The Panasonic Lumix S5II launched the second generation of Panasonic’s full-frame mirrorless camera system and was the first Panasonic to feature phase detect autofocus. As our review reveals, it’s a heck of an all-around camera for both still and video shooters.
R5 lunar photography with stacked EF extenders
A very interesting thread!
I too have played around with stacking teleconverters on telephoto lenses. As a challenge, on a budget, i tried a number of inexpensive vintage telephoto and modern telephoto lenses, and found that for an inexpensive lens the Canon EF-S 55-250mm IS STM is quite sharp.
I also found a couple of teleconverters that are relatively sharp (although admittedly not as sharp as the Canon extenders), a Kenko 1.5x 5-element Teleplus SHQ which is very sharp, and optics from a vintage Kiron MC7 2x teleconverter in a Kenko 36mm Canon EF extension tube, which is slightly less sharp but still quite good.
The total number of optical elements in my case is 27, 15 for the lens, 7 for the MC7 2x, and 5 for the 1.5x. So many elements takes its toll on the image quality, of course. I then shot the Moon with a 90mm aperture Meade ETX-90 (1250mm f13.8, got for $100 off Craig's list) for comparison. For its size, the Meade is a good scope and showed more detail, as expected, as well as being the less expensive option (used or new).
Processed using DxO PL5 with Deep Prime de-noise, sharpening, chromatic aberration correction, tone, contrast, and micro-contrast applied (more extreme for the stacked TC shot), shown at full pixel resolution.
Canon M6ii, Canon EF-S 55-250mm IS STM, Kenko 1.5x Teleplus SHQ teleconverter, vintage Kiron MC7 2x teleconverter, 675mm, f16, 1/125s, ISO 800
Canon M6ii, Meade ETX-90 at prime focus, 1250mm, f13.8, 1/125s, ISO 400
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