* Wed C&C "No Theme" Thread #690 on 2021 07 14 *

Started 3 months ago | Discussions thread
minniev Veteran Member • Posts: 3,888
Re: Exploring a Matador

What an interesting series, to show the statue from the different angles and vantage points and with and without the human visitors. You remind us that there is more than one "right" way to compose an image. The second is my favorite, with all the arms extended in unison, and the the red taxi supported, like a circus balancing trick, by the matador's arm.

RoelHendrickx wrote:

February 2020 marked the last time that we really traveled abroad (except for the odd little trips just across the French and Dutch borders, to visit an exhibition or go for a walk - nd except for that short window in the summer of 2020 when travel was briefly allowed and we spent two weeks in the German countryside, driving our car and riding our bikes).

That last trip by plane took us to Madrid for an extended weekend citytrip.

One of the landmarks we visited on that trip, was the Plaza de Toros.

On the square surrounding this impressive bullring are several statues, and the one shown in three of these images, is the most dynamic of those.

I am showing four images here, taken on various moments before and after our visit, to illustrate the way I am seldom satisfied with the first image I make of any object or location.

It can happen that the very first image is immediately the best, but more often, there is a benefit in exploring angles and perspectives and focal lengths. You be the judge.

One of my standard approaches :photographing someone photographing the object

From one of the balconies of the bullring : a telephoto image showing how the statue "levitates". Waiting for a background with zero cars proved impossible. The selfie-takers were an opportunity I could not let pass, and fortunately, the cars in the background are nothing else than two Madrilene taxis in Spanish colours. Imagine this with a blue garbage truck. Not the same.

Back on the square, and looking at another statue, the idea germinated to photograph the statue in relation to the actual bull ring.

... which led to this final composition. I shot from nearby with wide angle and avoided the pavement in order to eliminate all hints of contemporary aspects (pedestrians, etc) and give the image a certain abstraction and timelessness.

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