I almost sold my F31 to buy the SD950IS too
whut happened there.My best, Tom S.
Sunnyboy,
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I almost sold my F31 to buy the SD950IS too
whut happened there.My best, Tom S.
I had the F50fd for a few days and was just unhappy with the IQ in indoor light. It was grainy. The IS did not work as well as I would have liked.I could accept the lower high ISO quality of the F50 IF, and it is an
important IF, the Image Stabilization built into it was worth a hill
of beans. If you believe the comments about the F50's IS system in
the dpreview review, it's near-worthless.
My guess is a marketing person...btw, you sound like a FujiFilm salesperson. ;-)
It has 12MPFine and 12MPNormal. with image data file sizes 4.7 and 3.0 MB, respectively.The only thing I find done wrong with F50fd is that it doesn't have
"selectable" level of JPG compression ratio for 12 MP.
--according to
some test it is about 1:7 at best. This helps with lowering
processing times, but at the same time looses too much detail. I
wpuld be greatly delighted if fuji could give F50fd a bettet
"ultrafine" compression ratio for example 1:4 with firmware update.
-Veijo-
--
He hath made every thing beautiful in his time... Eccl. 3:11
Yes, I knew that. But, to me taking images with "normal" is no real choice. My view is that this kind of resolution should be possible with even less compression, and that is what is missing. I am not asking RAW output, but when I bought this camera I acknowledged that the main competitor for me at that time, namely Nikon S500 had less compression. Fuji loses some advantage of better resolution with this higher compression. Anyway, as this takes its toll in performance, I would want it as an option, not default.It has 12MPFine and 12MPNormal. with image data file sizes 4.7 andThe only thing I find done wrong with F50fd is that it doesn't have
"selectable" level of JPG compression ratio for 12 MP.
3.0 MB, respectively.
----according to
some test it is about 1:7 at best. This helps with lowering
processing times, but at the same time looses too much detail. I
wpuld be greatly delighted if fuji could give F50fd a bettet
"ultrafine" compression ratio for example 1:4 with firmware update.
-Veijo-
--
He hath made every thing beautiful in his time... Eccl. 3:11
Russell
Galleries at http://www.pbase.com/russ
Good point Fred - I never feel like I have to wait for the cam to adjust while using my F31 - very fast cam. It truly is one sweet little camera. I am so glad I decided to keep mine. To think, I paid $239 and got a $50 rebate = 189. Now they sell as high as $400 on ebay. Let's see, if I bought 25,000 units for 189 and sold them for 339 that would have been $150 profit per unit or $3,750,000. That could have been my retirement - on the F31 ! Even if they only gave me the rebate on one of the 25,000 units, it would still make a good retirement.Tom, my main complaint with regards to the cannonSD950IS was it was
slow compared to my f31. I mean when I went to take a picture in low
light it seemed like the camera was taking much longer than the
f31., to record the image. To me the picture quality was fine. I
like the way the camera looked and felt. It was just to slow. I am
in a hurry to catch the moment.
Fred
This is a ridiculous statement. Jpeg was designed such that 1:10 is considered excellent image quality. The jpeg artifacts in these files are considered invisible to sharpening algorithms, and they are certainly invisible to the human eye at this low compression.The only thing I find done wrong with F50fd is that it doesn't have
"selectable" level of JPG compression ratio for 12 MP. According to
some test it is about 1:7 at best. This helps with lowering
processing times, but at the same time looses too much detail. I
wpuld be greatly delighted if fuji could give F50fd a bettet
"ultrafine" compression ratio for example 1:4 with firmware update.
No, what you are missing is a basic understanding of how much compression is too much. 7:1 and 12:1 are not a problem for 99.999% of images. These cams are just not good enough to make it worth shooting RAW or super-fine ... neither was the F31fd by the way. These are compacts ....Yes, I knew that. But, to me taking images with "normal" is no real
choice. My view is that this kind of resolution should be possible
with even less compression, and that is what is missing.
No it doesn't ... a dSLR with BASIC jpegs (24:1 I think) still smokes an F31fd at FINE. It's not the compression level that's the problem ...I am not
asking RAW output, but when I bought this camera I acknowledged that
the main competitor for me at that time, namely Nikon S500 had less
compression. Fuji loses some advantage of better resolution with this
higher compression.
The fact that they choose to not offer such an easy option should tell you how useful it would be on a compact.Anyway, as this takes its toll in performance, I
would want it as an option, not default.
--This is a ridiculous statement. Jpeg was designed such that 1:10 isThe only thing I find done wrong with F50fd is that it doesn't have
"selectable" level of JPG compression ratio for 12 MP. According to
some test it is about 1:7 at best. This helps with lowering
processing times, but at the same time looses too much detail. I
wpuld be greatly delighted if fuji could give F50fd a bettet
"ultrafine" compression ratio for example 1:4 with firmware update.
considered excellent image quality. The jpeg artifacts in these
files are considered invisible to sharpening algorithms, and they are
certainly invisible to the human eye at this low compression.
1:6 is Fuji's traditional fine quality, as it is Nikon's for most of
their dSLRs. Normal is 1:12 traditionally. Many people have inspected
their files carefully at 400% to look for changes in the artifacts
from F to N, and no one has yet posted a clear example of an issue.
I.e. NORM provides files that are still of excellent quality (makes
sense when you think about it, since 1:10 and 1:12 is hardly
different.)
50:1 is still considered good by the way ...
So ... 1:7 is a tiny, invisible compromise Fuji makes to be able to
reduce the ridiculous file sizes at 12mp ... ridiculous because a
compact hardly needs that kind of data. There is no way with those
tiny lenses that 12mp is being resolved. I quote from the DPReview:
"Looking closely it looks like Fuji has hit the limits of what you
can get out of this lens, meaning at least some of those extra pixels
are effectively redundant."
As ISO climbs, the extra pixels are increasingly irrelevant. I quote
again regarding 1600ISO:
"These are 12 megapixel images but they offer nothing like 12
megapixels' worth of information."
Shoot NORM ... it won't make any serious difference from this cam.
--
http://letkeman.net/Photos
Agreed that RAW is the best. And also agreed that, should you plan on really hammering the image, you need as few artifacts as possible in the image.What I think, is that the starting file should be better if you want
to post process the images. What comes to seeing the artefacts, I do
see in my simple tests when converting RAW to JPEG. They are of minor
and probably wouln't show up when printed, but I want to have best to
start with so RAW is the choice.
Sorry ... but there are two issues with what they wrote and with your interpretation of it. I quote from them, each statement in triple asterisks ( ):Megapixel net tested F50fd. They also made the "ridiculous" statement
you are despising in my post. So I am not alone.
I can hardly imagine a shot that a 12mp cam with a 1/2.35" sensor could take that would benefit from shooting FINE instead of NORM.And I agree, for most of the shots this kind of camera will be
taking, the lower compression ratios are very much enough.
Have you resorted to this level punching of below the belt, just to be able to keep calling the F50fd a bad camera that should be receiving negative reviews/attention?My guess is a marketing person...btw, you sound like a FujiFilm salesperson. ;-)
Gail thank you. The evidence suggests there are at least two
suspected fuji employees who have joined the forum since the F50 was
released...
They have been so obvious. One came on when the F50 came out and the
other joined right as the review hit the forum.
Has fuji really resorted to this level of deception?
Being a good compact camera means more to me than its high-ISO performance in absolutes. There is a lot more to a camera then ISO1600. Some people seem to forget that here.Except it's most compelling feature; outstanding performance at highF50 improved just about everything about its predesessor
ISO for a compact digital camera. My F20 arrived a day ago and I
can't believe how good its performance is at ISO 400 and 800.
FujiFilm could have put a 7-8 MP sensor in the F50 instead of a
ridiculous 12 MP, and still come out way ahead.
I wonder if we've been reading the same review?I could accept the lower high ISO quality of the F50 IF, and it is an
important IF, the Image Stabilization built into it was worth a hill
of beans. If you believe the comments about the F50's IS system in
the dpreview review, it's near-worthless.
Yes, I did:I wonder if we've been reading the same review?
How do you know it is a good camera? Do you own it? Please post some of your photos to show how great the camera is.Have you resorted to this level punching of below the belt, just to
be able to keep calling the F50fd a bad camera that should be
receiving negative reviews/attention?
I don't work for Fuji, I just noticed the unreasonable bashing of a
good camera by some users here and responded to that. And even if I
did work for Fuji that still wouldn't make any of my points invalid.
You are a messenger that just keeps saying you are right without any evidence to support your claims. Photo evidence from your F50...Why don't you quote my post point for point and tell me point for
point where I am wrong in my argumentation? Ad hominem attacks a.k.a.
shooting the messenger in stead of the message is such an incredibly
sad way of trying to 'win' a discussion.
4NON... we all know that Lars and Simon do not work for Fuji..... They work for AMAZON. Amazon is in the business of selling all brands of cameras. Not just fuji.I personally don't think the 'problem' here is my argumentation
though, but your very narrow mindset of what you are willing to
accept as a good camera. For some reason in your mindset the F30/F31
are positioned as 'ideal compact' where in reality they are far from
it. And if someone else doesn't agree with you on that narrow mindset
and gives logical arguments against it by pointing out the many
improvements of F50 compared to its predesessor, ofcourse that person
just has to be an evil Fuji marketing figure. I assume you also think
DPR's Lars Rehm & Simon Joinson are working for Fuji's marketing
department, because they 'dared' to give the F50 a Highly
Recommended? Or maybe they are just plain wrong, because you are so
right?
Here you go again with the better pictures argument... Please post some photos that you have taken with your F50. We can compare them to pics from the Canon and sony forum. Or even my sony 6mp camera.... which is a better daylight shooter than my f30.Being a good compact camera means more to me than its high-ISO
performance in absolutes. There is a lot more to a camera then
ISO1600. Some people seem to forget that here.
Ofcourse Fuji could - in regard to high ISO - have done better with a
lower pixel sensor. But that they did stick a 12mp sensor in F50
doesn't suddenly turn it into a bad camera. And certainly not if it
usually takes better pictures than its competition.
I wonder if you read the same review? They could not even tell if the IS was on it was so ineffective.I wonder if we've been reading the same review?I could accept the lower high ISO quality of the F50 IF, and it is an
important IF, the Image Stabilization built into it was worth a hill
of beans. If you believe the comments about the F50's IS system in
the dpreview review, it's near-worthless.
In the version I read the reviewer got a lot more usable shots @1/25s
and 1/15s shutterspeed with IS enabled then with IS disabled. Since I
already have quite a stable hand this still sounds like anything but
near-worthless to me.
I rarely pixel peep but wanted to compare high iso, low light shots between three of the four digital cameras I own: my new F20, my Canon SD700 and my Pany FZ18.Actually IMO, canon, sony and panny all do better in daylight
conditions because their IS is more effective. They are easier to
use, better auto shooters for the average joe and have more control
available to the above average shooter.
Ok I think we have a misunderstanding here.Yes, I did:I wonder if we've been reading the same review?
"The CCD-shift's performance is nothing to get excited about. Whether
you use mode 1 or 2 does not make too much difference; in both
settings the effect of the image stabilization is fairly small. In
fact, it was so bad that we repeated our lab tests several times, but
with the same result. While other systems make handheld shots at 2
even 3 shutter speed settings slower than normal perfectly possible,
the IS on the F50fd won't get anywhere near that - although it
slightly increases your chances of getting a usable shot at very slow
shutter speeds."
"If you're shooting at three stops below the recommended minimum
shutter speed at least you have a one in five chance of getting a
completely sharp and an 50% chance of getting an at least acceptable
image. Looks like you'll be needing the high ISO aspect of the 'Dual
IS' after all."
http://www.dpreview.com/reviews/fujifilmf50fd/page7.asp
We agree on this. That's also what I've been stating from the beginningI've never said the F50 is a bad camera. I've said that it is not as
good as it's predecessors in high ISO performance. It could have
been, had Fujifilm not chosen to pump a whopping 12mp into their
sensor.
I don't have a problem with your comments at all Gail.I think your problem with comments like mine is that some of us are
not as enthusiastic about the F50 as you are.
Nope, I actually can't, at least not based on your argumentationSurely you can see how Gail and I could assume you are connected to
fuji.... (although you might just be amazon related haha).
See Non Sequitur above.You have been posting on this forum for 3months. Your entire posting
history are responses in others threads, always in defense or praise
of this F50 camera. We have yet to see one photo posted from your
new and improved camera.
So posting "your own thread" is a prerequisite for not being "suspect" of being a Fuji marketing figure in your book? You've just lost me completely.You have yet to post your own thread, except this one which is a
rehash of a dead thread, and you did it just to keep the issue alive.
See Red Herring: posting arguments distracting from the original subject. You were going to respond to the wrongness of the points in my original post.How do you know it is a good camera? Do you own it? Please postHave you resorted to this level punching of below the belt, just to
be able to keep calling the F50fd a bad camera that should be
receiving negative reviews/attention?
I don't work for Fuji, I just noticed the unreasonable bashing of a
good camera by some users here and responded to that. And even if I
did work for Fuji that still wouldn't make any of my points invalid.
some of your photos to show how great the camera is.
Again a Red Herring (you were going to respond to my first post to show my claims wrong), complete with a non sequitur.You are a messenger that just keeps saying you are right without anyWhy don't you quote my post point for point and tell me point for
point where I am wrong in my argumentation? Ad hominem attacks a.k.a.
shooting the messenger in stead of the message is such an incredibly
sad way of trying to 'win' a discussion.
evidence to support your claims. Photo evidence from your F50...
Oh so your insinuation that I was a Fuji marketing figure, and the following negative comments regarding your own insinuation (deception etc. etc.) were actually meant in a positive way??And why would saying that you work for fuji be an ATTACK? I would
love to have a job with fuji.
Is this a Red Herring again?4NON... we all know that Lars and Simon do not work for Fuji.....I personally don't think the 'problem' here is my argumentation
though, but your very narrow mindset of what you are willing to
accept as a good camera. For some reason in your mindset the F30/F31
are positioned as 'ideal compact' where in reality they are far from
it. And if someone else doesn't agree with you on that narrow mindset
and gives logical arguments against it by pointing out the many
improvements of F50 compared to its predesessor, ofcourse that person
just has to be an evil Fuji marketing figure. I assume you also think
DPR's Lars Rehm & Simon Joinson are working for Fuji's marketing
department, because they 'dared' to give the F50 a Highly
Recommended? Or maybe they are just plain wrong, because you are so
right?
Is this an incinuation that they gave F50 a HR so they would sell more of those?They work for AMAZON. Amazon is in the business of selling all
brands of cameras. Not just fuji.
Oh, we've gone up from bad to average. That's an improvement.I am willing to say the F50 is an average P&S camera from the
evidence I have seen. The F30/31 is not an ideal camera. It just
happened to be able to take photos in low light without flash better
than any other little p&S camera. What does the F50 do better than
any other P&S camera? The answer to that is close to nothing.
Actually IMO, canon, sony and panny all do better in daylight
conditions because their IS is more effective. They are easier to
use, better auto shooters for the average joe and have more control
available to the above average shooter.
What use is comparing photo's that were not taken under the same circumstances? Want usable comparisons? Read the reviews, especially the DPR one.Here you go again with the better pictures argument... Please postBeing a good compact camera means more to me than its high-ISO
performance in absolutes. There is a lot more to a camera then
ISO1600. Some people seem to forget that here.
Ofcourse Fuji could - in regard to high ISO - have done better with a
lower pixel sensor. But that they did stick a 12mp sensor in F50
doesn't suddenly turn it into a bad camera. And certainly not if it
usually takes better pictures than its competition.
some photos that you have taken with your F50. We can compare them
to pics from the Canon and sony forum. Or even my sony 6mp
camera.... which is a better daylight shooter than my f30.
You might want to throw in an English reading comprehension course. You'd probably also want to add 'Comprehension of comparitive charts' while you're at it.I wonder if you read the same review? They could not even tell if
the IS was on it was so ineffective.
From the review
"In fact, it was so bad we repeated our lab tests several times, with
the same results." "IT WAS SO BAD"
You keep talking about how they have improved the camera from the
previous model. The thing everyone wanted them to improve was to
add IS! And the IS they finally add to the F50 was so bad that the
reviewers were not even sure it was on!
What an improvement that seems to have been.
If you'd try to get out of your very 'specific' mindset regarding what a good camera should be and re-read the review(s), plus my first post, plus posts from several others, also in the previous topic, you might start to get it. Possibly...Do I think the F30/31 was a great camera... In low light yes. In
good light it was an OK camera.
Do I think the F50 is a great camera, not on any level. It is just
an OK camera IMHO. So why this camera got a Highly recommend is
still a mystery to me. And why you have been touting it for 3 months
an even greater mystery to a few of us on the forum.
Thanks, I guess.Peace be with 4non. If I have not welcomed you to the forum before
now, Welcome aboard...
I will when I get my F50 in from Hong Kong (Ebay) and find the time.And please start posting some of your
photos. That is the way to put all of us 'know it alls' in our
place. I love great photos no matter what camera they come from.
And I look forward to seeing some amazing shots from the F50.
In fact I dogged the F40 until danny started posting those food shots
that always make me hungry.