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ozdean wrote:
Yep what they are getting out of these small sensors at base iso is pretty amazing.
What will you do about a tripod foot?Rod Herdman wrote:
Thanks for posting Dean. I just got me a Q and I'm waiting for the K adapter to arrive (not the Pentax one tho) and will try mating it to my A*300.
12mpozdean wrote:
The original crops are as follows;
Q 4000 x 3000
1.6mpK01 1563 x 1041
1.6mpK5 1533 x 1022
3.3mpK5+ kenko 2231 x 1488
That would be me. I found superior handling, overall, from the K-5 plus stacked TC combo. IQ I found roughly equivalent, and that is as far as I can go based on the limited comparison I did.audiobomber wrote:
Baron-nite posted an interesting comparison in the Pentax Forums Q board called "Q heresy: Q vs. TC smackdown", showing test shots using the DA*300 at f/5.6. "One is on the Q, ISO 125, 1/200s. The other is on the 1.4x-S and 2x-S Pentax Rear Converters on the K-5, ISO 1000, 1/250s" The smackdown refers to the superior results of the APS-C sensor, even through two decent teleconverters.
baronite wrote:
That would be me. I found superior handling, overall, from the K-5 plus stacked TC combo. IQ I found roughly equivalent, and that is as far as I can go based on the limited comparison I did.audiobomber wrote:
Baron-nite posted an interesting comparison in the Pentax Forums Q board called "Q heresy: Q vs. TC smackdown", showing test shots using the DA*300 at f/5.6. "One is on the Q, ISO 125, 1/200s. The other is on the 1.4x-S and 2x-S Pentax Rear Converters on the K-5, ISO 1000, 1/250s" The smackdown refers to the superior results of the APS-C sensor, even through two decent teleconverters.
I agree the Q at ISO 125 is noisier than the K-5 at ISO 1000. Furthermore, I really should have used ISO 800 given that the Q's ISO 125 is really more like ISO 800 in terms of actual sensitivity. Personally I don't find the noise a problem at 50% crops or less.audiobomber wrote:
Sorry, I should not have inferred that you found the IQ of the K-5 plus two TC's superior. That however, was my conclusion. The noise in the Q shot was disturbing.
One reason the DA*300 works so well on the Q is that it has exceptionally well-controlled CA. But testing with other lenses shows how CA is effectively magnified on the Q's tiny pixels. What is acceptable CA on APS-C can be comically bad on the Q.Michael de Ruijter wrote:
Is it just me or does the 'Q' shot have slightly less fringing?