Nikon's Z6 II is a really pleasant camera to use – so pleasant, in fact, that one of our editors took it on a road trip vacation down the west coast to the California redwoods. Check out some coastal scenes in our updated sample gallery here.
Our team at DPReview TV just wrapped up their review of the Olympus E-M10 mark IV. As Chris explains, it's now 'third winter' in Canada, so don't be surprised to see some snow in this sample gallery.
Our team at DPReview TV recently reviewed the new Sigma 35mm F1.4 DG DN. This gallery includes many of their test photos so you can judge image quality for yourself.
Sigma's new 35mm F1.4 DG DN Art lens has an entirely new design built from the ground up for full-frame mirrorless cameras. Available for Sony E-mount and L-mount bodies, we tested it with both the Panasonic Lumix DC-S1R and DC-S5.
You've read the review, now view our massive Sony a1 sample gallery! There you'll find a mix of out-of-camera JPEGs and Raw conversions as well as samples shot on both native and third-party glass.
Earlier this week we published our DReview TV episode on the new Sony FE 14mm F1.8 GM ultra-wide lens. This compact, lightweight prime is optically impressive and a great option for a wide range of photographic uses. Have a look at the episode's samples, including plenty of astrophotography shots.
You've watched the video, now see the stills that Chris and Jordan took while reviewing Fuji's impressive new XF 18mm F1.4 R LM WR lens for X-mount.
We've been shooting with a pre-production copy of Fujifilm's new XF 18mm F1.4 R LM WR lens for a few days, which offers a 27mm full-frame equivalent field of view, and optically, we're impressed.
Tokina's atx-m 33mm F1.4 X is an affordable fast prime for Fujifilm's X-mount cameras that offers autofocus and solid image quality. Check out what it can do and our impressions of its image quality right here.
Tokina's 23mm F1.4 is one of two of the company's new primes available for Fujifilm X-mount shooters. With a 35mm full-frame equivalent focal length, this lens is perfect for casual, candid, and street photography, even in low light.
Canon's latest RF 50mm F1.8 is compact and so affordable that it might seem like a no-brainer for any RF-mount shooter to snag one for themselves. But is it right for you? Take a look at how it performs on a handful of RF bodies in our sample gallery.
With an innovative design and advanced optical makeup, the Canon RF 70-200mm F4L IS USM offers the promise of high image quality in a package not much larger than most standard zooms. So how does it perform? Click through to see our gallery of sample images.
Sony has announced three new high-quality, compact primes for full-frame E-mount, the widest of which - and maybe the most interesting for some E-mount shooters - is the 24mm F2.8 G. Take a look at our samples to see how it performs.
Sony's trio of new 'G'-series prime lenses are aimed at enthusiast photographer that want high quality and good manual control without the bigger size and higher cost of faster-aperture lenses. So how do the new FE 24mm, 40mm and 50mm lenses perform? Check out Chris and Jordan's sample images from their recent video review.
The FE 50mm F2.5 G has the longest reach of the three lenses Sony announced today, yet it maintains the compact size and weight of the other two. This lens may also appeal to owners of Sony's APS-C bodies, with a 75mm equiv. focal length. Check out how it performs in our sample gallery.
Sony's FE 40mm F2.5 G is one of three compact, budget-oriented prime lenses that the company just announced for its full-frame mirrorless E-mount. We've been shooting with one for a few days: click through to check out our initial samples.
With its competitive price-tag and compact form-factor, the Fujifilm GFX 100S brings ultra high-resolution medium format shooting to the enthusiast camera market. With official Raw support now available from Adobe, we've updated our GFX 100S sample gallery with several new images taken on the Washington coast.
The NiSi 15mm F4 Sunstar is an all-manual ultra-wide prime for mirrorless camera systems, and it also happens to be the first lens that NiSi has ever released. We tested it out on the 50MP Sony a1, and we have to say, we're impressed.
Fujfilm's latest APS-C offering, the X-E4, is also the brand's smallest interchangeable X-mount camera to date. Despite its compact dimensions, the X-E4 sports the same outstanding 26MP APS-C sensor with X-Trans color filter array as the flagship X-T4.
The Fujifilm GFX 100S packs an image-stabilized 100MP medium format sensor into a body about the size a typical full-frame camera. It delivers great image quality in a walk around camera, and also includes a new film simulation: Nostalgic neg.
Tamron's 70-300 F4.5-6.3 is among the smallest and lightest full-frame telephoto zooms for Sony mirrorless E-mount. And priced at around $500, this lens provides good sharpness and focal length versatility for the buck. Jump into our sample gallery to see its optical quality yourself.
Designed for portraiture, everyday photography and moderate closeup work, the Canon RF 85mm F2 Macro is among the most versatile of Canon's prime lenses for its full-frame mirrorless system. We've been out and about with it recently to flesh out our previously published sample gallery.
The Nikon Z 24-200mm F4-6.3 is the kind of lens you put on your camera when you want to be prepared for just about anything. Good thing it's also sharp enough for any Nikon Z camera you'd want to mount it to. Check out its performance in our updated sample gallery.
Chris and Jordan just wrapped up their review of the Fujifilm XF 70-300mm F4-5.6. Check out this gallery of images they shot while testing the lens, including samples captured with 1.4x and 2x teleconverters, and judge its image quality for yourself.
Chris and Jordan shot this colorful sample gallery with the Sigma 28-70mm F2.8 DG DN while filming their review of the lens for DPReview TV. Check it out and judge image quality for yourself.
As we put the final wraps on our Nikon Z7 II review, we couldn't help but take it out for some neighborhood photos during some relatively rare Seattle snow – check out how it performs at ISO values high and low in our gallery update.
As we press on with our full review, we've had a chance to shoot more with the Sony a1 and also process some of our Raw images to get an idea of just how much dynamic range it's capable of.
Our intrepid DPRTV team up in Canada has been braving the freezing conditions to bring us a gallery of images from the new Panasonic S 70-300mm F4.5-5.6 Macro OIS. Click through to see how they got on.
Right about the time we got our hands on the new Panasonic S 70-300mm F4.5-5.6 Macro OIS zoom lens, Seattle got hit with a rare winter snow storm that provided a great backdrop for our pre-production sample gallery.
The Fujifilm GF 45-100mm F4 R LM OIS WR is a medium zoom for the GFX system of medium-format digital cameras. It's equivalent focal length of roughly 36-80mm may not be all that familiar these days, but it makes for a nice walk-around lens for landscapes and portraits alike.
We've topped off our Fujifilm X-E4 pre-production sample gallery with a wide variety of additional images showcasing an array of 'Film Simulations,' for your viewing pleasure. Have a look!
Just for fun, we dusted off an old Nikon Micro-Nikkor 55mm F2.8 AI-S lens and slapped it on a Nikon Z7 and Z7 II to see what it's simple optical formula can do on a thoroughly modern full-frame camera.
We've only just gotten our hands on the new Sony Alpha 1, but we've already been taking advantage of some rare sunny Seattle winter days to get out and about with it. From the barnyard (animal eye AF!) to the Puget Sound, here's a first look at what this top-tier camera can do.
Our team at DPReview TV recently published its first impressions review of the new Fujifilm GFX 100S. This sample gallery includes full resolution images they shot while testing the camera.
The Fujifilm GFX 100S packs a megapixel wallop, but it's powerful image stabilizer makes it easy to maximize your resolution even without a tripod and at slower shutter speeds – take a look.
|Shark by PRFoto|
from Vehicles in Urban Environment
|Eat dust 0318 by jetals|
|Bullfight by Jorgen K H Knudsen|
from The “can we travel again soon ?” series - Spain -
|At the Munich Zoo by gordzam|
from Alpacas and Llamas