Camera and Lens Features

We take a closer look at the latest lightweight, compact ultra-wide prime for Micro Four Thirds from Panasonic.

We go hands-on with Sony's new 24-70mm F2.8 GM II to see what new features it includes and how it compares to Sony's original 24-70mm F2.8 GM model.

The OM System 12-40mm F2.8 II Pro and 40-150mm F4 Pro are the latest two lenses from OM Digital Solutions. We take a closer look at both.

In this article we go hands-on with the new Panasonic GH6 to take a closer look at how its designed and some of its exciting new features.

The OM-1 is the first camera launched by OM Digital Solutions after taking ownership of Olympus' camera division. We go hands-on with this intriguing new model to look at it in more detail.

The M11 is the latest in the Leica's series of rangefinder cameras, which date back to the early years of the 20th century. While it may look like Leicas of the past, it offers technology that 20th Century film photographers could never have imagined.

The Nikon Nikkor Z 100-400mm F4.5-5.6 VR S is a premium telezoom lens for Nikon's full-frame Z mount. Designed with wildlife and sports photographers in mind, the 100-400mm offers a versatile zoom range and impressive close focusing capabilities. Click through to learn more.

The Nikon Nikkor Z 24-120mm F4 S is a standard zoom lens for the full-frame mirrorless Z mount. We've been shooting with one for a few days, and in this article we'll be providing an overview of Nikon's latest S-series zoom.

The new Nikon FTZ II offers no additional functionality compared to the original, but if you've got your eye on a Z9, the new version is the one you'll want to grab. Click through to learn more.

We've been shooting with the New Nikon Z 40mm F2 for a few days, and in this article we'll provide a brief overview of its key features and handling, along with some first impressions of image quality.

The Panasonic Lumix S 35mm F1.8 is the fourth in a series of ergonomically-similar full-frame F1.8 primes for L mount. This full-frame prime lens is intended for both photographers and videographers, and we've had our hands on one. Click through for more details.

The Ricoh GR IIIx is so similar to the original GR III that it can be hard to tell them apart. But how much difference does the longer 40mm equivalent lens of the 'X' version make to the shooting experience? Senior Editor Barnaby Britton took the GR IIIx back to the UK recently, for a family reunion. Click through to read more.

OM Digital Solutions – the company that's bought the Olympus imaging division – has just launched the M.Zuiko Digital ED 20mm F1.4 PRO. Click through for a closer look.

The Nikon Z9 offers the kind of features that only a mirrorless camera could provide, yet it's among the most DSLR-like of its peers. In this article, DPReview Reviews Editor Carey Rose explains what this means (and why it's a good thing).

The Nikon Z9 has just been officially unveiled, and there is a lot to unpack in Nikon's first truly 'professional' mirrorless interchangeable camera. Click through this article to get an idea of how we feel about the Z9 so far, and an overview of its key features.

The Sony a7 IV incorporates new features and usability enhancements aplenty. We busted out our most autumal sweater in celebration, and got our hands on Sony's latest ILC. Click through for details of key features and our impressions of handling.

Sigma's 18-50mm F2.8 DC DN is an impressively compact, bright and affordable upgrade over most kit lenses, and users of Sony's APS-C cameras should take note.

The FE 70-200mm F2.8 GM OSS II is Sony's first attempt to update its 'G Master' lineup. The inside has been completely reworked. Follow along as we hit the highlights of this latest high-end telezoom, with a full-on analysis of its optics.

Ricoh's GR IIIx is a pocketable compact camera with an APS-C sensor and image stabilization built-in. Actually, it shares all of that with the older GR III – the 'x' model gets a new, 40mm-equivalent lens. Come along for a tour of this svelte street shooter.

Canon recently paid a visit to the DPReview headquarters and took us out for some sports shooting with pre-production EOS R3's. One of the first things we wanted to know was, can Eye Control AF replace the tried-and-true AF joystick?

The Canon EOS R3 is here! Click through for more information about Canon's new professional mirrorless camera, our thoughts on how it handles, and a breakdown of its major features.

We've just got our hands on the latest compact semi-fast primes from Sigma. Click through for a look at what they offer, how they compare, and where the I-series lineup now stands.

The Fujifilm GFX 50S II and its kit lens, the GF 35-70mm F4.5-5.6 are, respectively, the most affordable medium format digital camera ever released, and the most compact zoom yet for Fujifilm's GF system. Click through to learn more about both.

Canon's RF 14-35mm F4 L IS USM is billed as a more affordable, lightweight alternative to the flagship wide-angle zoom for RF mount, the RF 15-35mm F2.8. Click through this article for a closer look at its features, specifications and handling qualities.

The Sigma 150-600mm F5-6.3 DG DN OS Sport is an all-new, designed-for-mirrorless update to Sigma's 'Contemporary' offering for DSLRs. Our first impressions of its optical quality are positive - click through to learn more about it.

The Sony ZV-E10 combines the ergonomics of the a6100 and the vlogging features of the compact ZV-1 to create a camera designed for making yourself the subject. Find out everything you need to do about the ZV-E10 as we go hands-on.

The Panasonic Leica DG Vario-Summilux 25-50mm F1.7 ASPH is a fast short-tele zoom for Micro Four Thirds. We got hands-on with this video-optimized lens to take a closer look at what it offers.

Nikon's newest Z-mount lens, the NIKKOR Z 28mm F2.8 Special Edition, is a retro-styled and impressively affordable full-frame lens. Take a closer look in our hands-on tour.

The Nikon Z fc is a retro-styled APS-C camera that's packed with dials to encourage a more 'hands-on' shooting experience. Well, we've gotten our hands on a pre-production model – come take a tour of all its design details right here.

The Nikkor Z MC 105mm F2.8 VR S and 50mm F2.8 are the first macro lenses for Nikon's Z-mount. Go hands-on with us to learn more about these versatile lenses.

We take a hands-on look at the new Olympus 8-25mm F4 Pro lens to see what it has to offer. Find out why it will appeal to both photographers and videographers who use the Micro Four Thirds system.

Panasonic's new Lumix S 50mm F1.8 is a compact and lightweight prime, aimed at full-frame L-mount shooters. Priced at $450, join us as we take a closer look at the handling details and construction of this modern-day nifty fifty.

The Panasonic Lumix DC-GH5 II may be an evolutionary upgrade to the Panasonic's Micro Four Thirds line of cameras, but it includes meaningful upgrades that will matter to videographers.

Almost a decade after Sigma inaugurated its 'Global Vision' line of lenses with the original 35mm F1.4 'Art', the company has released an all-new 35mm, built from the ground up for modern mirrorless ILCs. Click through for a closer look.

Sony has announced its latest G-Master lens: the ultra-wide 14mm F1.8 GM. At nearly a third the weight of its nearest peer for the system, it's an incredibly compact and lightweight prime for E-mount shooters. Read on for a closer look at what it offers, including a preliminary look at its optical performance.

Sony's latest FX3 has a lot in common with the a7S III on the inside, but we've got our hands on one to show just how different it is on the outside – take a look.

Canon has announced two new telephoto prime lenses for the RF mount: the RF 400mm F2.8L IS USM and 600mm F4L IS USM. Click through for a closer look at these two new telephoto options for RF.

Fujifilm's latest prime, the XF 18mm F1.4 R LM WR, is a solidly built lens that we've really enjoyed shooting with. It's also a big departure from Fujifilm's previous 18mm F2 prime lens – get a sense of how it handles right here.

The Instax Mini 40 combines ease of use with cool classic styling, resulting in a camera that's both fun to shoot and fun to show off.

The Pentax K-3 III is here, and with almost six years separating it from its immediate predecessor, there are a lot of changes and improvements to Ricoh's new flagship APS-S DSLR. Click through for a closer look.

Sigma's fp L is one of the most compact full-frame cameras on the market, and its new optional electronic viewfinder adds to its versatility. But how does it handle? Find out right here.

Sony recently announced a set of three compact full-frame E-mount prime lenses: the 24mm F2.8G, the 40mm F2.5G, and the 50mm F2.5G. Learn more about them in our detailed hands-on first impressions article.

Billed by Sigma as 'a more compact but still high-performing alternative to the existing 24-70mm F2.8 DG DN | Art' its new 28-70mm F2.8 DG DN is indeed considerably smaller and lighter than it's 'Art' series contemporary. Click through for a closer look at Sigma's newest zoom lens.

The Lumix S 70-300mm F4.5-5.6 Macro OIS is a tele-zoom lens designed for Panasonic's full-frame mirrorless cameras. We've been using one for a few days - click through to learn more.