The World’s Largest Film Camera Redefines Mobile Photography
I watched a short documentary today, about this gigantic camera, and was quite blown away by it!!
Butterflies and Buffalo, Tales of American Culture
Unknown legacies lie among us. Rich cultural heritage and folklore quietly resonate within our landscapes. The United States is the most ethnically diverse nation in the world, yet we have struggled to find commonality in our differences, and in our rapid daily quest to achieve the ‘American Dream’, we have lost touch with our roots. Now is a pivotal time.
Symbolic of our fragile surviving cultures and the enduring strength of the American spirit, Butterflies & Buffalo will forever preserve our nation’s dynamic cultural history through the largest film camera in the world and a 20,000-mile nationwide documentary journey. The magnificence of over 50 cultures will be captured and shared with the public to commemorate extraordinary people from all walks of life. Join us on this amazing journey.
For more information visit: ButterfliesAndBuffalo.com or email email@example.com
Ah, here's a brief history about it.
The phrase “go big or go home” seems to take on a special significance with photographer Dennis Manarchy. Obsessed with the concept of scale and the possibilities of working with massive negatives to create portrait images more than two stories high, he and his team have created a 35-foot view camera, the world’s largest film camera. The project, nicknamed“Butterflies and Buffalo”, aims to use the traveling view camera as a conduit for documenting more than 50 of the unique cultures in America.
Inspiration for the project grew out of Manarchy’s days as a student of art and photography at the Rochester Institute of Technology. Impressed with the way that artist Chuck Close employed scale to render detail in his photorealistic portrait work, Dennis felt that large portraits made a powerful statement. After seeing Close’s exhibition at the Museum of Modern Art, he wanted to create honest people photographs that could similarly display the authenticity of an individual in a gritty, realistic way. He was also moved by the work of Edward Curtis, a portrait photographer who chronicled America’s indigenous cultures in the 20-volume North American Indian publications.
After graduating from RIT and apprenticing under the legendary Irving Penn, Dennis was drafted into the army and served as a Lieutenant in Vietnam. He eventually established a successful commercial studio in Chicago with a client list including Harley Davidson, Nike and publication credits in Life, Vanity Fair, Vogue and Time. The power of the portrait, the initial draw that he felt when seeing Close’s imagery at MOMA, is the common thread through Manarchy’s long and storied career behind the camera.
With the gradual displacement of film technologies by computers and digital cameras and the rate at which unique cultures and small communities are being absorbed and native languages lost, Manarchy felt a sense of urgency. He hit upon a documentary portrait project unlike any other, one that necessitated the creation of an entirely new breed of camera.
“I decided that my next project would be documenting American cultures and doing it in the most incredible way that I can think of… and so, I think just the way I think, I said ‘how big could I make something?’” says Manarchy in the video that appears on Butterflies & Buffalo web site. “I tried blowing some pictures up that I had taken but they really didn’t do it very well so I said ‘I need a bigger camera’ so I figured well, this is the time I have to roll up my sleeves, dig in, get the welder out and start rocking on a new camera.”
Three prototypes were created in an experimental research and design phase that ultimately led to the enormous, really large format camera that Manarchy will take on a flatbed trailer around the country. The film used to make the massive photographs is shipped in from an overseas supplier and cut down into six-foot sections. The resulting enlargements are 24-feet in height with unparalleled detail.
“The prototypes required a basement-collection of materials — cardboard, switchboards from Home Depot, a vacuum cleaner to provide a suction plate that held the film intact, whatever Dennis could get his hands on,” said Chad Tepley, director of Butterflies & Buffalo. “And now with the debut of the final camera, it is a true commemoration of nearly 200 years of photography. It’s stunning — 35′x12′ high x 8′ wide… the lens is 240 pounds, crafted out of blocks of aluminum and comprised of over 100 individual parts. The camera has over 3,000 nuts/bolts/washers that hold together the massive steel bellows framed in African mahogany. The 80-inch plasma screen provides a live-feed to the photo sessions in progress so that the communities can witness everything in action and engage with the camera.”
The final assembly was completed last week and will be on display along with a set of massive portraits beginning September 18 at Two North Riverside Plaza in Chicago. The showcase in the heart of the windy city’s historic downtown is the unveiling of the camera and it will soon be on the road on a 20,000-mile nationwide journey documenting the unique and varied people and cultures of the “melting pot.” The concept is thus an ethnographic and visual study, a documentary aimed at preserving history.
“Some cultures are understandably very sensitive to how they are portrayed, and it is our job to allow these people to tell their own stories,” said Tepley. “It’s our hope that this project will raise awareness of the rich heritage across our lands.”
Tepley and Manarchy intend for today’s debut to lead to the creation of lasting interactive, multi-sensory gallery and exhibition, a way of celebrating the American diaspora as well as the invention of the camera. As the team prepares to take to the road when the Plaza exhibition concludes at the end of October, they are continuing to raise money and find sponsors. Just today, to coincide with the exhibition, they launched an IndieGoGo campaign to raise awareness and funding.
Well, another interesting concept of photography, in our times...
That puts our awesome D800 megapixel count to shame, almost!
D800, AF-S NIKKOR 80-400mm f/4.5-5.6 G ED VR, B+W Clear MRC 77mm, AF-S NIKKOR 24-120mm f/4G ED VR, Sigma DG UV 77mm,
SB-910, WG-AS3, ME-1, Lexar Professional 600x 64GB SDXC UHS-I 90MB/s*, 400x 32GB SDHC UHS-l 60MB/s*
Vanguard ALTA PRO 263AT, GH-300T, SBH-250, SBH-100, PH-22,
Lowepro S&F Deluxe Technical Belt and Harness~Pouch 60 AW 50 AW & 10, S&F Toploader 70 AW, LC 11x26cm
FE, NIKKOR 2-20mm f/1.8, OPTEX UV 52mm, Viivitar Zoom 285,
Kodacolor VR 1000 CF 135-24 EXP DX 35mm
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