I have been wanting something like this for ages (wide angle converter that's behind the lens)

Lenni Vilen wrote:
Ari Aikomus wrote:
Joseph S Wisniewski wrote:

And will it be a full stop faster? Put an 85mm f1.4 on one of these, and you get a 60mm f1.0. A 50mm f1.4 becomes a 35mm f1.0. So, when you talk of the lenses that "you can buy", remember that there are things you can't buy, like Pentax mount f1.0 lenses.
...maybe f/1 in terms of the amount of light, but not f/1 what comes to DOF. It still produces same DOF than f/1.4 lens. However still pretty nice performance on APS sensor, I think :-D
No. There is no special f-number for DOF and amount of light. It is all just about one single f-ratio (for a fixed field of view). If the f-number goes down, both the amout of light collected will go up and the DOF will go down. There is nothing special about this converter - it is no different that a for purpouse built f/1 lens of similar specs would be.
No, I meant how same "FF" lens behaves on the "FF" camera, and how it behaves with the NEX+Metabones speed booster combo.
DOF will be nearly equivalent, but sensor of NEX will get relatively more light than sensor of true "FF" camera when same lens and aperture used.
So you need higher shutter speed or lower ISO (with NEX+speed booster combo) if you want same kind of exposure.
And this is not just my thinking, but a fact how it behaves in real life. Check this
comparison and see the exposure information:
http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

"The Speed Boost effect on aperture is highly evident too. On the NEX 7 the camera reports the maximum aperture as F1.3 and it is certainly brighter. The difference in exposure that the Speed Booster brings allows me to shoot at ISO 1600 on the NEX 7 where ISO 3200 is required on the 5D Mark III..."

Ari
 
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First, I hate this DPR editor. The quote handling is impossible, thus this will be a bit messy entry, sorry.


The DOF, FOV and light collectng ability are similar in both cases. It is about the size of the aperture (not the f-number, but focal length divided by it) and the FOV.


You said: DOF will be nearly equivalent, but sensor of NEX will get relatively more light than sensor of true "FF" camera when same lens and aperture used.

Both sensors will get the same amount of light (well, there is still a slight crop factor, so there is a slight difference). It is irrelevant what the density of the light is, assuming that is what you mean by "relatively". Surprisingly the size of the sensor itself is not relevant at all - it is only about the aperture (ie. entrance pupil, not the f-number) and the field of view. With this adapter the field of view will remain the same with the APS-C annd the FF and naturallly the aperture will too, thus the optical effect will be the same.


You wrote: So you need higher shutter speed or lower ISO (with NEX+speed booster combo) if you want same kind of exposure.

ISO has nothing to do with what exposure is - exposure is the combination of the amount of light, shutter speed and aperture, nothing more, nothing less. http://en.wikipedia.org/wiki/Exposure_(photography)


Also, this has nothing to do what you said very clearly which is what I originallly commented:

you said: maybe f/1 in terms of the amount of light, but not f/1 what comes to DOF

This is just false and you know it as...


in your next reply you contradicted yourself by saying: DOF will be nearly equivalent

:)


Normally when you use a FF lens on a crop camera, more than half of all the photons are lost. However, with this adapter no photons are lost but the image is formed using all the same photons on APS-C that would be used by a FF camera without the adapter. There is no difference. (Stricktly speaking there's a slight crop factor and minimal reflection losses, but they're not relevant to this discussion.)


Anyhow, regarding the ISO, even though is has nothing to do with this discussion, but just to make things clear: it is true that the ISO of the crop tends to be about half of what it tends to be on a FF if an automatic exposure mode is being used. However, the FF typically has about one stop advantage in "ISO quality" over the APS-C - a FF ISO 3200 has similar quality to APS-C ISO 1600, thus the image quality will still be similar - why would it not when the very same photons are being captured!

I hope this helps.





Ari Aikomus wrote:
Lenni Vilen wrote:
Ari Aikomus wrote:
Joseph S Wisniewski wrote:

And will it be a full stop faster? Put an 85mm f1.4 on one of these, and you get a 60mm f1.0. A 50mm f1.4 becomes a 35mm f1.0. So, when you talk of the lenses that "you can buy", remember that there are things you can't buy, like Pentax mount f1.0 lenses.
...maybe f/1 in terms of the amount of light, but not f/1 what comes to DOF. It still produces same DOF than f/1.4 lens. However still pretty nice performance on APS sensor, I think :-D
No. There is no special f-number for DOF and amount of light. It is all just about one single f-ratio (for a fixed field of view). If the f-number goes down, both the amout of light collected will go up and the DOF will go down. There is nothing special about this converter - it is no different that a for purpouse built f/1 lens of similar specs would be.
No, I meant how same "FF" lens behaves on the "FF" camera, and how it behaves with the NEX+Metabones speed booster combo.
DOF will be nearly equivalent, but sensor of NEX will get relatively more light than sensor of true "FF" camera when same lens and aperture used.
So you need higher shutter speed or lower ISO (with NEX+speed booster combo) if you want same kind of exposure.
And this is not just my thinking, but a fact how it behaves in real life. Check this
comparison and see the exposure information:
http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

"The Speed Boost effect on aperture is highly evident too. On the NEX 7 the camera reports the maximum aperture as F1.3 and it is certainly brighter. The difference in exposure that the Speed Booster brings allows me to shoot at ISO 1600 on the NEX 7 where ISO 3200 is required on the 5D Mark III..."
 
Why they call it 'Speed Booster' ? Why Metabones say that this adapter increases maximum aperture by 1 stop?

Because they want to fool us? False marketing?

I think no!

Same lens, same aperture - combination of NEX+'Speed Booster' will give you brighter image than same lens with FF camera (without speed booster, of course). Check this samples, You can see the proof:

http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

Why that? The answer is telecompressor:

http://en.wikipedia.org/wiki/Telecompressor

"the telecompressor gives a wider angle of view, a sharper picture, and reduces the exposure time needed "

BTW - The optics of Speed Booster is designed by Brian Caldwell, PhD, a veteran of highly-corrected lens designs such as the Coastal Optics 60mm f/4 UV-VIS-IR APO Macro lens with exemplary MTF performance (focusing done with visible light requires no correction whatsoever for the full spectrum from UV to IR).

...Maybe they know what they are doing ;)

white paper:

http://www.metabones.com/images/metabones/Speed Booster White Paper.pdf

Ari




Lenni Vilen wrote:

First, I hate this DPR editor. The quote handling is impossible, thus this will be a bit messy entry, sorry.


The DOF, FOV and light collectng ability are similar in both cases. It is about the size of the aperture (not the f-number, but focal length divided by it) and the FOV.


You said: DOF will be nearly equivalent, but sensor of NEX will get relatively more light than sensor of true "FF" camera when same lens and aperture used.

Both sensors will get the same amount of light (well, there is still a slight crop factor, so there is a slight difference). It is irrelevant what the density of the light is, assuming that is what you mean by "relatively". Surprisingly the size of the sensor itself is not relevant at all - it is only about the aperture (ie. entrance pupil, not the f-number) and the field of view. With this adapter the field of view will remain the same with the APS-C annd the FF and naturallly the aperture will too, thus the optical effect will be the same.

You wrote: So you need higher shutter speed or lower ISO (with NEX+speed booster combo) if you want same kind of exposure.

ISO has nothing to do with what exposure is - exposure is the combination of the amount of light, shutter speed and aperture, nothing more, nothing less. http://en.wikipedia.org/wiki/Exposure_(photography)

Also, this has nothing to do what you said very clearly which is what I originallly commented:

you said: maybe f/1 in terms of the amount of light, but not f/1 what comes to DOF

This is just false and you know it as...

in your next reply you contradicted yourself by saying: DOF will be nearly equivalent

:)

Normally when you use a FF lens on a crop camera, more than half of all the photons are lost. However, with this adapter no photons are lost but the image is formed using all the same photons on APS-C that would be used by a FF camera without the adapter. There is no difference. (Stricktly speaking there's a slight crop factor and minimal reflection losses, but they're not relevant to this discussion.)

Anyhow, regarding the ISO, even though is has nothing to do with this discussion, but just to make things clear: it is true that the ISO of the crop tends to be about half of what it tends to be on a FF if an automatic exposure mode is being used. However, the FF typically has about one stop advantage in "ISO quality" over the APS-C - a FF ISO 3200 has similar quality to APS-C ISO 1600, thus the image quality will still be similar - why would it not when the very same photons are being captured!

I hope this helps.
Ari Aikomus wrote:
Lenni Vilen wrote:
Ari Aikomus wrote:
Joseph S Wisniewski wrote:

And will it be a full stop faster? Put an 85mm f1.4 on one of these, and you get a 60mm f1.0. A 50mm f1.4 becomes a 35mm f1.0. So, when you talk of the lenses that "you can buy", remember that there are things you can't buy, like Pentax mount f1.0 lenses.
...maybe f/1 in terms of the amount of light, but not f/1 what comes to DOF. It still produces same DOF than f/1.4 lens. However still pretty nice performance on APS sensor, I think :-D
No. There is no special f-number for DOF and amount of light. It is all just about one single f-ratio (for a fixed field of view). If the f-number goes down, both the amout of light collected will go up and the DOF will go down. There is nothing special about this converter - it is no different that a for purpouse built f/1 lens of similar specs would be.
No, I meant how same "FF" lens behaves on the "FF" camera, and how it behaves with the NEX+Metabones speed booster combo.
DOF will be nearly equivalent, but sensor of NEX will get relatively more light than sensor of true "FF" camera when same lens and aperture used.
So you need higher shutter speed or lower ISO (with NEX+speed booster combo) if you want same kind of exposure.
And this is not just my thinking, but a fact how it behaves in real life. Check this
comparison and see the exposure information:
http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

"The Speed Boost effect on aperture is highly evident too. On the NEX 7 the camera reports the maximum aperture as F1.3 and it is certainly brighter. The difference in exposure that the Speed Booster brings allows me to shoot at ISO 1600 on the NEX 7 where ISO 3200 is required on the 5D Mark III..."
 
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Gerry Winterbourne wrote:
Joseph S Wisniewski wrote:
Gerry Winterbourne wrote:

It's clear, therefore, that it would be feasible to design a version of this adapter that would include some retrofocus capability to allow for the small projection it would need in front of the body.
There are four problems with doing that.
  1. Kodak has a patent on retrofocus wide converters that they have been loath to license.
  2. Fast retrofocus optics are expensive. Price a 24mm f1.4 or a 35mm f1.4.
  3. Fast retrofocus optics are big. A non-retrofocus 24mm f1.4 can be packed into a cylinder about 30mm long, 25mm wide. The retrofocus Nikon is a good 25x the volume.
  4. Retrofocus stuff is hard past f1.4. Oly incorporated wide converter rear sections in their 14-35mm f2, and even optimizing it for the permanently attached 28-70mm f2.8, they couldn't get it past f2.0.
Note that I said "design" - a patent might prevent realisation of the design but not the design itself.
True. Althought optical engineering is an expensive hobby. The main motive is profit.
Incidentally, in another post you talk of the patent dealing with maintenance of back-focus distance to miss the mirror: for the K-01 there's no mirror and optics could go in the space - would that get round the patent?
Yes, but it wouldn't yield a usable device. The height of the k01 "mirrorless" mirror box is 22mm. That restricts the diameter of the optical tube to 22mm, and the maximum aperture of the speed booster to about f2.3. It wouldn't be a speed booster.
I can't actually envisage that Pentax would think the market sufficient, but it it did I'd guess they'd design for their own range of FA lenses, which don't reach the speeds you mention here. The FF DS14/2.8 is the worst case. I accept that it probably wouldn't be commercially viable but is it actually impossible?
It would be impractical. The length diameter ratio makes the design complex, and limits speed and the ability to correct certain aberrations.
 
alberto_b wrote:
EArenz wrote:

Think what something like this would do on a Q? Reduced to a small enough circle to just cover the Q sensor, a 50mm f1.4 (or the f1.2) would be how fast? We could finally photograph black bears living in coal mines, without a flash (they get cranky when the flash goes off).
I like a lot your black-bear-in-coal-mine image, but you couldn't. As somebody else explained well, what you get in aperture is lost due to the low sensitivity of the smaller sensor.

Theory aside, look at this real life comparison:

the 16 Mp Nikon D4 can go up to ISO 204.800;

Q10 stops at ISO 6.400, I think with a much worse IQ.
Ah, but the the Q is light enough that I can still perhaps outrun the bear back to the car (if he's asleep). The crazy thing about this thing is the cost. $600 for a 4 element non focusing device that looks basically like a reverse teleconverter. Where's all that money going? For less than that I bought 2 new Q bodies with 3 new lenses (and a 55-300mm Pentax lens on eBay) and still have enough scratch left over for a trip to a nice restaurant.

Ed

PS: Lugging that D4, you'd be bear food with tendinitis and no money left for the funeral :)

 
Joseph S Wisniewski wrote:
Gerry Winterbourne wrote:
Incidentally, in another post you talk of the patent dealing with maintenance of back-focus distance to miss the mirror: for the K-01 there's no mirror and optics could go in the space - would that get round the patent?
Yes, but it wouldn't yield a usable device. The height of the k01 "mirrorless" mirror box is 22mm. That restricts the diameter of the optical tube to 22mm, and the maximum aperture of the speed booster to about f2.3. It wouldn't be a speed booster.
I'm not arguing about the size because I don't have a K-01, but my K-5 is about 28mm.

I appreciate that it wouldn't be a speed booster but I think most people here would be happy to use their FA lenses on a crop sensor at equal (or close to) native speed. If, as always, the price was right ... which I agree is very unlikely indeed, if at all.
 
EArenz wrote:
The crazy thing about this thing is the cost. $600 for a 4 element non focusing device that looks basically like a reverse teleconverter. Where's all that money going? For less than that I bought 2 new Q bodies with 3 new lenses (and a 55-300mm Pentax lens on eBay) and still have enough scratch left over for a trip to a nice restaurant.
Mmmmh, the 600$ quote is for the canon-to-nex speed booster, with built-in AF and aperture links (meaning that your Canon lenses will actually autofocus and close their diaph)...

The dumber Leica to fuji adapter is at 399$...
 
The crazy thing about this thing is the cost. $600 for a 4 element non focusing device that looks basically like a reverse teleconverter. Where's all that money going? For less than that I bought 2 new Q bodies with 3 new lenses (and a 55-300mm Pentax lens on eBay) and still have enough scratch left over for a trip to a nice restaurant.
Mmmmh, the 600$ quote is for the canon-to-nex speed booster, with built-in AF and aperture links (meaning that your Canon lenses will actually autofocus and close their diaph)...

The dumber Leica to fuji adapter is at 399$...
My bad. If it's the dumb version guess I'd only be able to get the 2 Q bodies and 2 lenses and skip dinner. What kind of glass was in those 4 elements?

Ed
 
Does this mean that it would not work as a device built into something like a new version of the K 01? I just want to be clear on this. I trust you will give an educated reply since you are a Joe. ;-)
 
Ari Aikomus wrote:

Why they call it 'Speed Booster' ? Why Metabones say that this adapter increases maximum aperture by 1 stop?

Because they want to fool us? False marketing?
No. Because that is what it does - it decreases the f-number by exactly the same factor it makes the lens wider. Have I ever said anything else?



I think no!

Same lens, same aperture - combination of NEX+'Speed Booster' will give you brighter image than same lens with FF camera (without speed booster, of course). Check this samples, You can see the proof:
"Same lens" is already arguable and depends of the definition - certainly the optical constructions are different with the bare lens and the "boosted" lens, differen focal length and aperture number.


"Brighter" is a matter of processing, not of the signal strength. You should think of an earlier process in the imaging chain - surely you agree that with the wide converter ("Speed Booster") the crop camera will collect the same photons a full frame camera would collect without it and not any more? Now, as yourself a question: why would an image be "brighter" if taken with one camera than if another when the very same photons are being recorded?


Regarding "ISOs", let's, from technical point of view, compare NEX-7 and 5DIII in this kind of situation, shall we: The 5D3 has 22Mp sensor where every photosite (pixel) has full well capacity (ie. the number of photoelectrons the pixel can at most hold before overexposure occures) of about 67.500 at ISO 100. The NEX-7 has 24Mp and FWC of 25.400 at ISO 100. Thus, the ratio of the total full well capacity (ie. combined from all pixels) is about 2.4 - unsurprisingly almost the same as the ratio of the two sensors' surface areas. Now, from this you should see that having an ISO of 100 in the NEX-7 an image of maximum exposure would only be an image of less than half exposure in the 5D3. If we were to use ISO 200 of the 5D3 we'd have much closer total full well capacities, thus the signal-to-noise ratios would also be more similar. (I intentionally left out read noise as it is irrelevant in this context).


Essentially this means than 5D3 is a bit more than a stop "faster" camera when it comes to exposures than the NEX-7. This should not be a surprise.


Also, the ISOs are just for JPGs - the ISO organizatioin does not recognize this standard for RAWs, and even for JPGs the stadards allows for manufacturers to put up ISO numbers they think will sell most cameras instead of following some tight "standard".



http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

Why that? The answer is telecompressor:

http://en.wikipedia.org/wiki/Telecompressor

"the telecompressor gives a wider angle of view, a sharper picture, and reduces the exposure time needed "
The sharper picture part is arguable, but otherwise yes, and? I've not argues against that.
BTW - The optics of Speed Booster is designed by Brian Caldwell, PhD, a veteran of highly-corrected lens designs such as the Coastal Optics 60mm f/4 UV-VIS-IR APO Macro lens with exemplary MTF performance (focusing done with visible light requires no correction whatsoever for the full spectrum from UV to IR).

...Maybe they know what they are doing ;)
Yes, but you don't know what you're talking :)


Remember, this stated when you said: maybe f/1 in terms of the amount of light, but not f/1 what comes to DOF and then the next reply you contradicted yourself by saying : DOF will be nearly equivalent.

After that you somehow started thinking ISO is part of exposure (which it is not) and now you think the output image brightness is somehow related to the actual exposure (whic it is not)...

I don't mean to insult or anything like that, if I sound arrogant or impolite, then I am sorry. Would it not be easier to just admit that you made a mistake and then added more mistakes than to try to "win" the argument you don't have facts to back you? This is how this conversation is beginning to feel like to me. Again, sorry if I sound impolite - it is certainly not what I have in my mind.



Read it already, thank's anyhow.


I hope you read my post(s) carefully as they may help you to enrichen your understanding of the technology involved.

(This time my quoting is better - it seems I barked at the wrong tree when I cursed the DPR forum software - it may have been just the hardware accelerated rendering of Firefox which caused all kinds of issues. Turned it off and now the editor works better.)
 
Lenni Vilen wrote:
Ari Aikomus wrote:

Why they call it 'Speed Booster' ? Why Metabones say that this adapter increases maximum aperture by 1 stop?

Because they want to fool us? False marketing?
No. Because that is what it does - it decreases the f-number by exactly the same factor it makes the lens wider. Have I ever said anything else?
So - you just want to quibble in this case ...:-|

However you can't accept the fact, that...



Same lens, same aperture - combination of NEX+'Speed Booster' will give you brighter image than same lens with FF camera (without speed booster, of course). Check this samples, You can see the proof:
"Same lens" is already arguable and depends of the definition - certainly the optical constructions are different with the bare lens and the "boosted" lens, differen focal length and aperture number.

"Brighter" is a matter of processing,
blaahh...

...can't accept the fact...you can't comment the samples where NEX sensor clearly picking up more light when 'Speed Booster'used - if compare to FF sensor samples:

http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

"The difference in exposure that the Speed Booster brings allows me to shoot at ISO 1600 on the NEX 7 where ISO 3200 is required on the 5D Mark III"
What do you think they write there? BS?
 
Ari Aikomus wrote:

...can't accept the fact...you can't comment the samples where NEX sensor clearly picking up more light when 'Speed Booster'used - if compare to FF sensor samples:
Could it be because what you say is not a fact, but actually the opposite of what the fact is?

Let's go to the very basics so we can both understand what we talk about, shall we?

Let's cover four situations - a bare NEX-7, NEX-7 with a speed booster and a full frame camera with identical sensor technology, and 5DIII itself as well we'll take one picture under the very same conditions with each of them - wide open, same shutter speed, the light.

Please correct me where I am wrong - if I am not, then you are wrong.
  1. NEX-7 collects n photons
  2. NEX-7 with the speed booster collects a about 1.98*n photons (1/0.71^2) than the base NEX-7
  3. Full Frame with similar sensor technology - collects n*2.25 photons (1.5^2)
  4. 5DIII has slightly higher quantum efficiency than NEX-7 - 49% vs. 47%, thus it collects about n*2.35 photons (1.5^2*49/47)
Thus both the hypotetical FF and 5DIII capture slightly more photons than NEX-7 with the speed booster. Please try to understand what this means to the image.


How bright the output image is, is just a matter of how the data is processed. It has nothing to do with the exposure at all.


Now the DPR forum editor plays games again so I have to comment here about what you say below:

The issue is that you don't appear to understand what ISO is and what exposure is. They have nothing to do with each other.


Additionally you should understand that crosss-system ISOs are not comparable in any way: what is common between a medium format camera's ISO 100 and a cell phone camera's ISO 100? The right answer is: noting. The ISO number is (especially nowdays due to current ISO standard) really nothing but an arbitrary number and it's mening varies greatly between cameras.


Also, the person you quote seems to think that ISO has something to do with the exposure and that exposure has something to do with the output image brightness when they really don't


I hope this helps.



http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

"The difference in exposure that the Speed Booster brings allows me to shoot at ISO 1600 on the NEX 7 where ISO 3200 is required on the 5D Mark III"
What do you think they write there? BS?
 
Lenni Vilen wrote:
Ari Aikomus wrote:

...can't accept the fact...you can't comment the samples where NEX sensor clearly picking up more light when 'Speed Booster'used - if compare to FF sensor samples:
Could it be because what you say is not a fact, but actually the opposite of what the fact is?
No, I'm thinking it practical way. I don't want to quibble with it, but I think what it means in practical terms!

Of course the same lens can't produce more light to the camera's sensor.

If you use that lens on NEX camera WITH standard nex-adapter (without "speed booster" elements), you will get 1.5x crop factor and you have to use the similar shutter speed and sensitivity (ISO) than if you were using this lens with FF-body.

BUT, with "speed booster" adapter you will get 1 stop more to play with if compare to situation with standard nex-adapter - because speed booster allows the use of the entire capacity of the lens, not only crop-part of it.


This is an advantage. Or is it not? And this is how it will go. I don't want, and I don't have time to quibble with this any more ;)




cheers,




Ari





I hope this helps.
http://www.eoshd.com/content/9474/p...ster-equipped-nex-7-vs-full-frame-5d-mark-iii

"The difference in exposure that the Speed Booster brings allows me to shoot at ISO 1600 on the NEX 7 where ISO 3200 is required on the 5D Mark III"
 
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Ari Aikomus wrote:
Lenni Vilen wrote:
Ari Aikomus wrote:

...can't accept the fact...you can't comment the samples where NEX sensor clearly picking up more light when 'Speed Booster'used - if compare to FF sensor samples:
Could it be because what you say is not a fact, but actually the opposite of what the fact is?
No, I'm thinking it practical way. I don't want to quibble with it, but I think what it means in practical terms!
What are those practical terms?
Of course the same lens can't produce more light to the camera's sensor.
One could have thought that you thought so reading through your posts.
If you use that lens on NEX camera WITH standard nex-adapter (without "speed booster" elements), you will get 1.5x crop factor and you have to use the similar shutter speed and sensitivity (ISO) than if you were using this lens with FF-body.
Again ISO is not part of the exposure equation and the sensors only one one sensitivity - ISO has nothing to do with sensitivity.
BUT, with "speed booster" adapter you will get 1 stop more to play with if compare to situation with standard nex-adapter - because speed booster allows the use of the entire capacity of the lens, not onlu crop-part of it.
This is true though the field of view is also different.
This is an advantage. Or is it not?
Under typical use-cases it is.
 
alberto_b wrote:
...the converter CAN'T AT ALL get the same FF IQ from an APS-C camera - you need an average increase of 41% in sharpness to get that. It looks like the converter gives you the same or a slightly better sharpness in terms of lines/mm or lines/inch as avaerage across at the frame.
So you may not get 20 megapixel sharpness, but only 12 or so. Or maybe not 10, but only 6.

Will this bother people who shoot 1920x1080 video?

Cicala's test results are more encouraging, overall, than what one might have suspected. Optics is a supposedly well-trod ground where breakthroughs seldom happen, or cost a fortune.

The question I have is whether Metabones has designed something that will be hard to immitate, or whether it's what astronomic photography has used for years, and knock-off speed boosters (under another name) could appear in many devices.
 
Cy Cheze wrote:
So you may not get 20 megapixel sharpness, but only 12 or so. Or maybe not 10, but only 6.

Will this bother people who shoot 1920x1080 video?
Absolutely right, it's a very interesting tool for video shooters.


Cicala's test results are more encouraging, overall, than what one might have suspected. Optics is a supposedly well-trod ground where breakthroughs seldom happen, or cost a fortune.

The question I have is whether Metabones has designed something that will be hard to immitate, or whether it's what astronomic photography has used for years, and knock-off speed boosters (under another name) could appear in many devices.
I never used focal reducers in astronomy, but I think optical engineers have a much easier life with small relative apertures (typical f8 - f11) and narrow angle of view (1°-3°) related to astro optics. It's also easy to make some type-specific aberration correction - you know for example that every standard achromatic doublet has some chromatic and spherical aberration.
 
Alberto , what about:

Takahashi TMC1800 Focal Reducer / Flattener /Corrector?

Televue Paracorr?

 

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