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When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Started Jul 5, 2013 | Discussions thread
(unknown member) Contributing Member • Posts: 873
Re: When extreme high ISO is better than nothing: a rundown on my experiences shooting ballet

Looks like you're finding what works for you. You're right about exposing for the dancer, not the background.   Its exactly what I do in studio where the background is bright windows.  Let the background go, expose for the dancer.

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