-
Welcome to the new forums! Please read this first. For known issues we are working to resolve, click here.
The sea awaits..
- Thread starter Dermis
- Start date
LensCreep
Well-known member
very nice!
--
-Lenscreep
Nikon D90, Nikon 18-200VR, Nikon 50mm f/1.8, Sigma 10-20mm
http://www.flickr.com/lenscreep
--
-Lenscreep
Nikon D90, Nikon 18-200VR, Nikon 50mm f/1.8, Sigma 10-20mm
http://www.flickr.com/lenscreep
rbull44
Veteran Member
Great HDR, and I really like your composition.
--
Bob
--
Bob
EMBC
Senior Member
Hello Dermis
This is very dramatic and exciting!.......It would make a splendid backdrop for a drama, like Wuthering Heights or Grace Darling for instance?
It's also a bit scarey!........Very well done
Bob
This is very dramatic and exciting!.......It would make a splendid backdrop for a drama, like Wuthering Heights or Grace Darling for instance?
It's also a bit scarey!........Very well done
Bob
h00ligan
Veteran Member
Nicely processed! good work all around.
Many thanks to all posters. The kind comments are very encouraging.
The history of this place is fascinating. Google it!
Sunderland Point is now a very fragile place. It is cut off at high tide, and it is regularly flooded. Although grants have been given to protect the homes, and ingenius anti-flooding devices installed, they will not stop the rise of the sea. So the residents face constant threat. I tried to capture the feeling of this constant threat.
Thanks again for loooking.
The history of this place is fascinating. Google it!
Sunderland Point is now a very fragile place. It is cut off at high tide, and it is regularly flooded. Although grants have been given to protect the homes, and ingenius anti-flooding devices installed, they will not stop the rise of the sea. So the residents face constant threat. I tried to capture the feeling of this constant threat.
Thanks again for loooking.
Golla
Active member
Shutter Island?
bruce-wayne
Forum Enthusiast
I really like this picture and want to take some learning out of it:
1. How many exposures did you merge and what was the exposure difference (1 EV, 2 EV)?
2. What PP workflow you followed for the HDR? For instance merge, adjust color, adjust tonality etc?
3. How did you dramatize the clouds in PP?
Thanks in anticipation.
1. How many exposures did you merge and what was the exposure difference (1 EV, 2 EV)?
2. What PP workflow you followed for the HDR? For instance merge, adjust color, adjust tonality etc?
3. How did you dramatize the clouds in PP?
Thanks in anticipation.
For HDR work, I normally shoot 3 bracketed shots + -2EV.
This pic was created from a single -2EV RAW.
The pic was exported to Photomatix from Lightroom as a tiff. I then adjusted the sliders until I was happy with the result. I then re-import to Lightroom as a jpeg.
I used a 0.9ND grad, to capture the dramatic sky, in camera.
Hope this helps. Good luck.
This pic was created from a single -2EV RAW.
The pic was exported to Photomatix from Lightroom as a tiff. I then adjusted the sliders until I was happy with the result. I then re-import to Lightroom as a jpeg.
I used a 0.9ND grad, to capture the dramatic sky, in camera.
Hope this helps. Good luck.
Very nice treatment indeed!
Some of my "treatments" can be found here: http://www.pbase.com/viljamix/reprocessed
--
Cheers, Jorma.
Feel free to visit my galleries at http://www.pbase.com/viljamix/ to leave your comment; constructive criticism is always welcome. My latest gallery: http://www.pbase.com/viljamix/snow
You'll never get outta this life alive.
****************************
Some of my "treatments" can be found here: http://www.pbase.com/viljamix/reprocessed
--
Cheers, Jorma.
Feel free to visit my galleries at http://www.pbase.com/viljamix/ to leave your comment; constructive criticism is always welcome. My latest gallery: http://www.pbase.com/viljamix/snow
You'll never get outta this life alive.
****************************
Djordje Jevtovic
Senior Member
Alex Yantifovich
Forum Enthusiast
Oh so this is not technically HDR. this is a Tone mapped single RAW file.
--
Nikon D70s
Nikon 18-70mm f/3.5-4.5G AF-S DX
Nikon 70-300mm f/4.5-5.6G AF-S VR
Nikon 50mm f/1.8 AF
Tamron SP 90mm f/2.8 Di Macro
Sigma 10-20mm f/4-5.6 EX DC HSM
Nikon SB-600
Manfrotto 190XDB / 486RC2 Ballhead
--
Nikon D70s
Nikon 18-70mm f/3.5-4.5G AF-S DX
Nikon 70-300mm f/4.5-5.6G AF-S VR
Nikon 50mm f/1.8 AF
Tamron SP 90mm f/2.8 Di Macro
Sigma 10-20mm f/4-5.6 EX DC HSM
Nikon SB-600
Manfrotto 190XDB / 486RC2 Ballhead
It is not a Merged HDR, true. I used a 0.9ND graduated filter to capture the sky, in camera.
It is created from a single tonemapped raw fie at -2EV.
Raw files have 12EV available, most of which you can't see, Jpegs have about 5EV.
I used the information from the raw to create this balanced (?!) image, so yes it is a high dynamic range pic. Who knows? Merged shots shots take time. During which, the wind blows, clouds move and trees move. The single Raw is a good solution to these fleeting ghosts.
I've examples of both 3 shot bracketed + -2EV merges, and single Raws, here....
http://www.flickr.com/photos/49875617@N06/
It is created from a single tonemapped raw fie at -2EV.
Raw files have 12EV available, most of which you can't see, Jpegs have about 5EV.
I used the information from the raw to create this balanced (?!) image, so yes it is a high dynamic range pic. Who knows? Merged shots shots take time. During which, the wind blows, clouds move and trees move. The single Raw is a good solution to these fleeting ghosts.
I've examples of both 3 shot bracketed + -2EV merges, and single Raws, here....
http://www.flickr.com/photos/49875617@N06/
bruce-wayne
Forum Enthusiast
--
Abhi
Abhi
Keyboard shortcuts
- f
- Forum