T
Tony8232
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Have you printed any photos? The output from 16 Mp is amazing..
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Wow, all I can say is wow. You must be one of the 0.0001% for whom those extra megapixels actually matter. What I wonder is why you got into this format in the first place? If extracting maximum detail from every image is the objective, wouldn't you have been better served with a FF or MF camera in the first place?Wrong.Nothing more IS needed.Hi,
I'm sure they will release a 20-24 mp sensor on their next camera line. They are falling behind, if not. But smart of Olympus not to rush it on the account of IQ, but I guess it is pass rush mode now in 2015.
See you get lots of replies with people defending their 16mp camerasIt was the same in the Nikon camp when Nikon had only 12mp sensors. Nothing more was needed he he
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Maybe you think thats good enough for you, but who gave you the right to speak for others?
Yeah right, sorry but not everybody is taking pics of their cat to upload to facebook.Get real! You are chasing a bait the industry is holding out of your reach - just - to get your money.
Oly's 16mp sensor is a great improvement to the 12mp sensor they recycled over and over again, but compared to the current competition it's just not good enough anymore. When I can buy a 28mp mirrorless aps-c with better image quality, a sensor with almost half the resolution and worse high iso just doesn't cut it anymore.
There is so much wrong with your way of thinking I don't even know what to say but just imagine this: If nobody would buy any cameras anymore because they'd all think what they have is good enough, there would also not be anymore cameras/features/improvements because every camera manufacturer would go out of business...
For me it's quite simple: If I don't get at least 22-24 mp with my next Oly 1-2 years down the road (Samsung has 28mp now) I will be spending my money elsewhere.
And I don't think I'm alone in this...
This! ExactlyWrong. The marketing has realised that a new round of the pixel race is the easiest way to make people believe that their current gear is not good enough anymore. And with people like you following their bait uncritically, Olympus will be forced to once again increase the MP count although nearly nobody needs it. Thank you very much.
The world needs optimists with the firm strength strength of their convictions. Columbus sailed forever westward completely sure that he would find something. What he found was not what he sought but was deemed worthwhile in any case (at least by some). He came back. Pessimists sayed at home and waited. Who was the more rational? Um ... he didn't find a quick route to the spice trade, nor did he sail off the edge, and the pessimists found alternative uses for what he found. It must have sold a thousand new ships.You are an engineer you should know, it's the nature of the technology, you can't avoid or stop it. In the not distance you will be shooting real 24 then 36Mp images in m4/3. You will be still around then and If you don't like it don't buy it. It's that simple.The first question is - why do you need more than 16MP?Dear fellow M4/3 lovers,
Me, like you, loves the system a lot. I actually born into it and started my photography 3 years ago into the first em5. Now upgraded to the mkii.We all know how using olympus system is a lot of fun, and the quality is good too.
But recently in the appearing of new mirrorless cameras, like the NX1, the question of resolution is raised up again.When already few alternatives that offers better image quality are available i would like to ask those that knows and understand the physics behind and the probability of olympus coming in the future with a better resolution camera? Is it even possible with the current PRO lenses that is already exist?
Its no doubt that the glass available is the most diverse and top notch, but if olympus is not coming in the near future with a better sensor and resolution, its just clearly stays behind... and for professional purposes better alternatives are already there...
Thanks for those that can shed some light on the issue,
Gil.
Regards...... Guy
So if more megapixels happen in one form or another then the pessimists will find a use for them meanwhile they are quite happy to entertain those who think that the world is not flat and happily till their present fields with what they already have.
Good point, but isn't this the same as sensor cropping zoom, but only on a temporary inspection basis?For me the real advantage of greater resolution is in fact greater resolution. There will always be people who, in addition to deriving enjoyment from an image as a whole, derive further enjoyment from examining all of the details in an image a little more closely. This is particularly the case with wildlife photography which is my own primary area of interest.The real advantage of larger populated sensors goes unsaid. This is not greater resolution as for screen purposes and even for most printing purposes the extra pixels are lost
I guess greater sensor populations will come but whether there are that many people (such as yourself) that need the extra pixels is a more moot point. A long as there are enough that think they do demand will exceed supply.Richard Feynman said it best in my opinion:You'll see noticeable improvements even with cheap lenses, and even after downsampling: http://www.dpreview.com/forums/post/55535509and perhaps only the best (most expensive) lenses are capable of making full use of them anyway.
And even at the long end of the Oly 75-300 II: http://www.dpreview.com/forums/post/55629712
which isn't known for being particularly sharp.
Sure, going from 16 to 20MP (or even 24) wont net us the same degree of improvement but rather than being stuck at 16MP forever I'd rather see the incremental improvements begin as soon as possible so we can get there sooner rather than later.
Wow! 120,000 pics in less than 18 months. I really am asking myself when you found the time for all your pixel peeping.I don't as I'm objective in this matter. I have plenty of Oly gear and shot over 120k images with my e-m10, so I do know the limits of the sensor very well. I also took plenty of photos with other cameras and systems so I know what I can compare it to.
Your point is well made, but I think what you are doing is exactly what I said that sensor cropping zoom does. Only that you are using this feature to examine parts of the image. If you had a mind to do so you could print various parts of the same image with good fidelity.That's not what I said at all.What can I say but "Let's agree to disagree."For me the real advantage of greater resolution is in fact greater resolution. There will always be people who, in addition to deriving enjoyment from an image as a whole, derive further enjoyment from examining all of the details in an image a little more closely. This is particularly the case with wildlife photography which is my own primary area of interest.The real advantage of larger populated sensors goes unsaid. This is not greater resolution as for screen purposes and even for most printing purposes the extra pixels are lost
Richard Feynman said it best in my opinion:You'll see noticeable improvements even with cheap lenses, and even after downsampling: http://www.dpreview.com/forums/post/55535509and perhaps only the best (most expensive) lenses are capable of making full use of them anyway.
And even at the long end of the Oly 75-300 II: http://www.dpreview.com/forums/post/55629712
which isn't known for being particularly sharp.
Sure, going from 16 to 20MP (or even 24) wont net us the same degree of improvement but rather than being stuck at 16MP forever I'd rather see the incremental improvements begin as soon as possible so we can get there sooner rather than later.
For me, creating a picture means creating a picture as a whole.That's so far from your approach that I just can't understand the pleasure you get by tearing a pic apart into its details.
It's like looking at the brush marks of the great masters such as da Vinci or Michelangelo instead of admiring their works as a whole. I would see the need if you were studying art but not if you want to enjoy whart they did.
I suspect that you either didn't watch that little video I linked to, or didn't understand the point that Feynman was making about the appreciation of beauty.
By way of further illustration: I like birds. In fact I love birds. In my opinion they are some of the most fascinating and wondrous creatures on Earth. And when I take a picture of a bird I subsequently derive all sorts of enjoyment from looking at it. But not only do I enjoy the picture as a whole, I enjoy all the little details too. The feathers, the eyes, the beak, the little legs and the little feet. They are cute, interesting, even incredible. But that is not to say that the individual details are the whole point. They are not. If they were I would spend all my time trying to photograph parts of birds instead of whole birds. But I don't. There is the bird, frozen in time, hopefully framed nicely with some interesting context, and the details are simply an additional dimension of appreciation. And the better they look the richer the little universe within that moment of time becomes to me.
As Feynman said: "It's only adds. I don't see how it subtracts".
Tearing my pictures apart? You couldn't be more wrong.
Actually I think that discussions like this could indeed be fruitful if people put a little bit more effort into trying to think outside their own subjective little worlds. This idea that people either don't care about resolution or are obsessive pixel-peepers who are acting in opposition to the enjoyment of photography is beyond ridiculous.So, we seem to be just to far away from one another for a fruitful discussions.
Really, it is.
Or did they. My old E-30 definitely does clearly better when it comes to low-ISO noise than my E-M5, E-M1 and GH4.Hi Gil,
I have read a lot of comments on your thread that basically state that 16mpx is enough etc., etc, but the point everyone seems to be missing is that history shows that every time the manufacturers have increased the pixel count on any sensor they have also increased dynamic range and reduced noise. They have made a better sensor overall.
Yes they will do - as long as this helps them to sell you new gear. And if a manifavcturer like olympus says "we don't want this", the Multi-MP disciples bash them until they have no other choice than following this route. What a disaster.Manufacturers will always increase resolution where they can, up to the point where they cannot improve or match the last generation in terms of noise and DR regardless of our opinions.
The thing is, however, is that unless you are displaying 100% crops on a computer monitor, you are upsampling or downsampling, either by your own hand or involuntarily.The reason that I come at it from this direction sometimes is that if you go the other way (upsample the lower resolution capture) people often complain that if the real-world applicability of the difference wasn't dubious already, it becomes so then, since most people are never going to upsample like that.Well if you downsample the 36 MP D810 photo to the 16 MP of the D4s, of course you're not going to see a big increase in resolution as the downsampling, of course, throws away the bulk of the resolution increase that the greater pixel count gives. I'd have taken that to be so obvious as to not be worth pointing out.Technically it is indeed always the case, so the experts say. I certainly believe them. But in my opinion (and I suspect you will agree) sometimes it is only technically the case (in the sense that while some resolution plot produced by lab testing might indicate a difference, that difference might not always be something that is visually apparent even to the most discerning folks).I thought about it more, and since the 40MP image is created by shifting the sensor by 1/2 pixel (right?), and clearly is a tad better even when down sampled, I think that probably does prove the lens is sharper than 16MP and that a higher resolution sensor (unless it was very noisy) would result in a sharper output image.
That's always the case though isn't it? Even a mediocre lens will produce a little bit more true resolution if used on a newer higher res camera.
In any case we can pull examples from the DPR studio tool or Imaging Resource (and a few other places) involving cameras with different pixel counts shot from behind the same lens at the same fnumber and focal length. The D810 vs D4s is one such example, and here it is:
16MP D4s left, 36MP D810 right (downsampled to match the D4s), both shot with the 85mm 1.4 @ f/5.6
Yes.And if you mention cropping, people will say "get closer" or "get a longer lens" or "I don't need to" or whatever. So I sometimes find it useful to point out that if people don't want more pixels, maybe they might want better pixels instead. And in my opinion the difference in favour of the D810 in this case remains clear to me even when both images are downsampled to 8MP. Even 5MP. And now we're in "good size for displaying at 1:1 on a 4K monitor" territory and in my opinion it's even a good size for a 1080p display if you're a fan of taking a closer look without having noise and/or lens aberrations in your face.
Sure.Maybe not such a problem with a FF camera and a good prime but in my own mind at least I tend to relate this all to my own cameras and usage scenarios.
Indeed. It's amazing, if not amusing, how much some will fret over the sharpness of a lens and then use it in a manner that completely render that sharpness useless compared to significantly smaller, lighter, and less expensive options.I didn't post in that thread but I did get quite a shock when I perused his gear list and noticed all the expensive primes. I mean you would think that photography would be a much cheaper endeavour if f/22 on MFT was sharp enough for your needs. Anyway, what do I know? I only have one prime and I rarely use it.Sure. As I said, at most you'd get a 12% resolution increase from 16 MP to 20 MP. Some people, like this guy, won't see any resolution increase at all.
Not the way I meant it. I hate cropping and would rather stalk a bird (or whatever) for twice as long so I don't have to.Good point, but isn't this the same as sensor cropping zoom, but only on a temporary inspection basis?For me the real advantage of greater resolution is in fact greater resolution. There will always be people who, in addition to deriving enjoyment from an image as a whole, derive further enjoyment from examining all of the details in an image a little more closely. This is particularly the case with wildlife photography which is my own primary area of interest.The real advantage of larger populated sensors goes unsaid. This is not greater resolution as for screen purposes and even for most printing purposes the extra pixels are lost
There's really no justification for pixel density revulsion even on tiny sensors as even in that arena you can still end up with more detail and this perception that noise gets out of control is mostly due to the same old folly of comparing sensors with different resolutions at the pixel level instead of at the same print/display size.But in the end perhaps pixel denisity-excess revulsion will set in just as it did for the tiny sensors.
Not quite. I've elaborated in my other reply to you.Your point is well made, but I think what you are doing is exactly what I said that sensor cropping zoom does. Only that you are using this feature to examine parts of the image. If you had a mind to do so you could print various parts of the same image with good fidelity.That's not what I said at all.What can I say but "Let's agree to disagree."For me the real advantage of greater resolution is in fact greater resolution. There will always be people who, in addition to deriving enjoyment from an image as a whole, derive further enjoyment from examining all of the details in an image a little more closely. This is particularly the case with wildlife photography which is my own primary area of interest.The real advantage of larger populated sensors goes unsaid. This is not greater resolution as for screen purposes and even for most printing purposes the extra pixels are lost
Richard Feynman said it best in my opinion:You'll see noticeable improvements even with cheap lenses, and even after downsampling: http://www.dpreview.com/forums/post/55535509and perhaps only the best (most expensive) lenses are capable of making full use of them anyway.
And even at the long end of the Oly 75-300 II: http://www.dpreview.com/forums/post/55629712
which isn't known for being particularly sharp.
Sure, going from 16 to 20MP (or even 24) wont net us the same degree of improvement but rather than being stuck at 16MP forever I'd rather see the incremental improvements begin as soon as possible so we can get there sooner rather than later.
For me, creating a picture means creating a picture as a whole.That's so far from your approach that I just can't understand the pleasure you get by tearing a pic apart into its details.
It's like looking at the brush marks of the great masters such as da Vinci or Michelangelo instead of admiring their works as a whole. I would see the need if you were studying art but not if you want to enjoy whart they did.
I suspect that you either didn't watch that little video I linked to, or didn't understand the point that Feynman was making about the appreciation of beauty.
By way of further illustration: I like birds. In fact I love birds. In my opinion they are some of the most fascinating and wondrous creatures on Earth. And when I take a picture of a bird I subsequently derive all sorts of enjoyment from looking at it. But not only do I enjoy the picture as a whole, I enjoy all the little details too. The feathers, the eyes, the beak, the little legs and the little feet. They are cute, interesting, even incredible. But that is not to say that the individual details are the whole point. They are not. If they were I would spend all my time trying to photograph parts of birds instead of whole birds. But I don't. There is the bird, frozen in time, hopefully framed nicely with some interesting context, and the details are simply an additional dimension of appreciation. And the better they look the richer the little universe within that moment of time becomes to me.
As Feynman said: "It's only adds. I don't see how it subtracts".
Tearing my pictures apart? You couldn't be more wrong.
Actually I think that discussions like this could indeed be fruitful if people put a little bit more effort into trying to think outside their own subjective little worlds. This idea that people either don't care about resolution or are obsessive pixel-peepers who are acting in opposition to the enjoyment of photography is beyond ridiculous.So, we seem to be just to far away from one another for a fruitful discussions.
Really, it is.
This logic isn't really tracking well for me as I really don't see the point of swapping a zoom lens for a prime with less reach and then having to crop to match the zoom all the time. If you didn't need to crop all the time it wouldn't be so bad but sometimes you buy a zoom with a certain amount of reach because that's what you need to have in order to do what you want to do.Extra resolution could replace zoom lenses with high perfoming fast primes if only the camera buying public could get their head around rejecting the mantra that they must always use all the extra pixels provided no matter how many. When in truth the computer screen or printer throws them away in due course. In practice a 16mp image cropped to 8mp or even 4mp still can produce a fine print if well caught in the first place. This means that high resolution lenses used constructively with some precision are more essential than huge numbers of pixels. 16mp already gives us quite good scope.
The chant that more megapixels are good is a sort of albatross that the sensor manufacturers and their acolyte camera manufacturers have created. Now somehow they have to change tack and start promoting: "great prime lenses and sensor cropped images are fantastic".
I don't think we really disagree we are just expressing variations on a theme. There is no problem with the concept of enlarging a screen to reveal detail any more than there is in using a part of a cropped image similarly as an alternative to zooming.Not the way I meant it. I hate cropping and would rather stalk a bird (or whatever) for twice as long so I don't have to.Good point, but isn't this the same as sensor cropping zoom, but only on a temporary inspection basis?For me the real advantage of greater resolution is in fact greater resolution. There will always be people who, in addition to deriving enjoyment from an image as a whole, derive further enjoyment from examining all of the details in an image a little more closely. This is particularly the case with wildlife photography which is my own primary area of interest.The real advantage of larger populated sensors goes unsaid. This is not greater resolution as for screen purposes and even for most printing purposes the extra pixels are lost
I don't own a single camera that puts out images that I like to view at the native sensor resolution so I always downsample. For me it's basically just a way of exercising some control over what the image looks like after that single click that takes you to 100% for a closer look. Currently with MFT in particular once we get down to about 8MP or so things are starting to look nice to me. And generally speaking the more resolution you start out with the sooner that happens.
In other words it's not so much about more pixels as it is about better pixels. But it is about more pixels in the sense that more pixels can give you those better pixels, and better pixels give you better images.
There's really no justification for pixel density revulsion even on tiny sensors as even in that arena you can still end up with more detail and this perception that noise gets out of control is mostly due to the same old folly of comparing sensors with different resolutions at the pixel level instead of at the same print/display size.But in the end perhaps pixel denisity-excess revulsion will set in just as it did for the tiny sensors.
Sure, people can point to instances of higher resolution sensors being noisier than lower resolution sensors even under normalized conditions but there are also examples where the reverse is true. So I think people generally need to develop a more balanced perspective on it all so that they aren't inadvertently demonizing something that might actually be of benefit to them.
http://www.dpreview.com/forums/post/37409155
Hello Great. I think the statement that Olympus made was some time ago and they said 12MP was enough.Just curious, what method of analysis did you use to come up with 20mp? Was it simply the fact that it crosses the 20mp threshold and therefore sounds better?So, I personally (the way I feel - not anyone else who wants to argue the point) is that a 20 MP sensor is right around the corner (and much welcomed) and hopefully, it will have superb IQ all the way around. I do lots of cropping and having the extra MP's really helps.
As many have pointing out before, the megapixel wars illustrate a fine example of the law of diminishing returns. A jump from 16mp to 20mp will yield a negligible 11% increase in resolution, at the expense of a 25% increase in processing cost (think operation speed) and storage space.
The very fact that we are discussing sensors in terms of megapixels rather than actual resolution means that we have been conditioned to think about these things in terms that favor marketing, not science.
Olympus has made it clear that they will not entertain the notion that more megapixels are better unless the associated hit in IQ can be minimized. I am thankful that they take such a position.
No need to get offensive. You have your way of looking at pictures, I've got mine. Nonetheless, if I look ast a 10 or 12MP pic shot with a good lens from the right viewing distance, I get all the details I want. Even my E-30 with its thick AA filter delivered details galore. Only if you get so close to your pic that you aren't seeing it as a whole, anymore, you will have problems with he rersolution and the sharpness. If this is you approch - fine. But imposing this point of view to the rest of the world reminds me of a hostile takeover.That's not what I said at all.What can I say but "Let's agree to disagree."
For me, creating a picture means creating a picture as a whole.That's so far from your approach that I just can't understand the pleasure you get by tearing a pic apart into its details.
It's like looking at the brush marks of the great masters such as da Vinci or Michelangelo instead of admiring their works as a whole. I would see the need if you were studying art but not if you want to enjoy whart they did.
I suspect that you either didn't watch that little video I linked to, or didn't understand the point that Feynman was making about the appreciation of beauty.
By way of further illustration: I like birds. In fact I love birds. In my opinion they are some of the most fascinating and wondrous creatures on Earth. And when I take a picture of a bird I subsequently derive all sorts of enjoyment from looking at it. But not only do I enjoy the picture as a whole, I enjoy all the little details too. The feathers, the eyes, the beak, the little legs and the little feet. They are cute, interesting, even incredible. But that is not to say that the individual details are the whole point. They are not. If they were I would spend all my time trying to photograph parts of birds instead of whole birds. But I don't. There is the bird, frozen in time, hopefully framed nicely with some interesting context, and the details are simply an additional dimension of appreciation. And the better they look the richer the little universe within that moment of time becomes to me.
As Feynman said: "It's only adds. I don't see how it subtracts".
Tearing my pictures apart? You couldn't be more wrong.
Actually I think that discussions like this could indeed be fruitful if people put a little bit more effort into trying to think outside their own subjective little worlds. This idea that people either don't care about resolution or are obsessive pixel-peepers who are acting in opposition to the enjoyment of photography is beyond ridiculous.So, we seem to be just to far away from one another for a fruitful discussions.
Really, it is.
For the record it's more like a preference than a need really. I mean if I couldn't have more resolution I'd still enjoy photography. In fact if the only camera I could ever have was my old 2MP Coolpix E2100 with its 1/3.2"-type sensor I could still enjoy photography. That was the first digital camera I ever owned and I had quite a bit of fun with it. And I could again.Bigger V8 engine give more glorious torque but even small V8 engines cruise quite happily at the speed limits. This is an observation for the many and not a disagreement with your personal need.
Because the result will be that they also have to buy it, if they want or not. As there won't be any cameras with lower pixel count available.But why do people seem to want to make me feel bad about wanting them?
Hold on a minute. I'm not imposing my view on anyone. I'm not telling you that you need more resolution. I am simply expressing my own preference for more, and responding to comments that either constitute claims about how it is generally not even possible in the first place and/or that there's something wrong with my photographic sensibilities for having that preference.No need to get offensive. You have your way of looking at pictures, I've got mine. Nonetheless, if I look ast a 10 or 12MP pic shot with a good lens from the right viewing distance, I get all the details I want. Even my E-30 with its thick AA filter delivered details galore. Only if you get so close to your pic that you aren't seeing it as a whole, anymore, you will have problems with he rersolution and the sharpness. If this is you approch - fine. But imposing this point of view to the rest of the world reminds me of a hostile takeover.
That's the spirit.But then, if you enjoy it, who am I to critivise you?
Now you might have your well thought out points for requesting a higher pixel count. At the moment Ì´m relatively new to the MFT System, but what I found out during the last two weeks I have my E-M10 is that we really would need some better lenses in the affordable range. At the moment I´ve got the kit lenses 14-42 / f 3.5-5.6 II R and the 40-150 / f 4-5.6 (which are not bad within the given limits), the 17 / f 2,8 which is lousy compared to the 45 / f 1.8 and the PL 25 / f 1.4 I bought last week. If you want an acceptable zoom with reasonable CA you have to pay a big hole in your budget. Even the very good 45 / f1,8 can´t make the most out of the current sensor. There is still room for improvement.Dear fellow M4/3 lovers,
Me, like you, loves the system a lot. I actually born into it and started my photography 3 years ago into the first em5. Now upgraded to the mkii.We all know how using olympus system is a lot of fun, and the quality is good too.
But recently in the appearing of new mirrorless cameras, like the NX1, the question of resolution is raised up again.When already few alternatives that offers better image quality are available i would like to ask those that knows and understand the physics behind and the probability of olympus coming in the future with a better resolution camera? Is it even possible with the current PRO lenses that is already exist?
Its no doubt that the glass available is the most diverse and top notch, but if olympus is not coming in the near future with a better sensor and resolution, its just clearly stays behind... and for professional purposes better alternatives are already there...
Thanks for those that can shed some light on the issue,
Gil.
Are you saying that even though you don't need or even want more resolution, you would somehow be forced to purchase a higher resolution camera anyway? Why?Because the result will be that they also have to buy it, if they want or not. As there won't be any cameras with lower pixel count available.But why do people seem to want to make me feel bad about wanting them?