We can certainly agree to disagree.No criticism of your photography intended Dave, nor complaints what you didn't do - comments were purely about the principles.
There doesn't seem much point in arguing infinitum about the same thing and I don't believe I did miss the point. I just don't feel the same way about paintings you do.
I've visited the National Gallery, the Tate, the National Portrait Gallery, museums and galleries abroad. I've seen many famous fine art paintings by the most famous painters. And I really don't care that much. Where others may see genius, I yawn.
It doesn't seem to matter, whether it da vinci, Rembrandt, Constable, Picasso, Turner, Manet, Monet, Gaugin, Dali, et al, modern or classic I really don't enjoy or appreciate it that much.
I can't draw or paint for toffee apples, I'd like to be able to, I'm sure it's fun and absorbing but looking at the stuff doesn't usually move me that much and indeed I actively dislike a great deal of it. I don't mind Hopper and I quite like trompe d'oeil, that can be fun, but the modern conceptual stuff leaves me cold as does the classic heavy, dark oils that seem to glow from some utterly unbelievable inner light. The majority of the museum pictures seem to be religiously inspired or historical famous person subjects, or landscapes or battles or symbolic stuff in which I have no interest. I simply prefer photos. If I like painting at all, it probably is graphic, commercial stuff.
I can't draw to save my life...
Do you know that many of the photographs you linked to would be regarded as boring by many? "I can't see the guy on the bike, WTF is this all about? You call this a photograph?"
While I like many "realistic" paintings, I find some of them boring. But take a look at the work of David...
The Death of Socrates
Sketch - The Tennis Court Oath
Dave