Pen F users - some quick questions...

Raist3d wrote:

MEDISN wrote:

Raist3d wrote:

I see you ignore what Robin Wong wrote. I guess he doesn't count.

That’s Robins experience, NOT yours. You can parrot anyone you like - you still don’t have experience with HHHR.

No, no. You first dragged on that not even touch an EM1X. My claim was never that I tried the HHHR with Em1X. I never claimed that. But I claimed I held and used one, making the intiai statement false.

Except I never mentioned you. Whether or not you did or did not "touch" one is irrelevant as it has no bearing on experience with HHHR anyway, which you later admit you have ZERO.

Of course the point in the end is whether HHHR has the issue of artifacts with moving subjects.

And as I showed in an entire gallery of pixel shift shots, that is not necessarily the case. You simply don't have enough experience to understand when/how/where artifacts can occur on tripod or HHHR. It's amusing watching you pretend though!

Robin certainly points that out. Surely we can rely on that? I mean, between Robin and you on that, I think I know who I would believe.

You think Robin has more experience shooting pixel shift than me? Great - show me his gallery across architecture, landscape, urban, seascape, travel, and subway. He seems like more of a street shooter to me and I'm a big fan of his work.

I look forward to seeing a gallery of 90 of Robin’s high-res shots. He doesn’t seem to use it much in his style of shooting.

Using it or not is irrelevant to proving the point that is a mode that can have artifacts with moving subjects.

Wait, now it's "can have" lol, changing your position so soon? Oh, right because someone showed you what you didn't know was possible.

Of course like I said, you don't need to use a Sony A9II to know that with a prime lens of F1.4, shutter of 1/20, ISO 200 on plain daylight you will get an over exposed shot. Neither does anyone need to use an EM1X to realize that if the camera is making 16 shot-with exposure, time won't sit still for the subjects. I mean, it's pretty obvious

Time doesn't stand still for "the subjects" at any shutter speed with any camera.  It's a matter of how much motion you're willing to accept within a scene.