Help! Humming Bird Hell.......
OP
tedolf
•
Forum Pro
•
Posts: 29,548
Re: Help! Humming Bird Hell.......
Bob Tullis wrote:
tedolf wrote:
Bob Tullis wrote:
tedolf wrote:
Bob Tullis wrote:
I stage the shot, prefocus in the area in front of the feeder, and block the other 3 ports on the feeder to force the hummer where I want it. When it arrives I lean on the shutter button, so as it hovers in and out of the field of focus I have 1/2 a chance. I've used wireless flash (when it was working), but mainly wait for good light.
Cropping ends up being significant to isolate it from the cheap plastic feeder.
This was also a significant crop:

these are very nice, and your shutter speed is certainly a lot higher than mine, so I presume that you used flash on these?
No, this is natural lighting, unaided. Why do you presume a flash had to be involved for a high shutter?
You're right, that made no sense unless your EM-1 has a leaf shutter.
Damn, it must have been a sunny day!
If it's about the wings, these aren't frozen - just fortunate timing along with the SS. I shoot rapid fire so's to allow captures with the wings spread back (for better visibility of the body/head).
Ah, good idea.
I was shooting sequential (I think?), but only 4 fps.
It all happened very fast and I really didn't have time to set up.
So, you think my shots are fuzzy just because of low shutter speed? Or hand held? Or both?
No prep resulted in low shutter and having to hand-hold. Bingo [spittoon ping!]
I've tried it with less determination like you, which lead to having to use more determination for the quality desired (I'm not that steady with longer focal lengths). For other feeder birds in order to follow that action I need at least a monopod, if not set on a tripod while using a loose ball head.
4 FPS is enough, though a lot of this is timing and serendipity. Sometimes it takes many visits of the subject to get things just right (sometimes that means trying again on another day). A GOOD session for me has about 5-10 keepers in a series of 100 exposures. Maybe if I pursued this subject more often I'd have a better ratio, but. . . there you go.
That is very helpful, thanks.
Now I have to see if somehow I can get this thread put back in the m4/3 forum!
.
Tedolph,
Eternally Damned
Olympus PEN E-P5
Olympus M.Zuiko Digital ED 9-18mm F4.0-5.6
Olympus M.Zuiko Digital ED 40-150mm 1:4-5.6
Olympus M.Zuiko Digital 14-42mm 1:3.5-5.6 II R
Samyang 7.5mm F3.5 Fisheye
+9 more
|
Post
(hide subjects)
|
Posted by
|
When
|
|
|
|
|
Jan 13, 2015
|
3 |
|
|
|
Jan 13, 2015
|
2 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 13, 2015
|
5 |
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
1 |
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 13, 2015
|
1 |
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
1 |
|
|
|
Jan 13, 2015
|
1 |
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 14, 2015
|
4 |
|
|
|
Jan 13, 2015
|
|
|
|
|
Jan 13, 2015
|
2 |
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
(unknown member)
|
Jan 14, 2015
|
1 |
|
|
|
Jan 14, 2015
|
|
|
|
(unknown member)
|
Jan 15, 2015
|
|
|
|
|
Jan 25, 2015
|
2 |
Keyboard shortcuts:
FForum
PPrevious
NNext
WNext unread
UUpvote
SSubscribe
RReply
QQuote
BBookmark
MMy threads
Color scheme?
Blue /
Yellow
|
|
|
|
|
Mar 1, 2023
|
Feb 27, 2023
|
Feb 15, 2023
|
Feb 9, 2023
|
The Fujifilm X-T5 is the company's latest classically-styled APS-C mirrorless camera. It gains the 40MP sensor and AF system from the X-H2 but in a body with a more stills-focused slant. We've been putting it through its paces.
We're Noct messing around with this review.
Adobe Photoshop and Lightroom impress in a lot of ways, but their noise reduction lags the competition and their lens corrections lack a real-world basis. DxO PureRAW 3 aims to come to their rescue without totally reinventing your workflow!
The Sony ZV-E1 is the company's latest vlogging-focused camera: a full-frame mirrorless camera based the FX3/a7S III sensor, aimed at YouTubers and 'creators' looking to go pro.
The Sony ZV-E1 is a full frame camera targeting YouTubers. Chris and Jordan are Youtubers, what do they think?
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.