Big Ga
Forum Pro
As is most often the case John. Your assumptions are incorrect.I assume from your statement that ...
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As is most often the case John. Your assumptions are incorrect.I assume from your statement that ...
As are yours.As is most often the case John. Your assumptions are incorrect.I assume from your statement that ...
indeed, pro setups use focus pullers to measure distances, and actors move within a predetermined path. As an aside, larger format video such as FF would be at a disadvantage here, with shallow dof being near useless.Its a brand new camera, I would assume this means he has had very
little time to play with it.
It takes experience to focus well on any given video system if you
are doing it manually.
I don't hire the graphic designers that work for the publishing companies. I just send them the files.From what i have experienced about most professional designers is
that are capable and experienced in the production side. The few that
are not, simply lack the interest or experience. You could of course
be following the same tow many do, that is finding the cheapest
designer (or quote) you can.
Then its very possible you are one of those designers I mentioned that DO know what they are doing. I still stand by what I said though.My client list includes fortune 500 companies, my photography and
design has been used from Germany to Japan.
What 'consistent arguments to the contrary' ???that is why despite all you consistent arguments to the contrary
Here you suggest that "many designers" are business downsizing files, or converting them to low res jpegs for print... why would they bother? We work with what clients provide us with, we ask for better if it is available, but quite often it is the client who doesn't understand.Funny, my experience is that many images in magazines etc get used at sub > optimal quality because many Graphic Designers are pretty clueless about > technical things like resolution, PPI, etc.
Againg you use the work "many" here suggesting a greater quantity than those who are not. I again stress you are probably not working with Graphic Designers, but an in-house type that possible went on a 1 year course at a local community college.I'm sure there are technically literate GD's, but I'm continually stunned as to > how clueless many are considering they work in the industry.
I have this sneaking suspicion that this may well be the crux of the matter, mate .... . .
Its mostly just my experience and opinion, but then so are most of
these posts, and they are all so damn negative. I feel this system
has worked so well for me that to just knock it over and over is
really giving it a bad reputation, one that is very undeserved. It
would also potentially put people off who would get served very well
but the equipment.
I actually very much appreciated reading your comments as it forms a nice contrast to some of the other comments made here.I wanted to share a positive story about using the system, and why I
felt I had a great deal to look forward to and be thankful for within
the system. (not that i couldn't have done it with anything else, but
that i DID do it with the gear i have, it happened to be Oly.)
Thank you for this common sense remarkBut I have abandoned that approach : it is much harder to come up
with a consistent series (for prints, slideshows or whatever) if the
ratios are all over the place.
ME TOOSo now I normally limit my cropping ratios (there is always the odd
exception) to:
4/3 landscape
4/3 portrait
1/1 square
ME NEITHERI hardly ever crop to fit specifically into 3;2 or 16:9.
INDEED It is . Again ,cold not agree more but then never could get used to that 3:2 ratio especially for verticalsOver time, I have grown to like the 4/3 ratio a lot.
It also prints very nicely to big sizes like 45x60, 60x80 and 90x120.
Very balanced ratio, for e.g. an exhibition.
That's got to be one of the all time classics on this forum.But I agree with your comments.
could it be better than this ?That's got to be one of the all time classics on this forum.But I agree with your comments.
so now, not only is he wrong, even if he 'might' be rightYou don't really know what the hell John is on about (I suppose that
bits understandable), yet you agree with his comments.
real apologies come without reservation
Thanks for the title. So I have achieved something here. Good for me.That's got to be one of the all time classics on this forum.
I will clear this up for you, as you don't obviously understand (or your playing dumb, not sure which is worse). I didn't understand his very nice comments in relation to my post, but i agreed with what he said in general. Did that help you Little Ga Ga?You don't really know what the hell John is on about (I suppose that bits > understandable), yet you agree with his comments.
Ching,Hi, Olympus lover,
It’s time for change! It’s time for customer to tell Olympus what to
do. Noise is always the problem and the biggest issue for Olympus
camera. The E-30 didn’t improve any noise problem. The new E-620
even causes the bigger issue of noise problem (see the review of
Popular Photography magazine and others). I am an Olympus fan and I
think that we need to ask Olympus to do some change since we have
invested the whole system for years. Isn’t it right that the stock
holders have the right to challenge the company’s direction in annual
report?
My major is not in optical engineering but I do know that the fixed
size of 4/3 sensor need to be modified. But how? In general, 4/3
sensor is about ¼ size of full 35mm sensor, thus Olympus has actually
made 12 X 4 = 48 MP sensor if in full 35mm sensor which is double of
the current 24 MP full 35mm sensors of other brands. Its technology
is ahead of other brands in this standpoint. However, the noise
problem also comes with the limited sensor size. (Someone say that it
is not because of the sensor). I do believe that Olympus researchers
also work hard to improve the noise problem.
After thinking this problem for a long time, an idea just comes out
of my mind. Since the 4/3 sensor size is limited at 2D dimension,
why don’t we improve its 3D dimension? CMOS catch up with CCD after
the maturing of its technology. Foveon 3X technology may not mature
years ago, but now its mature technology has been installed in Sigma
camera. I do believe that the new Sigma SD15 with its super high
image quality will bring a huge impact to the market if they improve
their entire previous problem (speed). Why doesn’t Olympus
collaborate with Foveon 3X Company or developing the similar
technology by their own? Even the current Olympus sensors, just like
Nikon, are not made by its own company. Sony? After adapting the
Foveon 3X technology, the current 12 MP (E-30/E-620) or 10 MP
(E-3/E-520/ E420) can achieve 36 MP or 30 MP easily or maintain total
15 MP with much bigger photosite unit to reduce noise problem.
The developing of 3D sensor is not the major problem for the Olympus.
I do believe that the major problem is how they share the benefit of
the upgrading sensor with Foveon 3X Company. Sooner or later, the 2D
4/3 sensor will achieves its limit (maybe now) and need to improve to
3D 4/3 sensor. Do you think the same way as I think? Why don’t we
push Olympus to do the improvement right away? There is no any
benefit to me from either company and I don’t work for them. I am
just a Olympus fan who want to see the better dSLR to the market.
Please spread this article to the other entire forum if you think
that we need to push Olympus together.
Thanks
their noise testing is full of holes, i dont dispute a noise issue, but theirs is not the data set to represent thatHi, Olympus lover,
It’s time for change! It’s time for customer to tell Olympus what to
do. Noise is always the problem and the biggest issue for Olympus
camera. The E-30 didn’t improve any noise problem. The new E-620
even causes the bigger issue of noise problem (see the review of
Popular Photography magazine and others).
mostly its the sensor size, being -1.94 stops e/v from FFMy major is not in optical engineering but I do know that the fixed
size of 4/3 sensor need to be modified. But how? In general, 4/3
sensor is about ¼ size of full 35mm sensor, thus Olympus has actually
made 12 X 4 = 48 MP sensor if in full 35mm sensor which is double of
the current 24 MP full 35mm sensors of other brands. Its technology
is ahead of other brands in this standpoint. However, the noise
problem also comes with the limited sensor size. (Someone say that it
is not because of the sensor). I do believe that Olympus researchers
also work hard to improve the noise problem.
curious, foveon isnt known for good noise performance ?After thinking this problem for a long time, an idea just comes out
of my mind. Since the 4/3 sensor size is limited at 2D dimension,
why don’t we improve its 3D dimension? CMOS catch up with CCD after
the maturing of its technology. Foveon 3X technology may not mature
years ago, but now its mature technology has been installed in Sigma
camera. I do believe that the new Sigma SD15 with its super high
image quality will bring a huge impact to the market if they improve
their entire previous problem (speed).
Theyre wholly owned by Sigma nowWhy doesn’t Olympus
collaborate with Foveon 3X Company or developing the similar
err??, you do realise they dont make sensors right ?technology by their own? Even the current Olympus sensors, just like
Nikon, are not made by its own company. Sony? After adapting the
Foveon 3X technology, the current 12 MP (E-30/E-620) or 10 MP
(E-3/E-520/ E420) can achieve 36 MP or 30 MP easily or maintain total
15 MP with much bigger photosite unit to reduce noise problem.
The developing of 3D sensor is not the major problem for the Olympus.
it is possible that there is something in this, its not been debated here before but i can think of a few ways that it might improve thingsI do believe that the major problem is how they share the benefit of
the upgrading sensor with Foveon 3X Company. Sooner or later, the 2D
4/3 sensor will achieves its limit (maybe now) and need to improve to
3D 4/3 sensor. Do you think the same way as I think? Why don’t we
push Olympus to do the improvement right away? There is no any
benefit to me from either company and I don’t work for them. I am
just a Olympus fan who want to see the better dSLR to the market.
Please spread this article to the other entire forum if you think
that we need to push Olympus together.