Evening glow over Seattle

Started Dec 11, 2010 | Discussions thread
OP Ray Ritchie Veteran Member • Posts: 4,012
Re: And still they say...

Yes, it was shot at 55mm, f/8, and 1/20 sec. At 55mm, this lens really excels for this kind of shot. My other current thread ("Ecola Point...") shows a good example at 44mm, and I have a shot at 22mm included in this post:

If you look at my past threads, you'll probably see that I have started several on the 17-55 for landscapes. I do think it gets maligned a lot more than is justified. The most realistic view of the lens is probably to think of it as a really good 35mm with a flexible focal length. Its weakest point is definitely the 17mm end, but if you know the lens well you can work around most of the issues. And I use it all the time for landscapes, from 17mm all the way up. One pet peeve of mine is that I think people make too much of an issue of edge-to-edge, near-field to infinity sharpness concerns. My own experience in shooting landscapes is that composition, subject matter and light are the dominant issues, and sharpness, particularly at infinity, is very much a secondary issue. Having said that, though, I do think the 17-55 is plenty sharp for most landscape work, and I still think it's the best general-purpose DX lens available. That's why it's on my D300 something like 75 or 80% of the time.

Thanks for looking, and for the kind comments.


 Ray Ritchie's gear list:Ray Ritchie's gear list
Nikon D800 Nikon AF-S Nikkor 70-200mm f/2.8G ED VR Nikon AF-S Nikkor 85mm f/1.4G Sigma 35mm F1.4 DG HSM Art Sigma 24-105mm F4 DG OS HSM +1 more
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