Most powerful telephoto lens for G2? Digital lens cheaper than conventional?

Bernzie

Forum Enthusiast
Messages
308
Reaction score
0
Location
HK
Does anyone know which G2 telephoto lens has the highest possible zoom in the market? I'm thinking of getting one.

Was told by one vendor that digital camera lenses are much cheaper than the conventional camera lenses, therefore having a digital camera for a hobby is cheaper.... is that true?

Thanks.
 
I believe the tiffen mega plus is the highest possible telephoto zoom: X2 but it comes with a price: Vignetting thru the whole range (Even at full zoom) ... I would rather go with an Olympus A-200 which is only X1.5 but at least you don't have vignetting and it's a 49mm so it fit perfectly on the lensmate. If you search in this forum, you'll find plenty of comparison between normal zoom/Tiffen/Olympus ....

Hope this helps.

Fred
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.

Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?

Thanks.
 
i dont know much about cams but why only 2x? i mean 3x from the cam plus 2x from tiffen will make it 5x or 6x?
 
What's vignetting?

I've heard from vendors that there are 'imitation' lenses (non-original Canon lens) and they are almost 50% cheaper. Anyone know about this? Is there a difference between imitation and original?
Hope this helps.

Fred
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.

Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?

Thanks.
 
Hello
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.
The following good quality teleconverters are mainly used by G2
owners:

Tiffen Megaplus 2x : highest magnification of all other converters,
43mm diameter. As other people state, it seems to vignette at all
focal lengths, but seems to be very usable at full zoom (on many
pictures the effect of vignetting won't be disturbing). Another
disadvantage is, that you can only use this converter at full
zoom, because vignetting becomes serious if you zoom back.
Price: $80-100 at commercial stores

Canon TC-DC58 1.5x: Canon's own converter, high quality,
58mm diameter, allows you to zoom back a little for more
accurate framing. This converter was designed to be used
with the LA-DC58 adapter, but some people apparently use
it together with the Lensmate adapter and a step-up ring with
no problems. Price: $80-100 at commercial stores

Olympus B-300 1.8x: One of the best choices, according to
many people, but a hell expensive and it has become rare,
as it's not manufactured anymore (ebay is a good place to
get it). The diameter is 55mm. One advantage seems to be,
hat this converter does not loose light, which makes it
suitable for low light situations. Another disadvantage: it
seems to be pretty large in size. Price: $250-300 at ebay.

Olympus A-200 1.5x: Small brother of the B-300, but much
cheaper. Seems to be of good quality, and it comes with
49mm diameter, which is perfect if you have a 49mm adapter,
such as the Lensmate. This converter also isn't manufactured
anymore and isn't easy to find. Price: $60-90 at ebay,
$80-100 at some commercial stores.

BTW, I had the same problem of choosing a teleconverter, and
finally decided to go for a A-200, because of the following reasons:

A-200 vs. TC-DC58: equal magnification, main plus for the A-200:
49mm diameter. No need to hassle with step down/up rings (I use
the Lensmate adapter)

A-200 vs. Tiffen: main argument against Tiffen: vignetting problems,
which also means that you can't use the converter above filters,
because vignetting becomes even more serious. On the other hand
I can use the A-200 on top of 2 (maybe 3?) filters without getting
vignetting problems. Another disadvantage for me: need to use
step rings, so either you leave them on by exposing the one side
of the converter to dust and dirt, or you remove the ring and protect
the glass using the provided lens cap, but then you have to
mount/dismount the step ring every time you want to use the
teleconverter. Remember, as soon as you are too close with the
converter, you can't zoom back so you have to remove the
converter and later perform some cropping to frame the picture
appropriately.

A-200 vs. B-300: main plus for the A-200: price.
Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?
Not exactly, because most digital cams (except for digital SLR)
have fixed built-in lenses, so you can't exchange them. Those
'lenses' I was talking about above aren't really 'lenses' like the
lenses you know them from film cameras, but teleconverters. They
are used to extend the focal length of an already existing camera
lens.

Whether going for digital is cheaper... it depends. The digicam itself
is sure a lot more expensive when compared to an equal-quality
film camera. On the other hand you don't have to spend money for
the films yourselves, once you have a sufficiently-sized memory
card.

Greetings

Sam
 
Hello
What's vignetting?
Vignetting: darkening of the pictures edges, because parts of
the camera equipment (filters, converters, hoods) get 'in the way'
of the picture. In extreme case, the picture is circle-sized, on
a black background. In less serious cases, you can see a bit
of shadows in the corners.

Greetings

Sam
 
I'm just going to throw in my .02 that I use the Tiffen 2x with the Tiffen 43mm adapter, and I get no vignetting at full zoom at all. granted, yes, I cannot zoom out at all, but usually I want the max zoom anyway. Just so you know

Benjamin-
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.
The following good quality teleconverters are mainly used by G2
owners:

Tiffen Megaplus 2x : highest magnification of all other converters,
43mm diameter. As other people state, it seems to vignette at all
focal lengths, but seems to be very usable at full zoom (on many
pictures the effect of vignetting won't be disturbing). Another
disadvantage is, that you can only use this converter at full
zoom, because vignetting becomes serious if you zoom back.
Price: $80-100 at commercial stores

Canon TC-DC58 1.5x: Canon's own converter, high quality,
58mm diameter, allows you to zoom back a little for more
accurate framing. This converter was designed to be used
with the LA-DC58 adapter, but some people apparently use
it together with the Lensmate adapter and a step-up ring with
no problems. Price: $80-100 at commercial stores

Olympus B-300 1.8x: One of the best choices, according to
many people, but a hell expensive and it has become rare,
as it's not manufactured anymore (ebay is a good place to
get it). The diameter is 55mm. One advantage seems to be,
hat this converter does not loose light, which makes it
suitable for low light situations. Another disadvantage: it
seems to be pretty large in size. Price: $250-300 at ebay.

Olympus A-200 1.5x: Small brother of the B-300, but much
cheaper. Seems to be of good quality, and it comes with
49mm diameter, which is perfect if you have a 49mm adapter,
such as the Lensmate. This converter also isn't manufactured
anymore and isn't easy to find. Price: $60-90 at ebay,
$80-100 at some commercial stores.

BTW, I had the same problem of choosing a teleconverter, and
finally decided to go for a A-200, because of the following reasons:

A-200 vs. TC-DC58: equal magnification, main plus for the A-200:
49mm diameter. No need to hassle with step down/up rings (I use
the Lensmate adapter)

A-200 vs. Tiffen: main argument against Tiffen: vignetting problems,
which also means that you can't use the converter above filters,
because vignetting becomes even more serious. On the other hand
I can use the A-200 on top of 2 (maybe 3?) filters without getting
vignetting problems. Another disadvantage for me: need to use
step rings, so either you leave them on by exposing the one side
of the converter to dust and dirt, or you remove the ring and protect
the glass using the provided lens cap, but then you have to
mount/dismount the step ring every time you want to use the
teleconverter. Remember, as soon as you are too close with the
converter, you can't zoom back so you have to remove the
converter and later perform some cropping to frame the picture
appropriately.

A-200 vs. B-300: main plus for the A-200: price.
Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?
Not exactly, because most digital cams (except for digital SLR)
have fixed built-in lenses, so you can't exchange them. Those
'lenses' I was talking about above aren't really 'lenses' like the
lenses you know them from film cameras, but teleconverters. They
are used to extend the focal length of an already existing camera
lens.

Whether going for digital is cheaper... it depends. The digicam itself
is sure a lot more expensive when compared to an equal-quality
film camera. On the other hand you don't have to spend money for
the films yourselves, once you have a sufficiently-sized memory
card.

Greetings

Sam
--
http://www.avenirex.com
 
Sam,

Thanks for taking the time to really help someone out. You answered a few of my own. I want the higher mag also, but do not want to risk vignetting in other non-zoom shots. A lot of interesting subject is sometimes cropped out by overuse of the X factors. I can always crop later. 4mp makes it possible..

Sounds like the Oly's are worth my attention. Do you think they will be introducing an even better line since you said the 200 and 300 are not made anymore? Heh , it can happen.

Anyway, just wanted to say thanks. I have check out other comparison threads,forums, websites, and they helped.
But I like the way you explained the pros and cons.
Later, I am off to research the Oly site.

P.S. My 420EX just came in so I have a toy to break in. Have to work the State Fair for my ex. So should get some nice shots..
Thanks again.
 
I've got the Tiffen 2X and oddly, it seems to vignette inconsistently (at full zoom). On some shots, there is none (that is visible to the eye, even when the dark vignettes should contrast with the image), on others, there's some noticable vignetting (but relatively minor).
Benjamin-
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.
The following good quality teleconverters are mainly used by G2
owners:

Tiffen Megaplus 2x : highest magnification of all other converters,
43mm diameter. As other people state, it seems to vignette at all
focal lengths, but seems to be very usable at full zoom (on many
pictures the effect of vignetting won't be disturbing). Another
disadvantage is, that you can only use this converter at full
zoom, because vignetting becomes serious if you zoom back.
Price: $80-100 at commercial stores

Canon TC-DC58 1.5x: Canon's own converter, high quality,
58mm diameter, allows you to zoom back a little for more
accurate framing. This converter was designed to be used
with the LA-DC58 adapter, but some people apparently use
it together with the Lensmate adapter and a step-up ring with
no problems. Price: $80-100 at commercial stores

Olympus B-300 1.8x: One of the best choices, according to
many people, but a hell expensive and it has become rare,
as it's not manufactured anymore (ebay is a good place to
get it). The diameter is 55mm. One advantage seems to be,
hat this converter does not loose light, which makes it
suitable for low light situations. Another disadvantage: it
seems to be pretty large in size. Price: $250-300 at ebay.

Olympus A-200 1.5x: Small brother of the B-300, but much
cheaper. Seems to be of good quality, and it comes with
49mm diameter, which is perfect if you have a 49mm adapter,
such as the Lensmate. This converter also isn't manufactured
anymore and isn't easy to find. Price: $60-90 at ebay,
$80-100 at some commercial stores.

BTW, I had the same problem of choosing a teleconverter, and
finally decided to go for a A-200, because of the following reasons:

A-200 vs. TC-DC58: equal magnification, main plus for the A-200:
49mm diameter. No need to hassle with step down/up rings (I use
the Lensmate adapter)

A-200 vs. Tiffen: main argument against Tiffen: vignetting problems,
which also means that you can't use the converter above filters,
because vignetting becomes even more serious. On the other hand
I can use the A-200 on top of 2 (maybe 3?) filters without getting
vignetting problems. Another disadvantage for me: need to use
step rings, so either you leave them on by exposing the one side
of the converter to dust and dirt, or you remove the ring and protect
the glass using the provided lens cap, but then you have to
mount/dismount the step ring every time you want to use the
teleconverter. Remember, as soon as you are too close with the
converter, you can't zoom back so you have to remove the
converter and later perform some cropping to frame the picture
appropriately.

A-200 vs. B-300: main plus for the A-200: price.
Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?
Not exactly, because most digital cams (except for digital SLR)
have fixed built-in lenses, so you can't exchange them. Those
'lenses' I was talking about above aren't really 'lenses' like the
lenses you know them from film cameras, but teleconverters. They
are used to extend the focal length of an already existing camera
lens.

Whether going for digital is cheaper... it depends. The digicam itself
is sure a lot more expensive when compared to an equal-quality
film camera. On the other hand you don't have to spend money for
the films yourselves, once you have a sufficiently-sized memory
card.

Greetings

Sam
--
http://www.avenirex.com
--
http://members.shaw.ca/wulfespirit/home.html
http://www.photosig.com/userphotos.php?id=25643
 
Magnification! If I'm going to go through the hassle to attach a teleconverter I want at least 2x. That makes the Tiffen twice as powerful as the Canon and A-200...1.5x just doesn't seem worth it to me. I thought that the B-300 was only 1.7x but I could be mistaken, and I didn't want to spend that kind of money anyway.

The vignetting is not a problem for me at all. I use the Tiffen adapter which doesn't require a step ring and I just take off the lensmate and screw on the Tiffen 2x/adapter combo...not too much of an inconvenience that way. The amount of vignetting depends on your aperture setting, but at full zoom the worst I get is a touch of corner darkening which can easily be dodged in Photoshop if really necessary...no cropping required. I don't usually need to zoom back with the Tiffen attached since I usually use it to get as close as possible. Don't underestimate the usefullness of stepping backwards too. ;)

I haven't seen any instances where the Tiffen loses any light either, but I haven't done extensive tests in low light with it.

Maybe I'm just biased because I bought the Tiffen, but I'm still happy I went with it and I've gotten some greats shots with it that I otherwise would have missed out on.

Michael
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.
The following good quality teleconverters are mainly used by G2
owners:

Tiffen Megaplus 2x : highest magnification of all other converters,
43mm diameter. As other people state, it seems to vignette at all
focal lengths, but seems to be very usable at full zoom (on many
pictures the effect of vignetting won't be disturbing). Another
disadvantage is, that you can only use this converter at full
zoom, because vignetting becomes serious if you zoom back.
Price: $80-100 at commercial stores

Canon TC-DC58 1.5x: Canon's own converter, high quality,
58mm diameter, allows you to zoom back a little for more
accurate framing. This converter was designed to be used
with the LA-DC58 adapter, but some people apparently use
it together with the Lensmate adapter and a step-up ring with
no problems. Price: $80-100 at commercial stores

Olympus B-300 1.8x: One of the best choices, according to
many people, but a hell expensive and it has become rare,
as it's not manufactured anymore (ebay is a good place to
get it). The diameter is 55mm. One advantage seems to be,
hat this converter does not loose light, which makes it
suitable for low light situations. Another disadvantage: it
seems to be pretty large in size. Price: $250-300 at ebay.

Olympus A-200 1.5x: Small brother of the B-300, but much
cheaper. Seems to be of good quality, and it comes with
49mm diameter, which is perfect if you have a 49mm adapter,
such as the Lensmate. This converter also isn't manufactured
anymore and isn't easy to find. Price: $60-90 at ebay,
$80-100 at some commercial stores.

BTW, I had the same problem of choosing a teleconverter, and
finally decided to go for a A-200, because of the following reasons:

A-200 vs. TC-DC58: equal magnification, main plus for the A-200:
49mm diameter. No need to hassle with step down/up rings (I use
the Lensmate adapter)

A-200 vs. Tiffen: main argument against Tiffen: vignetting problems,
which also means that you can't use the converter above filters,
because vignetting becomes even more serious. On the other hand
I can use the A-200 on top of 2 (maybe 3?) filters without getting
vignetting problems. Another disadvantage for me: need to use
step rings, so either you leave them on by exposing the one side
of the converter to dust and dirt, or you remove the ring and protect
the glass using the provided lens cap, but then you have to
mount/dismount the step ring every time you want to use the
teleconverter. Remember, as soon as you are too close with the
converter, you can't zoom back so you have to remove the
converter and later perform some cropping to frame the picture
appropriately.

A-200 vs. B-300: main plus for the A-200: price.
Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?
Not exactly, because most digital cams (except for digital SLR)
have fixed built-in lenses, so you can't exchange them. Those
'lenses' I was talking about above aren't really 'lenses' like the
lenses you know them from film cameras, but teleconverters. They
are used to extend the focal length of an already existing camera
lens.

Whether going for digital is cheaper... it depends. The digicam itself
is sure a lot more expensive when compared to an equal-quality
film camera. On the other hand you don't have to spend money for
the films yourselves, once you have a sufficiently-sized memory
card.

Greetings

Sam
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
 
The amount of vignetting depends on your aperture. The narrower the aperture (larger f/number) the less vignetting you'll get. Check the EXIF data on your pics to see if this is what you notice.

Michael
I've got the Tiffen 2X and oddly, it seems to vignette
inconsistently (at full zoom). On some shots, there is none (that
is visible to the eye, even when the dark vignettes should contrast
with the image), on others, there's some noticable vignetting (but
relatively minor).
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
 
Will do.

Never thought of that - thanks for the advice.
Michael
I've got the Tiffen 2X and oddly, it seems to vignette
inconsistently (at full zoom). On some shots, there is none (that
is visible to the eye, even when the dark vignettes should contrast
with the image), on others, there's some noticable vignetting (but
relatively minor).
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
--
http://members.shaw.ca/wulfespirit/home.html
http://www.photosig.com/userphotos.php?id=25643
 
Cheers to that. I went out the same day I got the converter and took these (neither of which would've looked anywhere near as close without it):




The vignetting is not a problem for me at all. I use the Tiffen
adapter which doesn't require a step ring and I just take off the
lensmate and screw on the Tiffen 2x/adapter combo...not too much of
an inconvenience that way. The amount of vignetting depends on
your aperture setting, but at full zoom the worst I get is a touch
of corner darkening which can easily be dodged in Photoshop if
really necessary...no cropping required. I don't usually need to
zoom back with the Tiffen attached since I usually use it to get as
close as possible. Don't underestimate the usefullness of stepping
backwards too. ;)

I haven't seen any instances where the Tiffen loses any light
either, but I haven't done extensive tests in low light with it.

Maybe I'm just biased because I bought the Tiffen, but I'm still
happy I went with it and I've gotten some greats shots with it that
I otherwise would have missed out on.

Michael
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.
The following good quality teleconverters are mainly used by G2
owners:

Tiffen Megaplus 2x : highest magnification of all other converters,
43mm diameter. As other people state, it seems to vignette at all
focal lengths, but seems to be very usable at full zoom (on many
pictures the effect of vignetting won't be disturbing). Another
disadvantage is, that you can only use this converter at full
zoom, because vignetting becomes serious if you zoom back.
Price: $80-100 at commercial stores

Canon TC-DC58 1.5x: Canon's own converter, high quality,
58mm diameter, allows you to zoom back a little for more
accurate framing. This converter was designed to be used
with the LA-DC58 adapter, but some people apparently use
it together with the Lensmate adapter and a step-up ring with
no problems. Price: $80-100 at commercial stores

Olympus B-300 1.8x: One of the best choices, according to
many people, but a hell expensive and it has become rare,
as it's not manufactured anymore (ebay is a good place to
get it). The diameter is 55mm. One advantage seems to be,
hat this converter does not loose light, which makes it
suitable for low light situations. Another disadvantage: it
seems to be pretty large in size. Price: $250-300 at ebay.

Olympus A-200 1.5x: Small brother of the B-300, but much
cheaper. Seems to be of good quality, and it comes with
49mm diameter, which is perfect if you have a 49mm adapter,
such as the Lensmate. This converter also isn't manufactured
anymore and isn't easy to find. Price: $60-90 at ebay,
$80-100 at some commercial stores.

BTW, I had the same problem of choosing a teleconverter, and
finally decided to go for a A-200, because of the following reasons:

A-200 vs. TC-DC58: equal magnification, main plus for the A-200:
49mm diameter. No need to hassle with step down/up rings (I use
the Lensmate adapter)

A-200 vs. Tiffen: main argument against Tiffen: vignetting problems,
which also means that you can't use the converter above filters,
because vignetting becomes even more serious. On the other hand
I can use the A-200 on top of 2 (maybe 3?) filters without getting
vignetting problems. Another disadvantage for me: need to use
step rings, so either you leave them on by exposing the one side
of the converter to dust and dirt, or you remove the ring and protect
the glass using the provided lens cap, but then you have to
mount/dismount the step ring every time you want to use the
teleconverter. Remember, as soon as you are too close with the
converter, you can't zoom back so you have to remove the
converter and later perform some cropping to frame the picture
appropriately.

A-200 vs. B-300: main plus for the A-200: price.
Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?
Not exactly, because most digital cams (except for digital SLR)
have fixed built-in lenses, so you can't exchange them. Those
'lenses' I was talking about above aren't really 'lenses' like the
lenses you know them from film cameras, but teleconverters. They
are used to extend the focal length of an already existing camera
lens.

Whether going for digital is cheaper... it depends. The digicam itself
is sure a lot more expensive when compared to an equal-quality
film camera. On the other hand you don't have to spend money for
the films yourselves, once you have a sufficiently-sized memory
card.

Greetings

Sam
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
--
http://members.shaw.ca/wulfespirit/home.html
http://www.photosig.com/userphotos.php?id=25643
 
Just want to clarify about aperture vs vignetting. I observed that the narrower the aperture (larger f/number such as f/8) the more vignetting you'll see. The larger the aperture (smaller f/number such as f/2) the less vignetting you'll see.
Michael
I've got the Tiffen 2X and oddly, it seems to vignette
inconsistently (at full zoom). On some shots, there is none (that
is visible to the eye, even when the dark vignettes should contrast
with the image), on others, there's some noticable vignetting (but
relatively minor).
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
--
Eddie
 
Thanks Sam for the superb overview feedback.

I didn't know there were brands involved, I thought it had to be Canon. Hopefully, the vendors know what I'm talking about when I quote these models. So far, shopping in Hong Kong involves vendors introducing non-branded lenses .... not sure how they perform in the long run... but cost around HKD900 (USD100+).

In terms of choosing which camera for my hobby (film camera vs digital... I have both), I'd most likely choose the latter. From your feedback, aside from other costs, it seems lenses/converters on the digital is cheaper, right? So, I'll continue to invest in enhancing my G2 then.

BTW, does 2x converters on my G2 mean that I'd get zoom of 6? That's not too good right, considering some digital cameras out there have standard optical zoom up to 8x.

Ciao.
Does anyone know which G2 telephoto lens has the highest possible
zoom in the market? I'm thinking of getting one.
The following good quality teleconverters are mainly used by G2
owners:

Tiffen Megaplus 2x : highest magnification of all other converters,
43mm diameter. As other people state, it seems to vignette at all
focal lengths, but seems to be very usable at full zoom (on many
pictures the effect of vignetting won't be disturbing). Another
disadvantage is, that you can only use this converter at full
zoom, because vignetting becomes serious if you zoom back.
Price: $80-100 at commercial stores

Canon TC-DC58 1.5x: Canon's own converter, high quality,
58mm diameter, allows you to zoom back a little for more
accurate framing. This converter was designed to be used
with the LA-DC58 adapter, but some people apparently use
it together with the Lensmate adapter and a step-up ring with
no problems. Price: $80-100 at commercial stores

Olympus B-300 1.8x: One of the best choices, according to
many people, but a hell expensive and it has become rare,
as it's not manufactured anymore (ebay is a good place to
get it). The diameter is 55mm. One advantage seems to be,
hat this converter does not loose light, which makes it
suitable for low light situations. Another disadvantage: it
seems to be pretty large in size. Price: $250-300 at ebay.

Olympus A-200 1.5x: Small brother of the B-300, but much
cheaper. Seems to be of good quality, and it comes with
49mm diameter, which is perfect if you have a 49mm adapter,
such as the Lensmate. This converter also isn't manufactured
anymore and isn't easy to find. Price: $60-90 at ebay,
$80-100 at some commercial stores.

BTW, I had the same problem of choosing a teleconverter, and
finally decided to go for a A-200, because of the following reasons:

A-200 vs. TC-DC58: equal magnification, main plus for the A-200:
49mm diameter. No need to hassle with step down/up rings (I use
the Lensmate adapter)

A-200 vs. Tiffen: main argument against Tiffen: vignetting problems,
which also means that you can't use the converter above filters,
because vignetting becomes even more serious. On the other hand
I can use the A-200 on top of 2 (maybe 3?) filters without getting
vignetting problems. Another disadvantage for me: need to use
step rings, so either you leave them on by exposing the one side
of the converter to dust and dirt, or you remove the ring and protect
the glass using the provided lens cap, but then you have to
mount/dismount the step ring every time you want to use the
teleconverter. Remember, as soon as you are too close with the
converter, you can't zoom back so you have to remove the
converter and later perform some cropping to frame the picture
appropriately.

A-200 vs. B-300: main plus for the A-200: price.
Was told by one vendor that digital camera lenses are much cheaper
than the conventional camera lenses, therefore having a digital
camera for a hobby is cheaper.... is that true?
Not exactly, because most digital cams (except for digital SLR)
have fixed built-in lenses, so you can't exchange them. Those
'lenses' I was talking about above aren't really 'lenses' like the
lenses you know them from film cameras, but teleconverters. They
are used to extend the focal length of an already existing camera
lens.

Whether going for digital is cheaper... it depends. The digicam itself
is sure a lot more expensive when compared to an equal-quality
film camera. On the other hand you don't have to spend money for
the films yourselves, once you have a sufficiently-sized memory
card.

Greetings

Sam
 
Not me. I did some tests against a white wall at f/2.5, f/4.5, and f/8. f/2.5 produced the most vignetting, f/8 produced the least, and f/4.5 was right in the middle. I just went back to my test shots to confirm my observations. I can post the samples if anyone's interested.

Michael
Just want to clarify about aperture vs vignetting. I observed that
the narrower the aperture (larger f/number such as f/8) the more
vignetting you'll see. The larger the aperture (smaller f/number
such as f/2) the less vignetting you'll see.

--
Eddie
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
 
Yeah, the 2x would give you a total of 6x which equates to a 35mm equiv. of about 204mm which is pretty decent. The new Nikon 5700 has a built-in 8x which is about 280mm equiv. plus you can use the whole zoom range. Sounds great, but then you end up spending way more and IMO the image quality still doesn't match the G2. Caution, this opinion may be biased (but you can see for yourself from the reviews) . 3x is a pretty standard zoom from what I've seen but sometimes those 8x and 10x zooms could come in quite handy. :)~

Michael
BTW, does 2x converters on my G2 mean that I'd get zoom of 6?
That's not too good right, considering some digital cameras out
there have standard optical zoom up to 8x.

Ciao.
--
http://www.pbase.com/mooremwm
http://www.photosig.com/userphotos.php?id=7178
 
Hello Bernzie
BTW, does 2x converters on my G2 mean that I'd get zoom of 6?
That's not too good right, considering some digital cameras out
there have standard optical zoom up to 8x.
That's true, zoom isn't a strength of the G2, even with converters
attached. On the other hand, big zooms sometimes go together
with other problems, such as distortion at either end of the zoom
range or with a general degradation of image quality at the
extreme positions (some lenses are even pretty slow at full
telephoto, while the G2's F2.5 at 105mm is a really good thing).
The reviews on this site are a good point to investigate further on
this topic.

6x doesn't sound as beeing much... but in fact you can get even
more zoom when using your G2 with teleconverter attached. Thanks
to the 4 megapixels you can do some significant cropping and still
keep enough pixels to make the picture look good on your monitor
or even on small-sized prints. You probably won't want to make large
prints out of every picture you shoot.

Just to give an example: in the past I used to shoot pictures using
an older 2mp entry level digicam and I have to say, that the picture
quality of small sized prints (10x15 cm) was really good in my eyes.
So when shooting with the G2@4mp and a 2x teleconverter, you can
achieve a total zoom of 12x at 2 megapixels, provided the image is
sharp (and the G2 together with good image editing software performs
well in these terms). When using a 1.5x teleconverter you
still get a zoom of 9x at 2mp.

Greetings

Sam
 

Keyboard shortcuts

Back
Top