Have I outgrown my E-M1? Low light - Moving subjects

I think you need 2 cameras at least, not just one. I have tried about everything there is and that seems to be the inevitable outcome. As you can see I have a Canon 1D MK III for wildlife and sports but it is only 10mp and just doesn't cut it for feather detail for me anymore. But it can flat out track what you want it too! YMMV.
You have summed up my quandary quite well. I'm not made of money either but as I grow into photography I find myself bumping up against the limits of the E-M1 more and more.

I need help deciding which way to go (grow) from here.
 
Hi

i was in Death Valley a few weeks ago and shot the Miky Way. Friends all using FF...me em1 with the 12mm f2. I tried to stay around 2000 ISO, can't remeber what yours was. I feel you need a faster lens than your 2.8, we need as fast as we can get.
I wouldn't think you would want such a small DOF for landscapes??
 
You haven't really explained what settings he was using compared to you. Much as many people hate the term, this is where "equivalence" becomes useful as it would tell you exactly what settings you needed to match his FF camera (and whether it was even possible).
At the time it became apparent I was out matched he was using ISO 6400 and a ten second shutter speed.
 
the 2nd image is showing 'hot pixels' which can easily be eliminated by enabling Noise Reduction (automatic in-camera dark frame subtraction) for long exposures.
That must have been on because there was always the delay of black lcd after the exposure completed.
 
Here's link to the DV gallery, look if you wish. I did some star trails and our cameras make these types of shots so much easier. I would only add a Sony not replace my whole kit. I was a dual system user for years so I don't mind two systems.

http://bwallace.zenfolio.com/p940040174

I hesitate posting a link to my gallery since I had a thread on it when I got home. I apologize if you have already seen it, I'm not into self promotion here.

Hope this helps...

Bill
 
The first photo is ok for the first attempt. A f2.0 or faster lens would have helped a bit. Maybe up the iso to 1600.
I don't understand reducing DOF for landscapes??
The second photos looked under-exposure and you tried pulling up the exposure in post.
I presented it straight out of camera.
A F-stop faster than F8.0 would have helped. Keeping the iso down to 800 or 1600 would have helped.
I tried a bunch of different settings. Here is one at 800...

35fb7116e3d94271b1508475bf9fc44a.jpg

Slightly over-exposing and lowing the exposure in post processing of the raw file would have helped. Also did you have the dark frame subtraction active.
I'm pretty certain I did. I was getting the post exposure delay.
Anyhow, hopefully others will have other ideas. So you will go out and try them.
Not many opportunities for full moon and white covering on the ground.

--

Florida
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You have to bracket and stack it to get the results you are looking for (also have to use as low an ISO as possible, even then, still will need to stack). Its much more involved getting m43's to behave the way one would want it to in these situations, and its clearly the reason why our once legendary forum goer, Bob Tullis, joined the Sony darkside ;). Its simply better for these types of very low light shots.
 
(I didn't know it at the time, thought I'd shoot two formats as called for, but just never took the E-M1 out again).
I noticed that. ;-)
I never wanted to pick up a DSLR again either (been there, not interested in that format ant more)
Why not?
I made quite a few compromises in making the move, but I enjoyed the output so much that I was willing to work through them
Such as?
You are right about me leaning toward more versatile zooms as opposed to primes. However with a higher quality image I could probably get away with more cropping.
 
Yeah, a Sony A7r or a Nikon D800 are your only cheap GOOD ways to go and gain a lot.

Really if you don't do BiF or fast moving sports even having the EM1 is not necessary on any of the above in reality. You can Pan for certain shots like people have for years, and people do pretty good with cameras on a Tripod with a Gimble. Actually IS doesn't even work on a Tripod well.

Heck I shot motor races for years with a Nikon F2 film camera and a 50-300mm lens. You just park yourself in a twisty section at the race track and be happy LoL. And a decent amount were keepers.
 
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Yes. Ditch your E-M1/MTF gear.

Going to DSLR would serve you better for the kind of photography you do. Low light-moving subjects.

Gear weight seems to be of no consequence for you if desiring to get the ultimate images, does it?

So, best of luck with your joruney towards photo nirvana.

Report back your gear disposition.
I am reading this as sarcastic but to avoid confusion for more serious posters, I want to clarify that you have made multiple assumptions that are not true.

I am still primarily a landscape photographer and weight is a consequence to me since much of my shooting is done while hiking.
 
Hi

i was in Death Valley a few weeks ago and shot the Miky Way. Friends all using FF...me em1 with the 12mm f2. I tried to stay around 2000 ISO, can't remeber what yours was. I feel you need a faster lens than your 2.8, we need as fast as we can get.
I wouldn't think you would want such a small DOF for landscapes??
if you want the sky/stars as much as the landscape you do. Shoot how you wish but you have to get light to the sensor and you're also dealing with noise. I chose to let the landscape fall off and focus on the sky, but then again we were shooting the Miky Way. This is going to take some working out on your end. Another thought would be to shoot 2 or 3 images, a sky shot and foreground shot, different exposures and then blend them in PS. You probably won't get the sky you want and the landscape you want in one shot. Work your ISO and use dark frame and see what happens. I think even shooting FF you'd have a hard time getting landscape and stars well exposed. Try light paining too.....

Bill

edit: I'm trying to hold off and see what the next em1 brings before I make my final decision. There is so much to like about our gear...
--
Bill Wallace
http://bwallace.zenfolio.com/
Be who you are......everyone else is taken!!!
 
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FF has a two stop noise advantage over MFT.
Most of the time that's no issue, and in return you get a lighter system.
In low light, either: don't do that, have a two stop faster (prime) lens, or have a tripod.
These shots were taken on a tripod.
 
The first photo is ok for the first attempt. A f2.0 or faster lens would have helped a bit. Maybe up the iso to 1600.
I don't understand reducing DOF for landscapes??
You are shooting at infinity. At those focal lengths (12mm) everything past like 10 feet is in focus even if you shoot wide open at f2.8 Stopping down isn't really going to change your dof anymore. It is already INFINITE. It will just improve sharpness. So shooting with a faster lens you will still have everything in focus, just a little softer but with much less noise.

Shooting nightscapes I would sacrifice dof as you say and a bit of sharpness every single time to get a lower iso. I would only stop down to increase exposure time if I wanted to.
The second photos looked under-exposure and you tried pulling up the exposure in post.
I presented it straight out of camera.
A F-stop faster than F8.0 would have helped. Keeping the iso down to 800 or 1600 would have helped.
I tried a bunch of different settings. Here is one at 800...

35fb7116e3d94271b1508475bf9fc44a.jpg

Part of the issue with this photo is that the em1 uses the old Panasonic sensor which was HORRIBLE at long exposures. They limited that sensor in most camera bodies to not more than 2 minutes and really it starts looking bad with any sort of long exposure.

That said I would have dropped the aperture all the way from f8 to f2.8 That's a 3 stop difference. You could have used ISO 400. If I was shooting with my own glass I would have tried at least one shot at f0.95 and went from a 20 second exposure to a 5 second exposure and used iso 200.



Slightly over-exposing and lowing the exposure in post processing of the raw file
would have helped. Also did you have the dark frame subtraction active.
I'm pretty certain I did. I was getting the post exposure delay.
Anyhow, hopefully others will have other ideas. So you will go out and try them.
Not many opportunities for full moon and white covering on the ground.

--

Florida
********
Glacier / Yellowstone
[Highlights Slide Show] *** [Highlights Gallery]
[Story (includes Highlights) Slide Show] *** [Story (includes Highlights) Gallery]
********
My Glacier Yellowstone Photos Feedback Thread
********
I think that before you try a total system swap you should consider trying some different glass for night shooting. Pick up the 25mm mitakon lens. It is cheap and pretty small. 25mm might be a bit tight for your landscapes but you can see what it is like to use a very fast lens. If you like it there are more specialty lenses that can serve landscapes better like the 17.5mm or 10.5mm nokton lenses.

Anyone using m43 and considering switching to another system for lowlight ability owes it to themselves to at least give the noktons a shot. At best they work great for you and you don't have to make a total system switch, at worst you resell them for the same you paid (their prices are annoying steady on ebay regardless of country).

--
Auto focus is a work of the devil.
I post from a tablet, spelling errors are common, berry common.
https://www.flickr.com/photos/streetsmartphotos/
 
Hi

i was in Death Valley a few weeks ago and shot the Miky Way. Friends all using FF...me em1 with the 12mm f2. I tried to stay around 2000 ISO, can't remeber what yours was. I feel you need a faster lens than your 2.8, we need as fast as we can get.
I wouldn't think you would want such a small DOF for landscapes??
With a wide-angle lens you have a lot of DOF already at f2.0. Unless you have a subject in the foreground, you can use the hyperfocal distance of 5 m and you will have everything in focus from 2.5m to infinity.

It is generally presumed that there is a 2 f-stops difference between m43 and full-frame. With a 12mm f2.0 lens you are already half way there, without changing the whole system.

And with a Voigtlander 10.5mm f0.95 you get one more f-stop. It's a little pricey, but still cheaper than changing the whole system.
 
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Here's link to the DV gallery, look if you wish. I did some star trails and our cameras make these types of shots so much easier. I would only add a Sony not replace my whole kit. I was a dual system user for years so I don't mind two systems.

http://bwallace.zenfolio.com/p940040174

I hesitate posting a link to my gallery since I had a thread on it when I got home. I apologize if you have already seen it, I'm not into self promotion here.

Hope this helps...

Bill
 
You haven't really explained what settings he was using compared to you. Much as many people hate the term, this is where "equivalence" becomes useful as it would tell you exactly what settings you needed to match his FF camera (and whether it was even possible).
At the time it became apparent I was out matched he was using ISO 6400 and a ten second shutter speed.
Yes, but was he really shooting a F/16? Because F/8 on MFT gives the same DOF as F/16 on FF.

If he wasn't, and was in fact shooting at F/8 the same as you (and I bet he was) then you should have been at F/4, and hence could have been at ISO 1600 to match him on his 10 second exposure.

Your photos then should have been equivalent.
 
That said I would have dropped the aperture all the way from f8 to f2.8 That's a 3 stop difference. You could have used ISO 400. If I was shooting with my own glass I would have tried at least one shot at f0.95 and went from a 20 second exposure to a 5 second exposure and used iso 200.
Thanks for that advice and the explanation about using lower apertures.
I think that before you try a total system swap you should consider trying some different glass for night shooting. Pick up the 25mm mitakon lens. It is cheap and pretty small. 25mm might be a bit tight for your landscapes but you can see what it is like to use a very fast lens. If you like it there are more specialty lenses that can serve landscapes better like the 17.5mm or 10.5mm nokton lenses.
I will consider them. Thanks.
 
After reading through what has been posted so far Bob's advice is probably the most solid, as usual. Rent the gear and shoot it for a couple of weeks. From a lot of your replies it appears to me you have your mind made up and seek reaffirmation. The grass isn't always greener keep in mind....

Also decide how big a part of your photography this will be......if it will near primary focus for you then a switch is inevitable...just occasionally, then figure out how to do it with what you have.

Look at what this guy puts out....


Bill
 
It looks like you were short with light but I'm not sure that the sensor size is the only factor that explains the difference between your pictures and your club members'. Could you post some of theirs? The sensor size should account for 1-2 stops at most, and the amount of noise in your pictures looks much higher than what I would call acceptable.
 

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