Trip to China

Amazing pictures
we don't see those sides of china very often.
Thansk for sharing and please post the pics about your next trip to antartica.
For me, next trip CHINA
Jules
Took 3800 pictures with my S200 in a little over three weeks in
July. Turned off the AiAF, turned on the vivid, worked real well.
It's a trooper just like my S100 was, which I showed no mercy. :)

Next stop Antarctica!

http://www.passcal.nmt.edu/~bob/passcal/china/index.htm

Bob
 
Nice pictures! I went to China a couple years ago and your pictures brought back some nice memories.

Now, I have to ask, do you crop these pictures before you posted them? How come the sizes are all different. Are some of them panaroma pictures you stitched together?

For example, the Wang Fu Jing shopping mall shot.. was that really one shot? I'm asking because I have an S200 also and seems like you have nicer pictures.. :)

dian
Took 3800 pictures with my S200 in a little over three weeks in
July. Turned off the AiAF, turned on the vivid, worked real well.
It's a trooper just like my S100 was, which I showed no mercy. :)

Next stop Antarctica!

http://www.passcal.nmt.edu/~bob/passcal/china/index.htm

Bob
 
Hi Bob,

I spent a week in Tiananmen Square that Spring, but stupidly stupidly stupidly left town a few days before June 4th -- on a plane full of other stupid press people who thought, like me, that the action in the square would continue to fizzle out in an undramatic fashion.

A friend of mine, Charlie Cole, was one of only three photographers to get that shot of the young guy in front of the tanks. All three photographers were on the balcony of Charlie's room in the Beijing Hotel, photographing despite live ammuniction fired on them from soldiers in a government building accros the road, on the other side of Chang-an avenue. Stuart Franklin of Magnum was one of the others -- his black & white shot is famous now, but Charlie's was in colour -- and sharp, unlike the third guy's picture -- and that won him World Press Photo of the year -- despite the fact that the collapse of the Berlin Wall a few months after Tiananmen did what we at the time thought was impossible, putting Tiananmen in the shade.

Charlie had been out all night the night before, the night of June 4th -- only to come back to the hotel and have all his film taken away by the police in the hotel lobby. When he photographed the man and the tanks, he knew he had to protect it, so he rewound the film, stuck it in a canister -- and hid it in the toilet cistern in his room. Then he put another film in the camera and fired off a dozen frames of nothing. Seconds later, the goons broke down the hotel room door down and confiscated 'the film'.

ron
 
I do normally have to do some cropping. Just becuase I'm really supposed to be working on these trips I end up taking a large percentage of the pictures with my arm hanging out the window of a speeding vehicle. If I zoom in too much the pictures get too blurry from camera shake (shrinking pictures down and sharpening them up for the web helps take care of some of that). Also, with the lack of a good zoom you usually get quite a bit blank space around the edges of the main subject.

I took a lot of panorama shots, but only used two of them. The shopping mall picture is a panorama of three pictures. It came out pretty good despite all of the distortion, and the wildly varying brightnesses. The sun was screaming in the windows at the top. The other one is the Circle Theater shot at the Great Wall. I wasn't even thinking panorama when I took that one. It just happened to work out after a bit of resizing.

Bob
Now, I have to ask, do you crop these pictures before you posted
them? How come the sizes are all different. Are some of them
panaroma pictures you stitched together?
For example, the Wang Fu Jing shopping mall shot.. was that really
one shot? I'm asking because I have an S200 also and seems like
you have nicer pictures.. :)

dian
Took 3800 pictures with my S200 in a little over three weeks in
July. Turned off the AiAF, turned on the vivid, worked real well.
It's a trooper just like my S100 was, which I showed no mercy. :)

Next stop Antarctica!

http://www.passcal.nmt.edu/~bob/passcal/china/index.htm

Bob
 
Thanks! Amazing country. :)

It will be interesting to see how my camera holds up in Antarctica. We have a freezer at work that we put dry ice into to test equipment going down there. I haven't been brave enough to stick my S200 in there. :)

Bob
Took 3800 pictures with my S200 in a little over three weeks in
July. Turned off the AiAF, turned on the vivid, worked real well.
It's a trooper just like my S100 was, which I showed no mercy. :)

Next stop Antarctica!

http://www.passcal.nmt.edu/~bob/passcal/china/index.htm

Bob
 
Wow! Great story.

They still tend to get a bit excited about certain things. One of the stations that we put in just happened to be in a town where there is a famous labor camp (Camp Labor as I kept calling it :). The security force there was REALLY excited about my being there, and not in a good way. This particular camp has been hit a couple of times by Amnesty International spies, and a former 'resident' that snuck back in and video taped a whole lot of stuff. I only got to take a couple of nondescript pictures of that place.

Bob
Hi Bob,

I spent a week in Tiananmen Square that Spring, but stupidly
stupidly stupidly left town a few days before June 4th -- on a
plane full of other stupid press people who thought, like me, that
the action in the square would continue to fizzle out in an
undramatic fashion.

A friend of mine, Charlie Cole, was one of only three photographers
to get that shot of the young guy in front of the tanks. All three
photographers were on the balcony of Charlie's room in the Beijing
Hotel, photographing despite live ammuniction fired on them from
soldiers in a government building accros the road, on the other
side of Chang-an avenue. Stuart Franklin of Magnum was one of the
others -- his black & white shot is famous now, but Charlie's was
in colour -- and sharp, unlike the third guy's picture -- and that
won him World Press Photo of the year -- despite the fact that the
collapse of the Berlin Wall a few months after Tiananmen did what
we at the time thought was impossible, putting Tiananmen in the
shade.

Charlie had been out all night the night before, the night of June
4th -- only to come back to the hotel and have all his film taken
away by the police in the hotel lobby. When he photographed the man
and the tanks, he knew he had to protect it, so he rewound the
film, stuck it in a canister -- and hid it in the toilet cistern in
his room. Then he put another film in the camera and fired off a
dozen frames of nothing. Seconds later, the goons broke down the
hotel room door down and confiscated 'the film'.

ron
 

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