Bayer close to limit, Foveon just started?

I am not sure I understand what point you are trying to make.
The issue under discussion was Sigma's marketing claim of more accurate color. Accurate is not a matter of opinion or preference.
Sorry, so much was snipped out of the posts this deep in the thread I did not realize that was what you were addressing.

If you go back and reread my post and what you snipped out of it you will see I was addressing your comment that some/many photographers at times like pleasing colors more than accurate colors; something that you seemed to agree with.

As for the Sigma claim of more accurate color, I read that to mean the sd1 had more accurate color than the sd15 and previous Sigma bodies; something that would most likely hold up in court if any one tried to dispute it.

I know there have been claims Sigma was trying to say their color was more accurate than Bayer sensor color, but I have never seen that in black and white.

Never trust advertising.

--
Those who forget history are condemned to go to summer school.
 
Each of the above, as everything else being equal the bigger sensor has the advantage. Until now that has been the case, as both APS-C and full-frame share the same sensor technology, as well as lenses.
Such as?
  • High iso? - that could come through sensor and processing improvements
  • Narrow DOF? - if the lens is fast enough and good enough, there will be enough narrow dof to satisfy me, even on APS-C.
  • DR? - I don't know.
The thing is now with a camera like the A900 I can usually get as good results as I once got with 120 (6x6, 6x7 and 6x9) medium format film. The specs for this sensor make me wonder just how small you will be able to go to achieve similar results? The SD1 sensor itself may not be there yet - but is this conceivable with a future APS-C sensor?
  • C
 
Curious to hear your opinion on the value of the Foveon chip for black and white photography.
I like it, when the resolution is high enough. The SD-9, 10, 14, and 15 were never quite competitive. The B&W conversions have a lovely character, when you're pixel peeping, but again, when it's time to print, the advantage evaporates.
I realize the issues with color accuracy (even so, I am happy with my SD14 for fine detail closeup work and panoramas), but shouldn't there be some value in capturing identically sampled luminance values at each pixel instead of capturing filtered values at adjacent pixels and then guessing at the actual luminance values as done with a Bayer array?
This one should outresolve pretty much anything out there. It looks like a winner for B&W or color.
For practical purposes, doesn't this effectively bring "medium format" like resolution into an APS-C sized sensor while minimising diffraction problems?
No.

Diffraction problems are what they are. Foveon doesn't have any special dispensation around the laws of physics.
I'm begining to wonder if there is even going to be much need for "full frame" cameras soon - let alone medium format.
Not medium format, because no one in recent times has bothered to make lenses that exploit the DOF or low light capabilities of the format.

But FF because what it is because it's at a "sweet spot" in planet earth physics and biology. If you want shallow DOF, or maximum low light ability and can tolerate shallow DOF. FF gets you into lenses like an 85mm f1.4 as a short portrait tele, or 50mm f1.4 (or even 85mm and 50mm f1.2, in Canon). You'd need a 33mm and 56mm f0.9 to match that in 1.5x crop. OK, Sigma has a 30mm and 50mm that are close to the right focal lengths, but f1.4 isn't f0.9, or the f0.8 you need to match Canon. F1.0 lenses are hard enough, look at the old Canon 50mm f1.0.

Diffraction scales with crop factor. I calculated, in another post, the diffraction limit of the 15mp 1.5x crop Sigma at f7.3. An FF with the same 15mp can do f11. So, you get another 1.2 stops of DOF range to choose from, identical appearing deep DOF with identical diffraction, but more shallow DOF for the FF.
Are we going to see this in any non-Sigma bodies?
The Foveon, or just outrageous high MP counts? I believe that MP counts will continue to rise. I'm expecting a 36mp Canon (50D pixel pitch at FF size) any day now. I don't think they're going to try to jump right up to 44mp (7D pixel pitch at FF size).

But I don't believe anyone else is going to touch the Foveon sensor.
What about other manufacturers who have patents for foven-like sensors?
The Nikon one has Foveon like color problems. The Fuji one cures everything: better color, no differential noise, but several of us (myself included) believe it can't be built economically.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
The Nikon one has Foveon like color problems. The Fuji one cures everything: better color, no differential noise, but several of us (myself included) believe it can't be built economically.
You've mentioned this Fuji sensor several times, would you mind describing how it works and what it does differently from Foveon? All I could find about it is one or two vague press releases.
 
Curious to hear your opinion on the value of the Foveon chip for black and white photography.
I like it, when the resolution is high enough. The SD-9, 10, 14, and 15 were never quite competitive. The B&W conversions have a lovely character, when you're pixel peeping, but again, when it's time to print, the advantage evaporates.
I realize the issues with color accuracy (even so, I am happy with my SD14 for fine detail closeup work and panoramas), but shouldn't there be some value in capturing identically sampled luminance values at each pixel instead of capturing filtered values at adjacent pixels and then guessing at the actual luminance values as done with a Bayer array?
This one should outresolve pretty much anything out there. It looks like a winner for B&W or color.
For practical purposes, doesn't this effectively bring "medium format" like resolution into an APS-C sized sensor while minimising diffraction problems?
Diffraction problems are what they are. Foveon doesn't have any special dispensation around the laws of physics.
But aren't the photosites larger than what they would have to be on a equivalent Bayer sensor?
I'm begining to wonder if there is even going to be much need for "full frame" cameras soon - let alone medium format.
Not medium format, because no one in recent times has bothered to make lenses that exploit the DOF or low light capabilities of the format.
But FF because what it is because it's at a "sweet spot" in planet earth physics and biology. If you want shallow DOF, or maximum low light ability and can tolerate shallow DOF. FF gets you into lenses like an 85mm f1.4 as a short portrait tele, or 50mm f1.4 (or even 85mm and 50mm f1.2, in Canon). You'd need a 33mm and 56mm f0.9 to match that in 1.5x crop. OK, Sigma has a 30mm and 50mm that are close to the right focal lengths, but f1.4 isn't f0.9, or the f0.8 you need to match Canon. F1.0 lenses are hard enough, look at the old Canon 50mm f1.0.
OK. I know there is currently a craze for out of focus blur, but frankly for me on FF f2.0 or f2.8 on an 85mm lens gives a narrow enough dof. Even though I rarely shoot wide-open fast lenses are useful on mf film cameras because the subject "snaps" into focus on the ground glass which helps critical focusing.
Diffraction scales with crop factor. I calculated, in another post, the diffraction limit of the 15mp 1.5x crop Sigma at f7.3. An FF with the same 15mp can do f11. So, you get another 1.2 stops of DOF range to choose from, identical appearing deep DOF with identical diffraction, but more shallow DOF for the FF.
So a 15mp Foveon has the same diffraction probems as a 15mp Bayer? That seems good if the apparent resolution is twice as high or better.
Are we going to see this in any non-Sigma bodies?
The Foveon, or just outrageous high MP counts? I believe that MP counts will continue to rise. I'm expecting a 36mp Canon (50D pixel pitch at FF size) any day now. I don't think they're going to try to jump right up to 44mp (7D pixel pitch at FF size).
Are Canon's lenses good enough that they are going to gain anything by going to 36mp or 44mp?
But I don't believe anyone else is going to touch the Foveon sensor.
Unless Sigma can sell more, do they have enough money to solve the other issues with the Foveon?
What about other manufacturers who have patents for foven-like sensors?
The Nikon one has Foveon like color problems. The Fuji one cures everything: better color, no differential noise, but several of us (myself included) believe it can't be built economically.
Manufacturing costs for electronic components usually come down with time. Meanwhile perhaps Fuji can sell it to someone like Leica who seem to be able to charge anything they like for a camera.

If Fuji could stitch two APS-C sensors with this technology together and put that into a wide X-100 like body they'd have a small digital X-Pan with fantastic resolution. :-)
  • C
 
The Nikon one has Foveon like color problems. The Fuji one cures everything: better color, no differential noise, but several of us (myself included) believe it can't be built economically.
You've mentioned this Fuji sensor several times, would you mind describing how it works and what it does differently from Foveon? All I could find about it is one or two vague press releases.
Probably the one described here:
http://www.faqs.org/patents/app/20090140123
 
But ... if the hypothetical 30 Mp Bayer sensor had the exact same size as the SD1 sensor , the Bayer sensor would have a much higher pixel -density = smaller pixels = more impacted by diffraction .. Wouldn´t it ??
Hypothetically, if a 30MP Bayer sensor have the same "resolving power" as a 15MP x3 Foveon, then they are equally affected by diffraction.

If the sensors have the same size then that would mean the same focal ratio/F-number.

--
Henrik
 
In short, this new camera is interesting because it dares to push the pixel count so high. No one has tried an equivalent 30mp Bayer yet. It's a novelty, not a revolution.
It's not a novelty if it performs.
Even if it performs, it's still a novelty. Just like medium format is a novelty, or a Leica rangefinder is a novelty.
If Leica used this sensor in a camera we'd really have a novelty.
Definitely.

But I can see Leica going in an entirely different direction, looking for better low light performance than they're getting from Kodak, not worse. Look at how many M9 shots you see posted were shot at ISO 1600 and converted to B&W. It's like the good old days of pushed Tri-X.
It may have great resolution, but it's a camera that's a lot of work. The Foveon metamerism problems and red discrimination problems mean that getting pleasing color (ignoring the whole diversion of "accurate color") is more work than competing cameras. Its low dynamic range and lack of grace handling blowouts mean that exposure is more work than competing cameras. And that high resolution means that focusing is more work than competing cameras.
Put all that work together with the low shooting speed (with 46 million samples per image, they'd need to match the processing speed of Canon's latest and greatest just to get 2.2 frames/sec) and it's of very limited attractiveness to event shooters.
Put that together with being locked into Sigma lenses, and you're limiting the appeal in many fields, including portraiture and architecture.
What about other manufactures with patents on sensors similar to Foveon? - this just might get them to produce something.
No.

What makes this camera unique is not the Foveon sensor, but simply the number of pixels that Sigma chose to launch with. Nikon, Canon, etc. could launch a 30mp Bayer that would match the 15mp Foveon, or launch a 46mp Bayer that would produce the same amount of data, but deliver 30% higher resolution.

Sigma isn't being daring using Foveon, they're being daring by launching something that runs such high photodiode counts on a 1.5x crop sensor.

Basically, the other layered sensor patents either have drawbacks similar to the Foveon, or are too complex to build economically.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph

http://www.swissarmyfork.com
 
What makes this camera unique is not the Foveon sensor, but simply the number of pixels that Sigma chose to launch with. Nikon, Canon, etc. could launch a 30mp Bayer that would match the 15mp Foveon, or launch a 46mp Bayer that would produce the same amount of data, but deliver 30% higher resolution.

Sigma isn't being daring using Foveon, they're being daring by launching something that runs such high photodiode counts on a 1.5x crop sensor.

Basically, the other layered sensor patents either have drawbacks similar to the Foveon, or are too complex to build economically.

--
Rahon Klavanian 1912-2008.

Armenian genocide survivor, amazing cook, scrabble master, and loving grandmother. You will be missed.

Ciao! Joseph
Sigma has only owned Foveon for two years. And the cameras they've released since they took ownership were obviously based on existing designs. Could it be that they have made strides to improve such questions as noise? I've see threads about their new patents (?) which seem to imply that they've cut down on the wiring, and the production of stray electricity.

I suppose that we willl just have to wait and see how they deal with these problems.

Dave
 
A patent is not meant to be a didactic publication.

Here's the original publication of Fuji's enginers findings :
http://cat.inist.fr/?aModele=afficheN&cpsidt=18971602

And a press article about thoses published results (a extended abstract somehow):
http://techon.nikkeibp.co.jp/article/HONSHI/20061115/123642/
The Nikon one has Foveon like color problems. The Fuji one cures everything: better color, no differential noise, but several of us (myself included) believe it can't be built economically.
You've mentioned this Fuji sensor several times, would you mind describing how it works and what it does differently from Foveon? All I could find about it is one or two vague press releases.
Probably the one described here:
http://www.faqs.org/patents/app/20090140123
--
http://www.flickr.com/photos/maximebrousse/
 
The Fuji device and the NHK device have both improved since 2006. I think the efforts are now independent. The upside of the device concept is eye-like spectral response and no aliasing. The downside is material immaturity, read noise, lag, and pixel size. I am sure these will all improve over time but at this time the mainstream approach is evolving and improving faster than the organic film sensor approach, so it is hard to say if the organic 3-layer sensor will ever become commercially viable and competitive.

Hey, now it is time to go back to the quantum film sensor discussion.
 
Joseph,

What about using something like the 140 patch ColorChecker?

http://www.bhphotovideo.com/c/product/465295-REG/X_Rite_MSDCCSG.html

Would this not minimize the incidences of metamerism as there's something like 100 more unique colour data points that can be reconciled compared to the 24 patch version? Would it be reasonable to assume that X-Rite/GMB would have used paints with a wider variety of metameric tendencies for the various shades of blue, for example since there's say 8 different shades of blue instead of 4, 8 shades of green instead of 3, 6 shades of red instead of 2, etc.?

I've run into colour issues myself with my Bayer sensor cameras when taking flower pics. I use the ColorChecker Passport + Lightroom plug-in to process the pics using a custom profile for each set of pics i take, but i still find it difficult to not only have the shades of all flowers correct at the same time, but to capture the subtle colour and tone variations and transitions of the petals that my eye can clearly differentiate. I have a colour managed workflow and have created custom profiles for my monitor and printer + paper, and am thinking the gap might be metamerism and the 24 patches of the ColorChecker Passport not generating a profile of sufficient precision.

Any thoughts on the above? I can't help but think that the two topics are related in some way...
 
Joseph,

What about using something like the 140 patch ColorChecker?
Yes, one of the Sigma users in the Sigma forum reported that he had to use such a card to have accurate reproduction of colors. A normal 24 patch did not produce the desired accuracy.
http://www.bhphotovideo.com/c/product/465295-REG/X_Rite_MSDCCSG.html

Would this not minimize the incidences of metamerism as there's something like 100 more unique colour data points that can be reconciled compared to the 24 patch version? Would it be reasonable to assume that X-Rite/GMB would have used paints with a wider variety of metameric tendencies for the various shades of blue, for example since there's say 8 different shades of blue instead of 4, 8 shades of green instead of 3, 6 shades of red instead of 2, etc.?

I've run into colour issues myself with my Bayer sensor cameras when taking flower pics. I use the ColorChecker Passport + Lightroom plug-in to process the pics using a custom profile for each set of pics i take, but i still find it difficult to not only have the shades of all flowers correct at the same time, but to capture the subtle colour and tone variations and transitions of the petals that my eye can clearly differentiate. I have a colour managed workflow and have created custom profiles for my monitor and printer + paper, and am thinking the gap might be metamerism and the 24 patches of the ColorChecker Passport not generating a profile of sufficient precision.

Any thoughts on the above? I can't help but think that the two topics are related in some way...
--
Kind regards
Øyvind
My best images:
http://foto.nordjylland.biz/porta/Portfolio/Best/album/index.html
http://www.pbase.com/norwegianviking/sd14
SD14 Compendium:
http://www.foto.nordjylland.biz/SD14/sd-usertips.htm
 
e_dawg wrote:

What about using something like the 140 patch ColorChecker?

http://www.bhphotovideo.com/c/product/465295-REG/X_Rite_MSDCCSG.html

Would this not minimize the incidences of metamerism as there's something like 100 more unique colour data points that can be reconciled compared to the 24 patch version?
Metamerism itself is not a bad phenomenon in every aspect, after all, otherwise you can forget devices such as color TV, etc. operating in the way they do and giving you an illusion of reality if not for this effect.

Metamerism happens because of the geometry of the color space defined by the direction in which the primaries are pointing - the spectral response of different pixels on a sensor in this case. See the following:

http://forums.dpreview.com/forums/read.asp?forum=1000&message=36423050

Hence, one way of reducing metamerism is to add more colors that corresponds to a pixel, i.e., instead of 3-color RGB, go onto more multi-spectral data.

Joofa

--
Dj Joofa
 
Kendall Helmstetter Gelner wrote:

If you're designing a camera, a 50% hike in processing, transfer, and storage requirements is a disaster.
Thankfully that only makes camera design harder, not shooting it.
You design a camera once and then build it for other people many times.
Yes, if pointed at a subject of solid color with no edges.
If pointed at any object that is locally monochrome, which is pretty much 100% of the real world.
No object is "locally monochrome" for three different sensors at the edges where visually the color changes, which is why you get this effect on a D3x:



So basically the bayer sensor is totally fine as long as you shoot entirely monochromatic images, or ones with no edges. Got it.
The problem is the real world is full of examples where color meets color.
Yes, as regions of color, local areas of single color character. That's why Bayer processing works so well.

It's also why no one takes those color resolution charts that you've been talking about, for so many years, seriously.
Since the color chart images reflect the effects of real world shooting...


And then because those samples which are totally split in terms of spectrum giving you that perfect accuracy, are not as accurate for any given output pixel because they are not sampling the same data.
I have no idea what you're trying to say here.

But you're dragged those examples out before, and they've been debunked.


Real image from a real camera.

You may be tired of that one. How about the M9 then? Same issue.



Huh. Debunked, eh? Looks like the only Bunk here is what you're saying.
You really don't want people to go hunting up images that break the Foveon, because there's a lot of examples out there.
Well go find them man! And I can tell you why in fact whatever effect you see is preferred photographically over what would happen in the bayer case.

It is odd that all of these timeless Foveon dissenters simply cannot (or will not) actually produce real links showing issues when I can so readily do so with Bayer problems.

--
---> Kendall
http://InsideAperture.com
http://www.pbase.com/kgelner
http://www.pbase.com/sigmadslr/user_home
 
100% accuracy for a bayer sensor is only theoretically possible where the subject is one single color across the frame.
Again, you simply have no idea what you're talking about. It's possible whenever the object has the same color (as in the A and B parts of L*A*B, ignoring the L) in 3 or 4 pixels, which is well over 99.9% of all images (and yes, I've done enough image analysis to back that).


And I've done enough shooting to back what I say. Sorry I have only real world experience to offer. I can find effects like that in easily 50% of bayer images shot, the hardest part is simply finding a full-size image link.

The fact is there are little color and detail errors all over in Bayer images most of time. And the fact is that across two different images taken at different times with totally different cameras with two different sensors with totally different resolutions, we see exactly the same issue as I have described previously. That is simply a Bayer problem, you can talk about how miraculously you take data from three spatial locations and then they magically become one without error all you like, but in reality the colors and details are sometimes borrowed from the "wrong" location and then you are left with a cup of poisoned sugar from the neighbors.
Humans can't even see the kind of color detail that you keep demanding .... that we measure.


See how the railing turns into the color of the box? And the railing turns into the color of the runners legs? These are things I saw first when the image was resized for the web! They are things that would show in a 5x7 print, never mind the glaring issues they would present in a larger one.

Is it too much to ask that a blue railing shows up as blue when you place a red box behind it? I ask simply that we value color accuracy enough so that images reflect what is there!
In any other case displacement of the samples WILL introduce some error. On average I'm sure it's slight, but it's not zero and I don't think in real conditions is better than the Foveon chips fare.
Then I would really suggest that you stick to your strong points, whatever those are, and leave thinking (and posting) to people who are actually good at it.
Well we'll both have to start looking for someone then, because you sure aren't the man for the job. It's like you're on a space station giving a lecture on how theory dictates the Earth must be flat. Just take a look out the window sometime!

One of my strong points is describing how something works so that someone less technical can more easily understand it, and that is what I continue to do. You strive for 100% technical perfection in communication which is nice, but it doesn't actually tell most people anything and you don't relate what you know enough to real world conditions or examples.
Sorry to be so rude, but you have been making a total, obnoxious fool of yourself for many years.
But at least I've been correct while doing so instead of misleading people while claiming absolute intellectual superiority as YOU have done. I'm more than happy to admit I'm obnoxious from time to time but it's the internet, you simply have to have a thick skin about these things. And this time around I have been very reasonable (but very persistent) so I'm not sure what has you so fired up.
I've explained things to you patient.
patientLY. Is there nothing so simple you cannot get it wrong? Sorry, cheap dig. But how can one resist against such a tirade from a position that is supposed to be of the highest intellect?
I've even pointed you to papers written by scientists at Foveon that contradict your claims.
That you CLAIM contradict my claims. I have in the meantime shown countless image examples demonstrating what I say for all to see! I don't see any contradictions.
You're not helping Foveon or Sigma.
I am in fact helping people understand the way real cameras shoot (Bayer and Foveon), just as you try to explain the theory of how they should shoot in ideal conditions.
Every time you post, all you do is further the image that many (most? all?) Foveon fans are some sort of cult that cannot be communicated with. Are you familiar with the saying "with friends like these, who needs enemies"?
You know, I think that readers can see that I very reasonably explain how things work in real life to theory wonks such as yourself, and frankly must admire my patience in having to correct the same flaws in arguments that Foveon detractors have been making for nearly a decade. The great thing about my posts is, that over time I explain things in different ways so people get a fresh take on the subject. Otherwise life would be rather boring, at least for me.

But I invite the reader to take a step back, and think how weird is it that there are some people who have been trying to bring down Foveon for nearly a decade. That continue to post any negative thing they can find or imagine. I post about Foveon stuff because I enjoy the cameras from a photographic and purely technical standpoint. What can possibly compel someone to post about something they dislike over a long period of time?

Joe, I think you're very intelligent but your inability to temper your theoretical understanding with real world examples seems like a real weakness to me. I'll just brush off this latest outburst as you being in a bad mood, I get that way myself sometime and hey, it's the internet so all is forgiven a day later (at least by me). But you need to take a step back again for a little while and collect yourself.

--
---> Kendall
 
Well go find them man! And I can tell you why in fact whatever effect you see is preferred photographically over what would happen in the bayer case.

It is odd that all of these timeless Foveon dissenters simply cannot (or will not) actually produce real links showing issues when I can so readily do so with Bayer problems.

--
---> Kendall
http://InsideAperture.com
http://www.pbase.com/kgelner
http://www.pbase.com/sigmadslr/user_home
I believe Joe is right in saying that an image from a Foveon chip is more likely to have poor color then one from a Bayer Pattern chip. Bayer is very consistant.

Where I do disagree with Joe, is that in my opinion the 90 percent of Foveon images that do not suffer from shift, are more accurate then the average Bayer pattern image. I shoot dawns twice a week, and the results of my DP2 are able to capture the weird colors better then my D2x.

And from looking at results over the years, Foveon based machines are making consistant progress in dealing with this problem. What the new SD1 will do is something we're just going to have to wait for.

Dave
 
It's also why no one takes those color resolution charts that you've been talking about, for so many years, seriously.
Since the color chart images reflect the effects of real world shooting...
Nope. Colour charts do not reflect real world shooting conditions, and in fact, they are hard for the human eye to resolve.

Put a B/W resolution chart and a colour resolution chart on the wall next each other and you will see a lot more detail on the B/W chart than on the colour one. Bonus points if you pick two colours with exactly the same luminance. That's why B/W charts are used to measure resolution and why eye doctors use B/W charts (other than colour blindness tests).
You really don't want people to go hunting up images that break the Foveon, because there's a lot of examples out there.
Well go find them man! And I can tell you why in fact whatever effect you see is preferred photographically over what would happen in the bayer case.
Preferred by whom? You?
It is odd that all of these timeless Foveon dissenters simply cannot (or will not) actually produce real links showing issues when I can so readily do so with Bayer problems.
Actually, they can and have.

More importantly, there is no such thing as a perfect image so no matter what image you look at, there is always going to be something wrong with it and that includes Foveon. It's guaranteed.
 
Well go find them man! And I can tell you why in fact whatever effect you see is preferred photographically over what would happen in the bayer case.

It is odd that all of these timeless Foveon dissenters simply cannot (or will not) actually produce real links showing issues when I can so readily do so with Bayer problems.

--
---> Kendall
http://InsideAperture.com
http://www.pbase.com/kgelner
http://www.pbase.com/sigmadslr/user_home
I believe Joe is right in saying that an image from a Foveon chip is more likely to have poor color then one from a Bayer Pattern chip. Bayer is very consistant.

Where I do disagree with Joe, is that in my opinion the 90 percent of Foveon images that do not suffer from shift, are more accurate then the average Bayer pattern image. I shoot dawns twice a week, and the results of my DP2 are able to capture the weird colors better then my D2x.

And from looking at results over the years, Foveon based machines are making consistant progress in dealing with this problem. What the new SD1 will do is something we're just going to have to wait for.

Dave
i myself don't believe color problem is a hardware issue and can be fixed in hardware (unlike noise, DR etc.) as long as foveon uses 3 layer model, if there's any idea to fix color, it can be done in software, i can't imagine hardware need be changed for that, so i am not so optimistic somehow this new sensor SD1 will solve color problems. sigma can "migrate" the color shift around so it will be in least noticeable spectrums, and make sure key colors like skin tones are correct, but that doesn't mean color problem is "fixed", we will see
 

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