Question about Bit Depth and Colour Space
Re: Question about Bit Depth and Colour Space
Markr041 wrote:
sludge21017 wrote:
Charles Hull wrote:
sludge21017 wrote:
It looks like you are getting there. I've done lots of HDR for several years, but never had a reason to go to YouTube, so I'm interested in your experience. I've never used 10 bit H264. The usual required input for HDR TVs is 10 bit H265, although they may be starting to accept more formats anymore. In looking at YouTube's requirements, they seem to take almost any 10 bit format. I expect they convert it to H265. Prores 422 could be a good choice to send to them.
Are you using Reslove's YouTube exporter, or do you export to a file and use YouTube's importer? A good way to preview you videos is to export them to a H265 file from Resolve, and play them on your HDR TV through its USB port (with a thumb drive). To get 10bit H265 from Resolve select Main10 for the encoding profile.
Custom Export in Davinci. In youtube, I just go into Manager Videos and then Create, then Upload Videos.
My laptop is miniLED...so it handles HDR playback without any problem. (MSI Creator 17" with 2080Super).
I see Handbrake has these other formats that Youtube is saying that is compatible, namely the VP9 and H264/5 10 bit format. I saw an option for color space - so maybe this is way!
So off to handbrake now - lets see if the video converted to H264/10bit to upload and test with that. I really don't feel like uploading a 96GB file for 7 minutes of video, hopefully I can get it to a fraction of that. Might have to whip out MKVERGE to inject that metadata back. Fingers crossed.
I export hdr in h265 10bit (Main10) mov using Resolve. The default file sizes are small but the quality is fine. In Advanced you can make sure the gamut and color matrix metdata are correct (REC2020). Always works as HDR inYouTube.
The one exception I've found to "always works" when all of those are met, at least for NVIDIA hardware encoding:
If you choose constant quantizer/constant quality (I forget off the top of my head exactly which one Resolve offers for NVENC) for bitrate control, YouTube will choke on the video. It will clearly recognize it as HDR (it'll tonemap to SDR correctly), but the final HDR render will never appear, it'll often just get stuck in "processing" for days, and when it completes, won't be HDR.
VBR works fine.
-- hide signature --
Context is key. If I have quoted someone else's post when replying, please do not reply to something I say without reading text that I have quoted, and understanding the reason the quote function exists.
Sony a6000
Pentax K-5
Pentax K-01
Sony a6300
Canon EF 85mm F1.8 USM
+5 more
|
Post
(hide subjects)
|
Posted by
|
When
|
|
|
|
|
Feb 12, 2022
|
|
|
|
|
Feb 13, 2022
|
1 |
|
|
|
Feb 13, 2022
|
|
|
|
|
Feb 13, 2022
|
6 |
|
|
|
Feb 13, 2022
|
|
|
|
|
Feb 13, 2022
|
5 |
|
|
|
Feb 14, 2022
|
1 |
|
|
|
Feb 18, 2022
|
|
|
|
|
10 months ago
|
|
|
|
|
10 months ago
|
1 |
|
|
|
10 months ago
|
|
|
|
|
10 months ago
|
2 |
|
|
|
10 months ago
|
|
|
|
|
10 months ago
|
|
|
|
|
Feb 20, 2022
|
|
|
|
|
Feb 25, 2022
|
|
Keyboard shortcuts:
FForum
PPrevious
NNext
WNext unread
UUpvote
SSubscribe
RReply
QQuote
BBookmark
MMy threads
Color scheme?
Blue /
Yellow
We're Noct messing around with this review.
Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow!
The Sony ZV-E1 is the company's latest vlogging-focused camera: a full-frame mirrorless camera based the FX3/a7S III sensor, aimed at YouTubers and 'creators' looking to go pro.
The Sony ZV-E1 is a full frame camera targeting YouTubers. Chris and Jordan are Youtubers, what do they think?
Fujifilm's X-H2 is a high-resolution stills and video camera, that sits alongside the high-speed X-H2S at the pinnacle of the company's range of X-mount APS-C mirrorless cameras. We dug into what it does and what it means.
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.