IrishhAndy
Leading Member
It has less dynamic range than the EM-5 despite sharing the same sensor.
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Without the darkness the light would be nothing !
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Without the darkness the light would be nothing !
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The Review says...It has less dynamic range than the EM-5 despite sharing the same sensor.
Mings review.
Numerous much more expensive cameras has less dynamic range than the E-M5.It has less dynamic range than the EM-5 despite sharing the same sensor.
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Without the darkness the light would be nothing !
The Review says...It has less dynamic range than the EM-5 despite sharing the same sensor.
Mings review.
Clearly Andy is totally BUSTED!
- if you’ve used the OM-D, you can safely skip this section. The files look exactly the same, and deliver the same amount of flexibility in postprocessing .
Does not sound like the EM_5 to me. I can recover 2 stops.The tonal range tends to be somewhat midtone and shadow biased; the relatively small pixel pitch of the sensor makes itself known in the highlights; expose with care because there isn’t a whole load of recoverable headroom > >
--Does not sound like the EM_5 to me. I can recover 2 stops.The tonal range tends to be somewhat midtone and shadow biased; the relatively small pixel pitch of the sensor makes itself known in the highlights; expose with care because there isn’t a whole load of recoverable headroom > >
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Without the darkness the light would be nothing !
Indeed.Numerous much more expensive cameras has less dynamic range than the E-M5.It has less dynamic range than the EM-5 despite sharing the same sensor.
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Without the darkness the light would be nothing !
Ming Thein has said his E-PL5 images look exactly like E-M5's. So, if there is a difference, I think it is quite negligible. I suspect many camera makers would love to have their MILCs similarly crippled.
What is really happening, looking at the fire sales of the GX1, etc, is that this E-PL5 will be crippling all other such MILCs costing around $650.
I doubt it.It has less dynamic range than the EM-5 despite sharing the same sensor.
--The Review says...It has less dynamic range than the EM-5 despite sharing the same sensor.
Mings review.
Clearly Andy is totally BUSTED!
- if you’ve used the OM-D, you can safely skip this section. The files look exactly the same, and deliver the same amount of flexibility in postprocessing .
He's talking about the highlights. Overexposure is still limited on the E-M5, like it is on most - if not all digital cameras. This is why people expose to the right. You can still capture the highlights and recover the shadows .Does not sound like the EM_5 to me. I can recover 2 stops.The tonal range tends to be somewhat midtone and shadow biased; the relatively small pixel pitch of the sensor makes itself known in the highlights; expose with care because there isn’t a whole load of recoverable headroom > >
I wish this forum still had 'thumbs down' button. Sigh. So 'Thank you for posting!'.IrishhAndy wrote:
It has less dynamic range than the EM-5 despite sharing the same sensor.
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Without the darkness the light would be nothing !
PROVE IT!!!!!IrishhAndy wrote:
It has less dynamic range than the EM-5 despite sharing the same sensor.
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Without the darkness the light would be nothing !