dpreviewTV: EF-M 22mm F2 not "ideal" for the M6 Mk II?

nnowak wrote:

Ed Rizk wrote:

nnowak wrote:

RLight wrote:

nnowak wrote:

RLight wrote:

The latest RF 50mm, 85mm f/1.2L's have no peer (f/1.2 lens with that high of performance). Or for that matter, how many other mfgs have f/1.2 primes? Not many. They often stop at f/1.4.

You seem to be forgetting that Nikon even exists. Their Z roadmap lists 35mm f/1.2, 50mm f/1.2 and 85mm f/1.2

I'll be (very) happy if Nikon does this, or even survives to be blunt. Competition is good, but, IMO, Nikon's future is very uncertain.

Nikon's future is no less uncertain than Canon's. Nikon put the brakes on the overabundance of bottom feeder DSLR models years before Canon. Nikon appears to be heading towards a single mirrorless mount for all sensor formats. I am not suggesting Canon is going to fail, but Nikon has been making some smarter long term moves than Canon. I think Nikon's financials have already hit bottom, but I think Canon still has some more pain ahead.

Neither one of those companies has a particularly "uncertain" future. Cameras are not going away. Back in the days of film, camera sales were lower than they are now and still supported several camera companies.

Back in the film days, if you wanted a photo, there was no other option. You needed a camera and film. Now you no longer need a stand alone camera

There will be a smaller selection of cameras by each company and upgrades will come less often.

This is definitely true, but it is too early to predict who or what will be left standing. Here's a hypothetical... Olympus sells off their camera division to Google who then merges all of the smartphone computational wonderstuff with smaller m4/3 cameras. Full frame as we know could suddenly look quaint and wholly inadequate.

Canon's great whites?

Have you seen the Nikon PF Telephotos? In case you weren't aware, PF is Nikon's version of Canon's DO. And how many years did it take before Canon finally built some wide angle lenses that weren't garbage? For a very long time, Nikon ruled the wide angles and Canon ruled the telephotos, but that was years ago. There will be plenty of professionals on the sidelines of the upcoming summer Olympics shooting with Nikon and Sony telephoto lenses.

I'm well aware. Now Canon rules both.

No, they don't. If Canon is as fantastic as you claim, why are such a significant number of photographers shooting with Nikon?

Canon still has the largest share.

Well, somebody needs to be number one. But that does not mean that number two, three, etc are inferior in every possible regard.

Beg to differ, ahem.

I am not trying to disparage Canon glass, but you seem to be completely unaware of the fantastic lenses being produced by other manufacturers.

Sigma makes some fine glass, if you ask me. As does Sony and Nikon. But, you've failed to demonstrate how, today, they have more breadth, and depth in offerings. Not yesterday, not tomorrow, today.

Sony has far more mirrorless lenses than Nikon and Canon combined and many are truly excellent. Where is the Canon equivalent to the Nikon 200-500mm f/5.6 or the Nikon 120-300mm f/2.8?

Looking at your previous post in this thread about lens selection, I agree with you to an extent. I like the Z offerings better than the R offerings. If you have to have a "mirrorless" lens, Sony is the best option, and Fuji is the only other option with a complete selection.

Canon, however beats them all with the ability to use EF lenses to their fullest capability.

With a relatively complete native catalog such as Sony, Fuji, or m4/3, how many of the EF lenses are even worth adapting? I am not saying that the EF lenses are not great, but how many offer something truly unique above the native options? The EF catalog is very large, but there is a massive amount of duplication. Currently for sale at B&H are six different 70-200mm zooms, five different 70/75-300mm zooms, four different wide angle zooms, four different 400mm primes, three different 24-105mm zooms. Looking through the catalog, the only truly unique lenses that warrant adapting to mirrorless are the MP-E 65mm and the TS-E lenses.

I'll buy one or two RF lenses for convenience in walking around. (I have two, but will probably sell the RF 24-105. It's not better or longer enough than the EF 24-70 F4 to give up the macro focus.).

If I get the M6 II, I'll buy two to four M lenses for travel, depending on whether or not I add a superzoom instead of M telephoto and normal zoom.

However, my premium lenses will remain all EF, because I can use them on either the M or the R for different AOVs, and I can use them on a DSLR, which I still prefer on a nice day. No other system offers that flexibility and lens selection.

Sony still sells A mount DSLRs and A mount lenses that can be adapted to their mirrorless cameras. Nikon soon be launching their Z mount crop mirrorless cameras.

I think the missing qualifier is "No other system offers that flexibility and lens selection if you already own EF mount lenses".

You have to gather although Nikon and Sony will continue to "catch up", Canon won't be standing still. In the same way as Canon "catches up" with sensors, neither will Sony stand still in that same period.

For mirrorless, both Canon and Nikon are playing catch up.

I'm not sure, at least for a still shooter, like me. (Video is too much like work.)

The superior lens selection is a big deal for me, considering the EF catalogue.

How many variations of a 70-200mm lens does one person need?

The dual pixel focus is vastly superior, both from what I have read and personal experience. A good friend of mine is a big Sony fanatic. He shoots mostly video, so he should probably stay that way. We had a side by side test, and the R smokes the Sony on focus speed and accuracy, especially in low light.

I'll take your word for it.

No IQ advantage means anything if your shots are out of focus.

That is why I will absolutely never shoot with a DSLR again.

and until just recently with fuji’s latest models and firmware updates, the older models had trouble focusing in low light

Eg - on the reception dance floor

And for canon m, the reason I waited until the m6ii

I have also found that DPP handles noise on Canon files better than other programs, so the DR difference is less if you first de noise in DPP then retouch elsewhere.

I'm hoping the M6 II is a small R. If it is, I want it. I got rid of my 60D when I got the R. I miss having a crop camera to use with my EF lenses.