Which has better background blurriness?APSC 50mm vs M43 75mm
Re: Which has better background blurriness?APSC 50mm vs M43 75mm
1
Christof21 wrote:
Anders W wrote:
ageminmo wrote:
I was researching to buy a light combo for doing portraits and I enjoyed using GM1 with Olympus 45mm but I know the bokeh of Sony 50mm is better. The question now is when compared to Oly 75mm, which has more bokeh between these two cameras:
Any M43 camera with Olympus 75mm F1.8
versus
Any Emount APSC with Sony 50mm F1.8
COnsidering the effective aperture calculation for both?
I read that you can compare the background blurriness by dividing the focal length and the aperture.
So the Olympus combo will yield a ratio of ~42 and the Sony combo will yield ~28. That's a lot!
But they are from different systems, so if I will use their effective apperture..
Olympus 75mm will have 21[75/(1.8x2)] and SEL50 will have 18[50/(1.8x1.5)].
Then they are almost the same! WIth the sony combo, I dont need to be much farther to the subject and the body+lens combo is lighter. (Of course, I would be needing a good IBIS body like GX7, EM5, EM1, EPM2 etc and not GM1/GM5)
It's a bit more complicated than that. Which of the two will give more background blur depends on the magnification as well as the distance between the subject and the background. For example, for a head-and-shoulder portrait, the 50/1.8 on APS-C will give slightly more blur if the background is less than 2 meters from the subject whereas after that point, it is the other way around. You can experiment with other cases by means of this background-blur calculator:
http://howmuchblur.com/#compare-1.5x-50mm-f1.8-and-2x-75mm-f1.8-on-a-0.9m-wide-subject
The op has the correct formula (except that he made a mistake with the crop factor) for the background at infinity..
... but since background at infinity is but one possibility (and perhaps not the most likely one), the calculator is pretty handy.
Panasonic Lumix DMC-G1
Olympus PEN-F
Olympus E-M1 II
Panasonic Lumix G Vario 14-45mm F3.5-5.6 ASPH OIS
Panasonic Lumix G Vario 7-14mm F4 ASPH
+20 more
|
Post
(hide subjects)
|
Posted by
|
When
|
|
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 10, 2015
|
12 |
|
|
|
Jan 10, 2015
|
2 |
|
|
|
Jan 10, 2015
|
1 |
|
|
|
Jan 10, 2015
|
2 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 10, 2015
|
2 |
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 10, 2015
|
6 |
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 14, 2015
|
2 |
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
(unknown member)
|
Jan 10, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
(unknown member)
|
Jan 10, 2015
|
|
|
|
|
Jan 10, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
2 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
2 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
Keyboard shortcuts:
FForum
PPrevious
NNext
WNext unread
UUpvote
SSubscribe
RReply
QQuote
BBookmark
MMy threads
Color scheme?
Blue /
Yellow
|
|
|
|
|
Mar 1, 2023
|
Feb 27, 2023
|
Feb 15, 2023
|
Feb 9, 2023
|
The Fujifilm X-T5 is the company's latest classically-styled APS-C mirrorless camera. It gains the 40MP sensor and AF system from the X-H2 but in a body with a more stills-focused slant. We've been putting it through its paces.
We're Noct messing around with this review.
Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow!
The Sony ZV-E1 is the company's latest vlogging-focused camera: a full-frame mirrorless camera based the FX3/a7S III sensor, aimed at YouTubers and 'creators' looking to go pro.
The Sony ZV-E1 is a full frame camera targeting YouTubers. Chris and Jordan are Youtubers, what do they think?
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.