Is the Panasonic GX7 a Sony NEX7 killer?

ultimitsu wrote:
dougjgreen1 wrote:

The difference between a legacy 200mm lens and a legacy 300mm lens IS generally pounds - plural.

Sony's main telephoto zoom - a 55-210mm f4.5~6.3 weighs 345 grams

The Panasonic 45-175mm f4~5.6. a lens that is both faster AND effectively longer on m4/3,
It is effectively slower, and is shorter.
No, an aperture is an aperture. An f-stop is the same no matter the focal length. We're talking about it's light-gathering ability. Nothing else. A 45mm f4 is faster than a 55mm f4.5, and a 175mm f5.6 is faster than 210mm f6.3 ALWAYS.
 
dougjgreen1 wrote:
NexOffender wrote:
dougjgreen1 wrote:

And what about when you ARE comparing a 300mm f2.8 legacy lens on the NEX, to a 200mm f2.8 legacy lens on the m4/3 - both of which are 400mm FF equivalents? You're probably looking at a difference of 4 inches in length and close to 3 pounds in weight. And even given the argument about more sensor sensitivity allowing smaller apertures, and the larger format offering less depth of field for aperture equivalency - I use a 200mm f3.0 Vivitar Series One lens, that is still noticeably smaller and lighter than a 300mm f4 legacy lens would be.
But why compare the 200mm to the 300mm? The telephoto advantage of a smaller sensor is only an illusion. You don't have a 400mm lens, you have a cropped 200mm lens. The same can be achieved by cropping images from the NEX, but the NEX has a wide angle advantage because you can't un-crop the images from the GX7. The size/weight advantage is a great argument for M4/3 when compared to an APS-C DSLR, but it is much less convincing when compared to other mirrorless cameras. This is why a lot of M4/3 makers are a little shifty about admitting how small their really sensor is.
In other words, you consciously use shorter lenses than those that fill the frame with your subject matter? Because if you don't actually intentionally carry shorter lenses, with the intention of wasting much of your frame, your claim is nonsense.

The simple fact is, there are several flaws with that analysis and claim that you don't actually use those longer lenses in real life..
No, I don't intentionally shoot like that and I don't even have a NEX-7, but I have been known to crop the odd photo. The point is that the option is there. If you go out with only a wide angle prime and the need arises for something a little longer, it would be nice to know you could crop a fair bit and still have a high quality 16MP image.
BTW, while you may be able to crop a NEX-7 to equate the FOV of a 16 MP m4/3 camera, you can't do that with a NEX-3, NEX-5, or NEX-6, because they don't have the resolution to spare. If you crop those cameras to get an equivalent FOV, you're now down to 10.4 MP on the NEX cameras other than the NEX-7.
That's true, but this thread is about the NEX-7, and future APS-C sensors will always have the advantage of more MP for the same density over M4/3.
And if you're cropping the sensor so drastically and enlarging to the point that the effective lens is the same, you have just wiped out all of those supposed advantages that of effective depth of field that folks have been claiming on the NEX side throughout this thread - you now effectively have nothing more than a lower resolution m4/3 sensor.
With the NEX-7 you will have the same resolution as the M4/3 sensor.
You can't have it both ways - you have to use longer effective focal lengths, and actually use the larger real estate of the NEX sensor to claim those effective aperture comparative advantages that everyone on the NEX side is claiming. And I contend that your claim about using shorter lenses is actually nonsense in real life.
I didn't make any claims about effective DOF advantages. I like fast lenses for the low light advantage, but if the DOF gets so narrow that I can't keep someone's whole head in focus it becomes unusable for me.
The fact is, nobody who shoots with a NEX, even a NEX-7 actually does that - i.e. assuming you will be drastically cropping and thus not bothering to try to compose in the entire frame. So, you are again back to bigger, heavier lenses. And of course, as I showed, that also affects the base kit lenses that most folks actually use - they remain bigger and bulkier.
True, most people with NEX cameras probably want to use their whole sensor, but if they were happy to use a M4/3 sensor, they could get the exact same image by cropping a NEX-7 image. I never claimed to shoot wide and crop all my images but that's not the point. The point is that there is no image you can get with the 200mm on the GX7 that you can't also get with the 200mm on the NEX. The difference is that with the NEX you have the option of the wider image as well, so the so called telephoto advantage to the GX7 is really a wide angle advantage to the NEX.
 
dougjgreen1 wrote:
ultimitsu wrote:
dougjgreen1 wrote:

The difference between a legacy 200mm lens and a legacy 300mm lens IS generally pounds - plural.

Sony's main telephoto zoom - a 55-210mm f4.5~6.3 weighs 345 grams

The Panasonic 45-175mm f4~5.6. a lens that is both faster AND effectively longer on m4/3,
It is effectively slower, and is shorter.
No, an aperture is an aperture. An f-stop is the same no matter the focal length. We're talking about it's light-gathering ability. Nothing else. A 45mm f4 is faster than a 55mm f4.5, and a 175mm f5.6 is faster than 210mm f6.3 ALWAYS.
I said nothing about aperture, I am talking about speed. By the looks of your post, you have a fundamental misunderstanding of concept of "lens speed".

The concept of lens speed came about during time when the default format was 135 film. Larger aperture allowed for faster shutter speed while maintaining the same amount of light falling on to the film, thus people tend to call lenses with larger aperture faster lenses. But it is important not to forget that the premises of this concept is that the lenses are for the same film format.

But today we have different sensor formats. Sony NEX has a sensor 64% larger than m43, that means it can afford to shoot at shutter speed 64% higher, or 2/3 stop faster, while maintaining the same light falling on to the sensor.

In otherwords, where apertures are the same, the NEX lens is 2/3 stop faster; where the m43 lens's aperture is less than 2/3 stops larger, the NEX lens is still faster.

Of the two lenses you are comparing, the m43 lens's aperture ratio is only 1/3 stop larger. Thus the M43 lens is the slower one.

On the issue of FL. Again, the NEX is longer.
 
Last edited:
ultimitsu wrote:

I said nothing about aperture, I am talking about speed. By the looks of your post, you have a fundamental misunderstanding of concept of "lens speed".

The concept of lens speed came about during time when the default format was 135 film. Larger aperture allowed for faster shutter speed while maintaining the same amount of light falling on to the film, thus people tend to call lenses with larger aperture faster lenses. But it is important not to forget that the premises of this concept is that the lenses are for the same film format.

But today we have different sensor formats. Sony NEX has a sensor 64% larger than m43, that means it can afford to shoot at shutter speed 64% higher, or 2/3 stop faster, while maintaining the same light falling on to the sensor.

In otherwords, where apertures are the same, the NEX lens is 2/3 stop faster; where the m43 lens's aperture is less than 2/3 stops larger, the NEX lens is still faster.

Of the two lenses you are comparing, the m43 lens's aperture ratio is only 1/3 stop larger. Thus the M43 lens is the slower one.

On the issue of FL. Again, the NEX is longer.
If the NEX sensor is 64% larger, it's not just getting 64% more light, it's also getting a 64% larger image so the speed of the lens in regard to shutter speed is the same. Using a crop sensor doesn't make the image darker, it makes it smaller just like if you take an image and then crop it, it doesn't become darker.
 
NexOffender wrote:

If the NEX sensor is 64% larger, it's not just getting 64% more light, it's also getting a 64% larger image
You have to be cleaen on what you mean by "larger image"?

Most current NEX line have the same 16mp sensor. so the final image produced is the same size as GX7/OMD/G6. What it means is each pixel got 64% more light.

NEX7 has a 24mp sensor so its output image is 24mp. but overall light received is the same as other 16mp NEX.

So overall, NEX7 get 64% more light than M43.
so the speed of the lens in regard to shutter speed is the same.
No. the whole point is with NEX you can get away with 2/3 stop faster SS.
Using a crop sensor doesn't make the image darker, it makes it smaller just like if you take an image and then crop it, it doesn't become darker.
"darker" or "brighter" is what we describe the final output image, which had gone through brightness adjustment. These concepts are not really compatible with "exposure".

http://www.dpreview.com/articles/8148042898/exposure-vs-brightening
 
Last edited:
dougjgreen1 wrote:
NexOffender wrote:
dougjgreen1 wrote:

And what about when you ARE comparing a 300mm f2.8 legacy lens on the NEX, to a 200mm f2.8 legacy lens on the m4/3 - both of which are 400mm FF equivalents? You're probably looking at a difference of 4 inches in length and close to 3 pounds in weight. And even given the argument about more sensor sensitivity allowing smaller apertures, and the larger format offering less depth of field for aperture equivalency - I use a 200mm f3.0 Vivitar Series One lens, that is still noticeably smaller and lighter than a 300mm f4 legacy lens would be.
But why compare the 200mm to the 300mm? The telephoto advantage of a smaller sensor is only an illusion. You don't have a 400mm lens, you have a cropped 200mm lens. The same can be achieved by cropping images from the NEX, but the NEX has a wide angle advantage because you can't un-crop the images from the GX7. The size/weight advantage is a great argument for M4/3 when compared to an APS-C DSLR, but it is much less convincing when compared to other mirrorless cameras. This is why a lot of M4/3 makers are a little shifty about admitting how small their really sensor is.
In other words, you consciously use shorter lenses than those that fill the frame with your subject matter? Because if you don't actually intentionally carry shorter lenses, with the intention of wasting much of your frame, your claim is nonsense.

The simple fact is, there are several flaws with that analysis and claim that you don't actually use those longer lenses in real life.. BTW, while you may be able to crop a NEX-7 to equate the FOV of a 16 MP m4/3 camera, you can't do that with a NEX-3, NEX-5, or NEX-6, because they don't have the resolution to spare. If you crop those cameras to get an equivalent FOV, you're now down to 10.4 MP on the NEX cameras other than the NEX-7. And if you're cropping the sensor so drastically and enlarging to the point that the effective lens is the same, you have just wiped out all of those supposed advantages that of effective depth of field that folks have been claiming on the NEX side throughout this thread - you now effectively have nothing more than a lower resolution m4/3 sensor. You can't have it both ways - you have to use longer effective focal lengths, and actually use the larger real estate of the NEX sensor to claim those effective aperture comparative advantages that everyone on the NEX side is claiming. And I contend that your claim about using shorter lenses is actually nonsense in real life.

The fact is, nobody who shoots with a NEX, even a NEX-7 actually does that - i.e. assuming you will be drastically cropping and thus not bothering to try to compose in the entire frame. So, you are again back to bigger, heavier lenses. And of course, as I showed, that also affects the base kit lenses that most folks actually use - they remain bigger and bulkier.
I crop around 99% of my shots, that's why the NEX-7 was bought and I was using m4/3 at the time.

Simple fact is that even with 500m and 800mm lenses, I still crop 99% of the time.

I can't recompose because the birds are actually in the air and try as hard as I can, I can't fly :-)

All the best and there a few of us using the NEX for those exact subjects and we still crop.

Danny.
 
ultimitsu wrote:
NexOffender wrote:

If the NEX sensor is 64% larger, it's not just getting 64% more light, it's also getting a 64% larger image
You have to be cleaen on what you mean by "larger image"?

Most current NEX line have the same 16mp sensor. so the final image produced is the same size as GX7/OMD/G6. What it means is each pixel got 64% more light.

NEX7 has a 24mp sensor so its output image is 24mp. but overall light received is the same as other 16mp NEX.

So overall, NEX7 get 64% more light than M43.
so the speed of the lens in regard to shutter speed is the same.
No. the whole point is with NEX you can get away with 2/3 stop faster SS.
Using a crop sensor doesn't make the image darker, it makes it smaller just like if you take an image and then crop it, it doesn't become darker.
"darker" or "brighter" is what we describe the final output image, which had gone through brightness adjustment. These concepts are not really compatible with "exposure".

http://www.dpreview.com/articles/8148042898/exposure-vs-brightening
I think you're missing the point entirely. Using a crop sensor is the same as cropping the image afterwards. The smaller sensor isn't throwing away a portion of the light, it is throwing away a portion of the image but the portion that remains gets the same amount of light as it always did. The RX100 has a 1.85 crop factor compared to the NEX-6, so by your theory it should be nearly a full stop slower at the same aperture, but in reality, if I use the same settings I get the same exposure. I just tested this by putting both cameras in manual mode and setting the RX100 so that the metering scale showed ±0.0 for correct exposure, then I set the NEX to the same settings and the metering scale showed the same.
 
NexOffender wrote:
ultimitsu wrote:
NexOffender wrote:

If the NEX sensor is 64% larger, it's not just getting 64% more light, it's also getting a 64% larger image
You have to be cleaen on what you mean by "larger image"?

Most current NEX line have the same 16mp sensor. so the final image produced is the same size as GX7/OMD/G6. What it means is each pixel got 64% more light.

NEX7 has a 24mp sensor so its output image is 24mp. but overall light received is the same as other 16mp NEX.

So overall, NEX7 get 64% more light than M43.
so the speed of the lens in regard to shutter speed is the same.
No. the whole point is with NEX you can get away with 2/3 stop faster SS.
Using a crop sensor doesn't make the image darker, it makes it smaller just like if you take an image and then crop it, it doesn't become darker.
"darker" or "brighter" is what we describe the final output image, which had gone through brightness adjustment. These concepts are not really compatible with "exposure".

http://www.dpreview.com/articles/8148042898/exposure-vs-brightening
I think you're missing the point entirely.
No, I did not miss the point at all, you are confusing brightness and exposure. please see the link provided above to get an understanding of that concept.
Using a crop sensor is the same as cropping the image afterwards. The smaller sensor isn't throwing away a portion of the light, it is throwing away a portion of the image but the portion that remains gets the same amount of light as it always did.
That is true but you end up with a different, much smaller framing with the cropped image. It renders any comparison pointless. Thus in any comparison, we are comparing the same framing.
The RX100 has a 1.85 crop factor compared to the NEX-6, so by your theory it should be nearly a full stop slower at the same aperture, but in reality, if I use the same settings I get the same exposure
What you got is two images of the same brightness. But it does not mean they received the same amount of light nor have the same IQ. What you should be able to do, is raise NEX6's SS by 85%, your NEX6 image should maintain the same IQ as RX100's.
I just tested this by putting both cameras in manual mode and setting the RX100 so that the metering scale showed ±0.0 for correct exposure, then I set the NEX to the same settings and the metering scale showed the same.
Yes, of course you would end up with two images with the same brightness, that is what ISO standard all about.
 
ultimitsu wrote:
NexOffender wrote:
ultimitsu wrote:
NexOffender wrote:

If the NEX sensor is 64% larger, it's not just getting 64% more light, it's also getting a 64% larger image
You have to be cleaen on what you mean by "larger image"?

Most current NEX line have the same 16mp sensor. so the final image produced is the same size as GX7/OMD/G6. What it means is each pixel got 64% more light.

NEX7 has a 24mp sensor so its output image is 24mp. but overall light received is the same as other 16mp NEX.

So overall, NEX7 get 64% more light than M43.
so the speed of the lens in regard to shutter speed is the same.
No. the whole point is with NEX you can get away with 2/3 stop faster SS.
Using a crop sensor doesn't make the image darker, it makes it smaller just like if you take an image and then crop it, it doesn't become darker.
"darker" or "brighter" is what we describe the final output image, which had gone through brightness adjustment. These concepts are not really compatible with "exposure".

http://www.dpreview.com/articles/8148042898/exposure-vs-brightening
I think you're missing the point entirely.
No, I did not miss the point at all, you are confusing brightness and exposure. please see the link provided above to get an understanding of that concept.
Using a crop sensor is the same as cropping the image afterwards. The smaller sensor isn't throwing away a portion of the light, it is throwing away a portion of the image but the portion that remains gets the same amount of light as it always did.
That is true but you end up with a different, much smaller framing with the cropped image. It renders any comparison pointless. Thus in any comparison, we are comparing the same framing.
The RX100 has a 1.85 crop factor compared to the NEX-6, so by your theory it should be nearly a full stop slower at the same aperture, but in reality, if I use the same settings I get the same exposure
What you got is two images of the same brightness. But it does not mean they received the same amount of light nor have the same IQ. What you should be able to do, is raise NEX6's SS by 85%, your NEX6 image should maintain the same IQ as RX100's.
I just tested this by putting both cameras in manual mode and setting the RX100 so that the metering scale showed ±0.0 for correct exposure, then I set the NEX to the same settings and the metering scale showed the same.
Yes, of course you would end up with two images with the same brightness, that is what ISO standard all about.
You're right, I can see my test is flawed but isn't the extra noise mostly from the smaller pixels rather than the smaller sensor? I've always read that F1.8 is F1.8 with regard to light gathering. To my understanding, the F number is just a ratio so if everything is relative, ie; you are comparing different size sensors with the same pixel density like a 24MP sensor and a 16MP cropped sensor, then the IQ and exposure should be the same. If you're using the 16MP crop sensor, isn't that the same as cropping a 24MP image after the fact?
 
NexOffender wrote:

You're right, I can see my test is flawed but isn't the extra noise mostly from the smaller pixels rather than the smaller sensor?
no. That is a old internet myth that has been long dis-proven.
I've always read that F1.8 is F1.8 with regard to light gathering. To my understanding, the F number is just a ratio so if everything is relative, ie; you are comparing different size sensors with the same pixel density like a 24MP sensor and a 16MP cropped sensor, then the IQ and exposure should be the same.
F ratio is just an F ratio, it is only comparable for light gathered if the sensor is the same size.

a 24mp sensor that is 1.5 times the size as the 16mp sensor, should have less noise and better IQ than the smaller sensor.
If you're using the 16MP crop sensor, isn't that the same as cropping a 24MP image after the fact?
It is, but its a different framing thus you cannot compare them.
 
Sensor size is like engine displacement - you can't replace it with anything, except more of it.
 
dougjgreen1 wrote:
Antonio Rojilla wrote:
dougjgreen1 wrote:
Antonio Rojilla wrote:

1- The image you posted already had similar lenses on the cameras and the Sony combo was smaller despite the larger sensor.

2- In your new image the difference is so minimal that I don't see the point (it's not like you are comparing the Panny lens to a 7 pounds or 3 kilo f/2.8 300mm full-frame lens).

3- We can compare other lenses. For example these will take exactly the same space in any bag:
Pretty darn sure that the m4/3 lens below is noticeably lighter. The weight matters more than the space.

And what about when you ARE comparing a 300mm f2.8 legacy lens on the NEX, to a 200mm f2.8 legacy lens on the m4/3 - both of which are 400mm FF equivalents?
I'm just saying that if we were talking about pounds or kilos of difference I could see the benefit... but some ounces or grams?
The difference between a legacy 200mm lens and a legacy 300mm lens IS generally pounds - plural.
Where in the photos we have posted comparing cameras and lenses do you see a 6 pounds 300mm f/2.8? That's the whole point: that the lenses showed and compared have differences of grams. Sorry for those who do (because maybe they are ill or in bad condition) but I just can't find 100 or 200 grams of difference in the lenses compared to be such a deal.
Sony's main telephoto zoom - a 55-210mm f4.5~6.3 weighs 345 grams

The Panasonic 45-75mm f4~5.6. a lens that is both faster AND effectively longer on m4/3, weighs just 210 grams.

Sony's 18-55mm kit lens weighs 210 grams

the Olympus and Panasonic 14-42 kit lenses weigh 112 and 110 grams respectively.

Just the standard 2 zoom lens kit is 235 grams lighter in m4/3 than in NEX. That's more than half a pound difference. it's also noticeably smaller.

Of course, the more we would look at longer telephotos, the worse the difference would get with respect to size and weight for NEX vs. m4/3.
You're probably looking at a difference of 4 inches in length and close to 3 pounds in weight. And even given the argument about more sensor sensitivity allowing smaller apertures, and the larger format offering less depth of field for aperture equivalency - I use a 200mm f3.0 Vivitar Series One lens, that is still noticeably smaller and lighter than a 300mm f4 legacy lens would be.
713c8a3a85fc47aabb2ef9f39a201831.jpg


4- The M43 lenses cheat with their smaller equivalent apertures (laws of physics = more sensor area more light-gathering). Sony or others could for example release truly equivalent tiny f/5.6-8 zooms... but what would be the point when the current ones are small enough and faster by at least a stop?

5- I don't understand why there should not be size benefit in the bodies either. They are making the same mistakes than with Four Thirds.

The only way the GX7 is going to kill the NEX-7 is because this camera will soon be replaced. The poor Olympus E-P5 on the other hand...
....will also soon be replaced. So what's your point here?
The one I already made: that the GX7 will not only NOT kill the NEX-7 but that if anything it will kill the not so old E-P5.

--
http://antonio.rojilla.com


--
 
NexOffender wrote:

I've always read that F1.8 is F1.8 with regard to light gathering.
That's just a mantra. It is also true that 200mm is 200mm but many M43 users don't have a problem converting it magically to 400mm while ignoring that they should also convert the aperture for true equivalency with larger formats. Oh, and they have suddenly accepted without any doubt that a speed booster lens adapter gives them a full extra stop of light! How's that? Wasn't f/1.8 always f/1.8?

The thing is that the larger the sensor and thus the larger the lens diameter the more light it gets (compare full-frame, APS-C and M43: 50mm(F)/1.8=27.7 vs 33.3mm(F)/1.8=18.5 vs 25mm(F)/1.8=13.8). If you have sensors of different sizes but with the same number of pixels (say 16MP) the larger one will just get more photons per pixel, hence the wider dynamic range or the lower noise at high ISOs.

If you are really serious about sensor equivalence I recommend you this read:

http://www.josephjamesphotography.com/equivalence/

I wish all M43 users that keep repeating f/1.8 is f/1.8 read it too.

--

Ops!
 
Putting an APS-C 200/1.8 lens on an M43 body makes it a 200/1.8 lens. The f-number doesn't change just because the sensor size changes.

Putting it on via a Speedboster makes it a 142/1.0.
 
you can buy adapters for sony E mount and m4/3

even with the same lens sony WILL have more BOKEHLICIOUSNESS
 
Ulric wrote:

Putting an APS-C 200/1.8 lens on an M43 body makes it a 200/1.8 lens. The f-number doesn't change just because the sensor size changes.

Putting it on via a Speedboster makes it a 142/1.0.
What it does is reduce the larger image circle and concentrate it in an smaller area, throwing over the smaller sensor all the light the lens can natively capture (which goes to show you that mounted in its native mount/sensor it is actually brighter that the so called "equivalent" M43 lens). So the result is not that the lens is a stop faster, it's that you are not throwing away part of the light it can collect, which is what happens when the image circle is cropped leaving outside of the sensor a good part of the light that is entering the lens. In short: you gain a stop because you are now using a lens to its full potential, which is greater than "equivalent" M43 lenses. In other words: the speed booster proves that the "f/1.8 is f/1.8" is false or misleading when sensor size varies.
 
ultimitsu wrote:
dougjgreen1 wrote:
ultimitsu wrote:
dougjgreen1 wrote:

...
It is effectively slower, and is shorter.
No, an aperture is an aperture. ...
I said nothing about aperture, I am talking about speed. By the looks of your post, you have a fundamental misunderstanding of concept of "lens speed"....
You are talking out of your back end Ultimitsu.

I hate to agree with the opinionated and argumentative dougjgreen, but EVERYONE around here and elsewhere agrees that lens 'speed' refers to maximum aperture : F-stop (or T-stop, whichever) never mind the format!
 
Antonio Rojilla wrote:
Ulric wrote:

Putting an APS-C 200/1.8 lens on an M43 body makes it a 200/1.8 lens. The f-number doesn't change just because the sensor size changes.

Putting it on via a Speedboster makes it a 142/1.0.
What it does is reduce the larger image circle and concentrate it in an smaller area, throwing over the smaller sensor all the light the lens can natively capture (which goes to show you that mounted in its native mount/sensor it is actually brighter that the so called "equivalent" M43 lens). So the result is not that the lens is a stop faster, it's that you are not throwing away part of the light it can collect, which is what happens when the image circle is cropped leaving outside of the sensor a good part of the light that is entering the lens. In short: you gain a stop because you are now using a lens to its full potential, which is greater than "equivalent" M43 lenses. In other words: the speed booster proves that the "f/1.8 is f/1.8" is false or misleading when sensor size varies.
"f/1.8 is f/1.8" is correct whether it is on this or that sensor. The 200/1.8 + speedbooster has different optical properties than the lens alone, therefore the 200/1.8 + speedbooster is not 200/1.8.
 
Marty4650 wrote:

975513b63db64b98b11c3ddcea553b9d.jpg


Compare these two cameras. Both are high quality MILC cameras with magnesium alloy bodies. Both are around the same size and weight. Both have similar styling and control layouts. Both will cost around the same. These two cameras are so similar that it would be hard to like one and not like the other.

The Sony NEX7 has one advantage over the Panasonic GX7. It has a larger sensor. But this advantage can also be a disadvantage because it means you will need larger lenses for it. So it cuts both ways.

We haven't seen any tests yet, but the Panasonic GX7 sensor is two years newer than the Sony sensor in the NEX7, so it might be very capable indeed. Interestingly, both sensors have the pixel density, since they have same size pixels. The NEX7 just has more of them due to a larger sensor.

Assuming the GX7 has a very good sensor (at least as good as the Sony sensor in the OM-D, GH3, and EP5), then it could be a much more compelling camera for an enthusiast.

I say this because the GX7 has some advantages of it's own over the Sony NEX7:
  • Sensor shift IBIS
  • Tilt up EVF
  • Better EVF - more screen resolution
  • Better LCD - more screen resolution
  • Touch screen
  • Can shoot in 4 aspect ratios rather than 2
  • Higher maximum sensitivity (ISO 25,600 vs 16,000)
  • Slightly more powerful built in flash (GN 7 vs GN 6)
  • Faster max shutter speed - 1/8000th
  • Much smaller lenses
  • Much wider variety of lenses
  • 40 lenses available vs. 21 lenses available
  • Longer exposures possible (60 sec vs 30 sec)
  • Has 2X and 4X digital zoom (not that anyone would actually use it)
What do you think?

Will Sony take this as a shot across the bow?

--
Marty
http://www.fluidr.com/photos/marty4650/sets/72157606210120132
http://www.flickr.com/photos/marty4650/sets/72157606210120132/show/
my blog: http://marty4650.blogspot.com/
Olympus E-30
Olympus E-PL2
Olympus OM-D
Sony SLT-A55
http://farm7.staticflickr.com/6101/6318442842_7b93cb589b.jpg
There`s is only one way to find out, tie a piece of string to each and bash them together like conkers :)
 

Keyboard shortcuts

Back
Top