ISO usage poll.

ISO usage poll.


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How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
 
When doing landscape photography, I will always use an ISO that preserves highlights. Often, this results in images with areas of shadow that I know I'll end up brightening in post by a full stop or thereabouts. Since I do more than landscape photography, I indicated, "occasionally," in my response. If there were a follow-up poll asking those who indicated at least occasional use of this technique how frequently they apply it for certain genre's of photography, I suspect the results would be illuminating.
I think you've mistaken the point of this twunty thread and this twunty arguing with anybody who tries to make sense of him. It clearly isn't really about highlight headroom, so your perfectly sensible point is no good to him. Maybe it's really about isoless sensors and being an exposure nerd, or something. I don't think he cares if we usually have to underexpose one or two stops down from what the meter says on a CCD camera to hold detail in clouds.
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights? Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.

Some cameras can apply brightness (ISO increase) in-camera better than in post for JPEG mode, but I have never heard of the reverse being true for raw mode. I could be wrong, but it doesn't make sense to me.
 
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How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
Some cameras can apply brightness (ISO increase) in-camera better than in post for JPEG mode, but I have never heard of the reverse being true for raw mode. I could be wrong, but it doesn't make sense to me.
Start a thread on it in the Photographic Science and Technology forum. You might be surprised.
 
Digital only, please. But, yes, that is what I mean.
You didn't specify this in your original post and yet you dismiss analog as if it's irrelevant for this type of processing. Digital push processing looks like junk. If anyone was going to deliberately push exposure as an aesthetic choice it would be sensible to do it on analog.

But whatever, it's your poll so feel free to keep moving the goalposts.
This is DPReview. You know what the "DP" in "DPReview" stands for? Here's a hint: it's not "Film Photography".

So, if you want to be a total ++++, please continue your self-harming statements. I've often said that I seem to find far more opportunities for "entertainment" than information on DPR because people like you are so numerous.
Mate, I'll just let you go and have your own little circle **** over in the corner.
Meanwhile this site keeps on reporting news on analog developments and throwing back to film cameras.

In case you're blind...
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
Not in an ISOless camera.
Some cameras can apply brightness (ISO increase) in-camera better than in post for JPEG mode, but I have never heard of the reverse being true for raw mode. I could be wrong, but it doesn't make sense to me.
Start a thread on it in the Photographic Science and Technology forum. You might be surprised.
If I see that I am actually wrong here, I will.


 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data.

And, hence, it is typically the case that ISO can cause a properly exposed image to, nevertheless, result in clipped data due to excessive ISO. It appears you have something to learn.
Not in an ISOless camera.
Some cameras can apply brightness (ISO increase) in-camera better than in post for JPEG mode, but I have never heard of the reverse being true for raw mode. I could be wrong, but it doesn't make sense to me.
Start a thread on it in the Photographic Science and Technology forum. You might be surprised.
If I see that I am actually wrong here, I will.

http://improvephotography.com/34818/iso-invariance/

https://fujilove.com/isoless-photography-with-the-fujifilm-x-series/
--
gollywop
I am not a moderator or an official of dpr. My views do not represent, or necessarily reflect, those of dpr.

http://g4.img-dpreview.com/D8A95C7DB3724EC094214B212FB1F2AF.jpg
 
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How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
First, GB is not talking about ISO-invariant cameras. Second, the first article you site does not indicate the raw data are unaffected by ISO. Third, the the second article deals with one of the few cameras that I believe does indeed record ISO as metadata. But it is unusual. Most don't.

So, "every" article on ISO-invariant cameras does not disagree with this. Get a hold of RawDigger and check out your Sony cameras. They are among those for which ISO affects the raw data. As I say, you have something to learn.
 
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How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
Please link and quote the portions from the article which disagree with what I stated. That said, why not start a thread on the topic in the Photographic Science and Technology forum where you can get answers from a broader spectrum of people who know a lot about this?
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
I almost always shoot at ISO 100, but not for less exposure, I simply adjust my exp. time accordingly. Then again I almost always shoot bracketed sets too. So I always end up with at least one nice, bright shot to work with as well.
 
When doing landscape photography, I will always use an ISO that preserves highlights. Often, this results in images with areas of shadow that I know I'll end up brightening in post by a full stop or thereabouts. Since I do more than landscape photography, I indicated, "occasionally," in my response. If there were a follow-up poll asking those who indicated at least occasional use of this technique how frequently they apply it for certain genre's of photography, I suspect the results would be illuminating.
I think you've mistaken the point of this twunty thread and this twunty arguing with anybody who tries to make sense of him. It clearly isn't really about highlight headroom, so your perfectly sensible point is no good to him.
Well, since it is about highlight headroom, but at higher ISO settings, I guess that makes you the twunt.
Maybe it's really about isoless sensors...
There's a thought.
...and being an exposure nerd, or something.
Or caring about highlight headroom, or something.
I don't think he cares if we usually have to underexpose one or two stops down from what the meter says on a CCD camera to hold detail in clouds.
My poll doesn't apply to situations where you can get the desired brightness at base ISO, regardless of whether you choose to expose lower than the meter recommends to preserve highlights. That's a different matter entirely.
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
I almost always shoot at ISO 100, but not for less exposure, I simply adjust my exp. time accordingly. Then again I almost always shoot bracketed sets too. So I always end up with at least one nice, bright shot to work with as well.
This poll does not apply to situations where you can get the desired brightness at base ISO.
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
First, GB is not talking about ISO-invariant cameras.
I think maybe you didn't read the conversation we were having before responding. Here is a direct quote from him:
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Second, the first article you site does not indicate the raw data are unaffected by ISO.
It doesn't?

Here is a direct quote:

The short answer is that ISO invariance means that a camera will produce the exact same image quality by staying at ISO (or whatever the base ISO is on the camera) and dramatically underexposing the photo and then brightening it up again in Lightroom, as if you had shot the camera at the proper ISO in the first place.
Third, the the second article deals with one of the few cameras that I believe does indeed record ISO as metadata. But it is unusual.
So, a truly ISO invariant camera behaves as I describe in response to a message from GB specifically about ISOless cameras? So when we talk about ISOless cameras, its really a lie unless it isn't? My opinion is that if a camera changes the raw data based on the ISO setting, then it does not qualify as ISOless or ISO-invariant.
So, "every" article on ISO-invariant cameras does not disagree with this, and I reiterate that you have something to learn.
So, I am not wrong, but I still have something to learn. Got it, thanks. You know this is really kind of a condescending tone? I am respectfully sharing what I am reading and having an adult conversation. You don't need to tell someone who disagrees or may not have the same understanding that they have something to learn. Perhaps you don't mean it disrespectfully, but it definitely comes off that way. I am letting you know in the case that it matters to you.
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
Please link and quote the portions from the article which disagree with what I stated. That said, why not start a thread on the topic in the Photographic Science and Technology forum where you can get answers from a broader spectrum of people who know a lot about this?
From http://improvephotography.com/34818/iso-invariance/

The short answer is that ISO invariance means that a camera will produce the exact same image quality by staying at ISO (or whatever the base ISO is on the camera) and dramatically underexposing the photo and then brightening it up again in Lightroom, as if you had shot the camera at the proper ISO in the first place.

From https://fujilove.com/isoless-photography-with-the-fujifilm-x-series/

Many modern cameras (except for Canon) work ISOless, meaning that that ISO amplification (= adjusting the image brightness) can happen either before or after the RAW data is generated. Both results will virtually look the same. There’s no significant quality difference.

Why would I go to another thread? We are discussing this here?
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
First, GB is not talking about ISO-invariant cameras.
I think maybe you didn't read the conversation we were having before responding. Here is a direct quote from him:
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
That is an issue that arises in the context of his OP, but it is not what his OP is "talking about."
Second, the first article you site does not indicate the raw data are unaffected by ISO.
It doesn't?

Here is a direct quote:

The short answer is that ISO invariance means that a camera will produce the exact same image quality by staying at ISO (or whatever the base ISO is on the camera) and dramatically underexposing the photo and then brightening it up again in Lightroom, as if you had shot the camera at the proper ISO in the first place.
This does NOT say that the raw data are invariant to ISO. Learn to read.
Third, the the second article deals with one of the few cameras that I believe does indeed record ISO as metadata. But it is unusual.
So, a truly ISO invariant camera behaves as I describe in response to a message from GB specifically about ISOless cameras? So when we talk about ISOless cameras, its really a lie unless it isn't? My opinion is that if a camera changes the raw data based on the ISO setting, then it does not qualify as ISOless or ISO-invariant.
Your opinion isn't worth much. Particularly since it is wrong.
So, "every" article on ISO-invariant cameras does not disagree with this, and I reiterate that you have something to learn.
So, I am not wrong, but I still have something to learn. Got it, thanks. You know this is really kind of a condescending tone? I am respectfully sharing what I am reading and having an adult conversation. You don't need to tell someone who disagrees or may not have the same understanding that they have something to learn. Perhaps you don't mean it disrespectfully, but it definitely comes off that way. I am letting you know in the case that it matters to you.
You'd do well to do the test I suggested. Get a copy of RawDigger and check out what happens with your own cameras.

And yes, you do have something to learn - if only you'll realize the need and do something about it.
 
...
I appreciate that. However, the latter situation would count in terms of my poll, so, technically, it should influence your vote. For example, if you voted "Never", a vote of "Rarely" would be more appropriate to represent that rare situation when you would.
Good point.

I never set my ISO above "base".
So would using ISO Auto but setting a limit (that is occasionally hit) be Never or Rarely (not being silly, just want to make the correct vote).

Regards,
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
First, GB is not talking about ISO-invariant cameras.
I think maybe you didn't read the conversation we were having before responding. Here is a direct quote from him:
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
I confess I'm not sure what gollywop was talking about there. I was, indeed, talking about cameras with "ISOless" sensors.
Second, the first article you site does not indicate the raw data are unaffected by ISO.
It doesn't?
It doesn't.
Here is a direct quote:

The short answer is that ISO invariance means that a camera will produce the exact same image quality by staying at ISO (or whatever the base ISO is on the camera) and dramatically underexposing the photo and then brightening it up again in Lightroom, as if you had shot the camera at the proper ISO in the first place.
That doesn't say or imply that the RAW data is unaffected by the ISO setting.
Third, the the second article deals with one of the few cameras that I believe does indeed record ISO as metadata. But it is unusual.
So, a truly ISO invariant camera behaves as I describe in response to a message from GB specifically about ISOless cameras? So when we talk about ISOless cameras, its really a lie unless it isn't? My opinion is that if a camera changes the raw data based on the ISO setting, then it does not qualify as ISOless or ISO-invariant.
You would be mistaken.
So, "every" article on ISO-invariant cameras does not disagree with this, and I reiterate that you have something to learn.
So, I am not wrong...
Well, you are, really.
...but I still have something to learn.
Indeed. Why you don't start a thread on the subject in the Photographic Science and Technology forum if you want to learn, however, is a bit of puzzle.
Got it, thanks. You know this is really kind of a condescending tone? I am respectfully sharing what I am reading and having an adult conversation. You don't need to tell someone who disagrees or may not have the same understanding that they have something to learn. Perhaps you don't mean it disrespectfully, but it definitely comes off that way. I am letting you know in the case that it matters to you.
Let me say it directly: the ISO setting affects the RAW data (there are a few exceptions -- I think the Sigma cameras use the ISO setting as meta data, but they are the only exceptions I'm aware of). If you wish to learn about the subject, why do you avoid starting a thread in the Photographic Science and Technology forum where there are a great number of people knowledgeable on this subject who can explain it to you in as much detail as you like?
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
Please link and quote the portions from the article which disagree with what I stated. That said, why not start a thread on the topic in the Photographic Science and Technology forum where you can get answers from a broader spectrum of people who know a lot about this?
From http://improvephotography.com/34818/iso-invariance/

The short answer is that ISO invariance means that a camera will produce the exact same image quality by staying at ISO (or whatever the base ISO is on the camera) and dramatically underexposing the photo and then brightening it up again in Lightroom, as if you had shot the camera at the proper ISO in the first place.

From
https://fujilove.com/isoless-photography-with-the-fujifilm-x-series/

Many modern cameras (except for Canon) work ISOless,
This is simply wrong. Indeed there are very, very few truly ISO-invariant cameras.
meaning that that ISO amplification (= adjusting the image brightness) can happen either before or after the RAW data is generated.
And this indicates that that indeed ISO can, and in most cases, does affect the raw data. As I say, learn to read.
Both results will virtually look the same. There’s no significant quality difference.

Why would I go to another thread? We are discussing this here?
Because what you're discussing is incorrect and corrosive to this thread.
 
How many of you *intentionally* use a lower ISO setting than what would give you the desired brightness of the photo and brighten the photo later in post-processing to taste? I don't mean make adjustments after the fact, but *intentionally* use a lower ISO setting with the intention to brighten later.

For example, let's say f/2.8 1/200 ISO 1600 would give the photo the desired brightness. How many intentionally use f/2.8 1/200 at an ISO setting lower than 1600 and then brighten in post processing?
How about those of us that choose a lower ISO and adjust our exposure settings to saturate the sensor for ideal IQ? Sometimes this means tripod + long exposure and sometimes it means adding light.
No, that is not what the poll is asking.
If you are lowering ISO just to push it in post, but keep the same exposure, then you didn't accomplish anything.
If your camera has an "ISOless" sensor and you're shooting in RAW, it will result with less blown highlights and no noise penalty when the proper tone curve is applied to the RAW conversion.
Raw data is raw data. If the exposure settings (shutter speed & aperture) are unchanged between those ISO settings, how are you going to have a difference in blown highlights?
Because the ISO setting will affect the digital numbers recorded in the RAW file.
Not for a ISOless sensor. This is the very definition of how an ISOless camera is special. It does not apply any brightness to what is stored in the raw file. It leaves that to the decoder. It is traditional sensors that are not ISOless that affect the raw file levels.
Changing ISO is not going to change the data captured by the sensor in the raw file, it only tells the decoder how to prepare the default rendering.
The ISO setting does change the recorded values.
You have an incorrect understanding - at least for most cameras. There are a very few that simply record ISO as metadata, but for most cameras, the ISO setting does indeed affect the raw data. It appears you have something to learn.
Then why does every article on ISOless cameras disagree with this? Great Bustard is talking about ISOless cameras. If those cameras actually do change the raw file contents with ISO change, then virtually every article about them is wrong.

The two I quoted below are just two examples.
Please link and quote the portions from the article which disagree with what I stated. That said, why not start a thread on the topic in the Photographic Science and Technology forum where you can get answers from a broader spectrum of people who know a lot about this?
From http://improvephotography.com/34818/iso-invariance/

The short answer is that ISO invariance means that a camera will produce the exact same image quality by staying at ISO (or whatever the base ISO is on the camera) and dramatically underexposing the photo and then brightening it up again in Lightroom, as if you had shot the camera at the proper ISO in the first place.

From
https://fujilove.com/isoless-photography-with-the-fujifilm-x-series/

Many modern cameras (except for Canon) work ISOless, meaning that that ISO amplification (= adjusting the image brightness) can happen either before or after the RAW data is generated. Both results will virtually look the same. There’s no significant quality difference.
Neither of the above says, or implies, that the RAW data is unaffected by the ISO setting.
Why would I go to another thread?
Start another thread, not go to another thread.
We are discussing this here?
Because the Photographic Science and Technology forum is frequented by numerous people knowledgeable on the subject and can answer any questions you have more thoroughly. Hell, some of them might even present you with the digital numbers of a RAW file taken at two different ISO settings with a camera that has an "ISOless" sensor (or very nearly "ISOless", at least) and demonstrate it to you.
 

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