One zoom or two? (14-140mm mk 2)
Re: One zoom or two? (14-140mm mk 2)
Big D in SP wrote:
maggiemole wrote:
I have the 14-140 mk 2 which I bought deliberately as a travel lens for my GX7. I also still have the two lenses it was meant to replace: the Panasonic 14-145mm and the Olympus 40-150mm. The two older lenses are so reliable I find I'm in a bit of a quandary.
I'm going to Burma in a few weeks and there will be heat and quite a bit of walking, so I'm trying to minimise my kit. I expect it will be mostly landscapes, architecture and some people shots. I really ought to take just the 14-140mm, but will I be missing anything which the older lenses would give me? (I'll also have 3 small primes for low light or subject separation, so I'm not relying on the zooms for that. And I'll have the 9-18mm for wide angles. It's just the standard walk-around shots I'm thinking about.)
Please give me the benefit of your experience!
Maggie
I've had 2 G6's and now a G7 which I purchased with the 14-140. I've also owned and used the 14-42 II and 45-150 kit zooms which were very good. I've also had 4 Nikon and 1 Tamron "super" zooms for dSLRs.
In short, the 14-140 II is better in sharpness across the board as well as focusing accuracy than any of the mentioned lenses. In size it is about the same length as the 45-150 only slightly larger in diameter and slightly heavier, neither of which is enough to bother about. In careful testing I discovered that the 45-150 had a tendency to "backfocus", i.e., focus slightly behind the intended target which was noticeable wide-open at the longest distances. (Something I didn't think occurred with sensor-based CD focusing.) The 14-140 never misses.
I'm selling the G6's with the 45-150 and keeping the 14-42II for those rare times I might want the smaller lens, though I really don't know yet if that time will come.
Get the 14-140II. You will be delighted with it. It's the perfect lens for your trip. Enjoy!
Regards,
Warren
Thanks, Warren! It's good to have the strong endorsement!
Maggie
Panasonic Lumix DMC-FZ300
Panasonic Lumix DMC-GX7
Panasonic Lumix DC-GX9
Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6
Olympus M.Zuiko Digital ED 40-150mm F4-5.6 R
+8 more
|
Post
(hide subjects)
|
Posted by
|
When
|
|
|
|
|
Dec 29, 2015
|
|
|
|
|
Dec 29, 2015
|
|
|
|
|
Dec 29, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
3 |
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
2 |
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
4 |
|
|
|
Dec 30, 2015
|
3 |
|
|
|
Dec 31, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
1 |
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
|
|
|
|
Dec 30, 2015
|
1 |
|
|
|
Dec 31, 2015
|
1 |
|
|
(unknown member)
|
Dec 31, 2015
|
3 |
Keyboard shortcuts:
FForum
PPrevious
NNext
WNext unread
UUpvote
SSubscribe
RReply
QQuote
BBookmark
MMy threads
Color scheme?
Blue /
Yellow
|
|
|
|
|
Mar 1, 2023
|
Feb 27, 2023
|
Feb 15, 2023
|
Feb 9, 2023
|
The Fujifilm X-T5 is the company's latest classically-styled APS-C mirrorless camera. It gains the 40MP sensor and AF system from the X-H2 but in a body with a more stills-focused slant. We've been putting it through its paces.
We're Noct messing around with this review.
Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow!
The Sony ZV-E1 is the company's latest vlogging-focused camera: a full-frame mirrorless camera based the FX3/a7S III sensor, aimed at YouTubers and 'creators' looking to go pro.
The Sony ZV-E1 is a full frame camera targeting YouTubers. Chris and Jordan are Youtubers, what do they think?
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.