R1 manual focus in studio

ply

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I found that MANUAL FOCUS is useless for a studio flash session.

In this case of course, you have to use a MANUAL MODE for fixing a relatively short synchronisation (1/250) time to avoid pilot lights influence (or to freeze a movement) but you can use only LIVE PREVIEW monitoring because a FRAMING MODE is inaccesible. So you get almost black LCD!

For stills although it is possible to fix focus manually in A MODE and then switch to MANUAL MODE (the camera remembers last exposure settings) just before a shot.
 
Ok. I forgot turn on Ext. flash! Now the situation is different.

Remaining in Manual Focus M Mode LCD shows live preview of A Mode exposure: the camera fixes 1/30 sec (but after halfpress of shutter release it's getting always 1/50 - amazing), the aperture is your choice.

That way having for example a typical combination for studio ISO 160, 1/250 and f 8.0 you see on LCD ISO 160, 1/30, f 8.0. It is pretty good enough to preview with pilot lamps. Of course, changing apertures changes the preview. If you get a problem with 1/16 and want to have deep depth of field during focusing, increase ISO for focusing only. It afects preview, too.

Another way is to go to S Mode. It automatically gives bigger aperture and brighter preview.

The lens in the camera stays wide open only when autofocus mechanism works after halfpress of shutter release and it always brightens preview. Then comes back to your aperture setting not waiting for release.

So funny to discover such trics! SLRs are easier!
 
Ok. I forgot turn on Ext. flash! Now the situation is different.

Remaining in Manual Focus M Mode LCD shows live preview of A Mode
exposure: the camera fixes 1/30 sec (but after halfpress of shutter
release it's getting always 1/50 - amazing), the aperture is your
choice.
That way having for example a typical combination for studio ISO
160, 1/250 and f 8.0 you see on LCD ISO 160, 1/30, f 8.0. It is
pretty good enough to preview with pilot lamps. Of course, changing
apertures changes the preview. If you get a problem with 1/16 and
want to have deep depth of field during focusing, increase ISO for
focusing only. It afects preview, too.
Another way is to go to S Mode. It automatically gives bigger
aperture and brighter preview.

The lens in the camera stays wide open only when autofocus
mechanism works after halfpress of shutter release and it always
brightens preview. Then comes back to your aperture setting not
waiting for release.

So funny to discover such trics! SLRs are easier!
 
Ok. I forgot turn on Ext. flash! Now the situation is different.

Remaining in Manual Focus M Mode LCD shows live preview of A Mode
exposure: the camera fixes 1/30 sec (but after halfpress of shutter
release it's getting always 1/50 - amazing), the aperture is your
choice.
I'm not understanding why you are choosing to shoot with flash this way.

First of all, I think the autofocus is so accurate that I wonder why you would choose manual focus? With the Flexible Spot Autofocus, you can focus exactly where you want extremely accurately.

Secondly, Why would you use aperture priority? That chooses the aperature, but lets the camera choose a shutter speed, so the shutter speed is not in your control. Why wouldn't you want to use manual exposure, where you choose both the aperture and shutter speed?

In flash photography, the shutter speed has little effect on exposure, except for controlling ambient light and image ghosts. With long shutter speeds, you can get image ghosts with moving subjects caused by too much ambient light. Sometimes image ghosts are used creatively, but they are usually not wanted.

Flash exposure is primarily controlled by aperture and flash duration. The fash duration is controlled either automatically by the flash sensor, or manually by the power ratio setting.
That way having for example a typical combination for studio ISO
160, 1/250 and f 8.0 you see on LCD ISO 160, 1/30, f 8.0. It is
pretty good enough to preview with pilot lamps. Of course, changing
apertures changes the preview. If you get a problem with 1/16 and
want to have deep depth of field during focusing, increase ISO for
focusing only. It afects preview, too.
Another way is to go to S Mode. It automatically gives bigger
aperture and brighter preview.

The lens in the camera stays wide open only when autofocus
mechanism works after halfpress of shutter release and it always
brightens preview. Then comes back to your aperture setting not
waiting for release.
I'm not sure you fully understand the "bright" LCD display. When you enable flash (either internal or external) or use Framing Mode on the R1, the camera assumes the light is low and provides a brighter LCD display for framing, even with manual exposure. The brightness of the "bright" LCD display does not change with a change in the camera's ISO setting.

Here is the way it works: With flash (or Framing Mode on the R1) enabled, the lens aperture opens fully (even in manual), and the LCD brightness is further brightened (if necessary) by increasing the electronic gain to the LCD (this is essentially auto ISO for the LCD display only). When the shutter button is fully pressed, the camera's actual settings are used for making the exposure.

One thing to remember is that whenever the flash is enabled, the camera automatically defaults to the standard "flash white balance" unless you have chosen to use "manual flash white balance."

There are other uses for the "bright" LCD display. One trick I use on my F828 for time exposures is to enable flash with the hot shoe "on", but without using an external flash. This gives me the "bright" LCD display for use in framing. But, I must remember to disable the flash before the exposure. Otherwise, the camera will always take the exposure using "flash white balance", regardless of the chosen white balance setting.

A related tip for time exposures is how to do a manual white balance in low light. You can often achieve a manual white balance by temporarily raising the ISO speed while fully zooming in on the light that you want to be white. After the manual white balance has been acheived, set the ISO speed back again before taking the exposure.

Lynn
 
Read my post precisely, please.
I did't write I shoot at A Mode. I always use Manual Mode for flash.

The problem is that there is no Framing Preview in Manual Focus (not Manual Mode). Setting 1/250 and f16 makes the LCD almost completely dark, because it shows real light from pilots only. Before realeasing a shutter in M Mode I focus manually in S Mode to see an object on LCD.

You are right about autofocus moving point, and it works super but there are some rare situations the autofocus is useless and manual focus is needed. For example a nice still life with a fish you have to focus on which lays a few inches behind of a fine net.
 
Read my post precisely, please.
I did't write I shoot at A Mode. I always use Manual Mode for flash.
OK, but please re-read your initial statement:
For stills although it is possible to fix focus manually in A MODE and then switch to MANUAL MODE (the camera remembers last exposure settings) just before a shot.
This statement doesn't say you shoot in manual Mode. It says that it is "possible" to do it that way. Your choice of words confused me.

Then, you replied to Yehuda:
Remaining in Manual Focus M Mode LCD shows live preview of A Mode exposure: the camera fixes 1/30 sec (but after halfpress of shutter release it's getting always 1/50 - amazing), the aperture is your choice.
That way having for example a typical combination for studio ISO 160, 1/250 and f 8.0 you see on LCD ISO 160, 1/30, f 8.0. It is pretty good enough to preview with pilot lamps. Of course, changing apertures changes the preview. If you get a problem with 1/16 and want to have deep depth of field during focusing, increase ISO for focusing only. It afects preview, too.
Another way is to go to S Mode. It automatically gives bigger aperture and brighter preview.
The above excerpt never mentions changing to M Mode for shooting.
The problem is that there is no Framing Preview in Manual Focus
(not Manual Mode). Setting 1/250 and f16 makes the LCD almost
completely dark, because it shows real light from pilots only.
Before realeasing a shutter in M Mode I focus manually in S Mode to
see an object on LCD.
I don't own an R1. I own an F828, which doesn't have a Framing Mode. I'm surprised that the R1's Framing Mode doesn't work with manual focus. I can't think of any reason for that. But, the R1 should still have the "bright" LCD display whenever flash is enabled, the same as the F717, F828, and probably many other models.

Since your first statement talked about using manual flash with manual focus, I'm still confused why you would need to use A or S Mode to get the "bright" LCD display. It should already be bright because flash is enabled.
You are right about autofocus moving point, and it works super but
there are some rare situations the autofocus is useless and manual
focus is needed. For example a nice still life with a fish you have
to focus on which lays a few inches behind of a fine net.
I agree that you would need to use manual focus for this situation.

Lynn
 
R1 has two monitoring modes.
The first one: Framing Monitor always keeps LCD as bright as possible.
The second one: Preview Monitor represents exposure settings.

At a flash studio typical exposure is, let's say 1/250, f8.0 what means that Preview Monitor is useless because flash pilots give to small amount of light for this combination of shutter and aperture, right? So, one should work in Framing Monitor mode. But Framing Monitor is not available in Manual Focus mode. That is why I focus manually in A or S Mode at first and then switch to Manual Mode for shooting.

Then I have found in both Manual Mode and External Flash Mode (which must be turned on for triggering studio flash lamps by wire or wireless via hot-shoe) LCD amazingly represents exposure taken from A mode where shutter speed is fixed for external flash 1/30 sec. In case of f 8.0 LCD shows something. In case of f 16 preview is rather poor or useless (it depends of pilots light strength). That is why I increase ISO for focusing (LCD brightens) and for shooting I come back to 160 ISO or better trick: I focus in S Mode, because at f 16, aperture automatically gets as wide open as possible (poor pilots light) and LCD shows perfectly the frame, uff!
 

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