to show up on the LCD screen other than the recording mode and time remaining at the top unless I turn on 'large indicators' (EVF is fine; all the 'custom display settings' seem to affect EVF and not LCD).
you can change this in screen setting/sub monitor setting
but while i can use an X-t3 out of the box and it's perfect for my use, i had to spend a lot of time browsing and setting the menus to have a workable X-h2s
I'm starting to wonder if there are a lot of bugs that haven't been worked out, but again, it could be me and some odd setting I have switched on/off.
|
Post
(hide subjects)
|
Posted by
|
When
|
|
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
1 |
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
|
|
|
|
3 months ago
|
1 |
|
|
|
3 months ago
|
1 |
|
|
|
3 months ago
|
|
Keyboard shortcuts:
FForum
PPrevious
NNext
WNext unread
UUpvote
SSubscribe
RReply
QQuote
BBookmark
MMy threads
Color scheme?
Blue /
Yellow
|
|
|
|
|
Mar 20, 2023
|
Feb 26, 2023
|
Feb 25, 2023
|
Jan 23, 2023
|
We're Noct messing around with this review.
Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow!
The Sony ZV-E1 is the company's latest vlogging-focused camera: a full-frame mirrorless camera based the FX3/a7S III sensor, aimed at YouTubers and 'creators' looking to go pro.
The Sony ZV-E1 is a full frame camera targeting YouTubers. Chris and Jordan are Youtubers, what do they think?
Holy Stone produces dozens of low-cost drone models aimed at consumers. We look at the HS710 and HS175D to see if they stack up to other sub-250g offerings. Are these secretly great or more like toys?
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.