High Photographic Modernism II
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The Group f.64 championed the notion of "straight photography" - making prints that best expressed the technology of photography without additional artifice taken from painting and drawing. They thought that their techniques were objective, and they rejected the subjective quality of earlier photographic styles. The famous photographers in this group, which included Ansel Adams, Imogen Cunningham, Edward Weston, and others, tended to make images that were sharp, deep-focused, well-exposed, carefully framed, simply composed, and often used difficult and time-consuming darkroom techniques to bring out detail in the image. Being from San Francisco, California, USA, they often had Western US themes, showing a way of life that was being lost, as well as showing a land of inspiration and hope. They also photographed large public-work projects and the plight of workers during the Great Depression. However, images submitted to this challenge need not follow these themes.
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Tuesday, 11th September, 2012 (GMT)
Tuesday, 18th September, 2012 – Monday, 24th September, 2012 (GMT)
Tuesday, 25th September, 2012 – Monday, 1st October, 2012 (GMT)
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Maximum number of entries per user:
Maximum number of entries in challenge:
Crashing waves become a gentle mist brushing against the shore.
|Submitted:||Saturday, 22nd September, 2012 05:20 (GMT)|
|Taken:||Tuesday, 5th June, 2012|
|Focal length:||24 mm|
|Shutter speed:||30 sec|
|Notes:||B+W ten stop neutral density filter utilized to allow for long exposure. This photo was taken while en route to a site to photograph the transit of Venus. I decided to use my transit equipment for a landscape photo. I am pleased with the results.|
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