'No Future in Photojournalism' Interview: Dan Chung
|Dan Chung is an award-winning photojournalist who made his name
shooting for The Guardian newspaper in the UK. In recent years he has
shifted his focus away from still imaging and towards video.
Dan, you made your name as a stills photographer but you’re mainly shooting video now, what changed?
'Photojournalism as a profession has taken a bit of a nosedive in recent years. Although I’ve been fortunate enough to be in continuous employment, I’m not immune to the longer-term trend, which is pretty desperate if you’re talking about make a living. I took a strategic decision to get more into video and it’s been reasonably successful.'
What sort of work are you doing now?
'Initially I was shooting a lot of web video for The Guardian which I still do, but now I’m shooting more and more for TV, news, plus the odd advert here and there. I took the decision to stay basically within documentary and news shooting rather than go off and try and be a Hollywood filmmaker just yet!'
'I don’t really see a future in photojournalism, if I’m completely honest, as a way to earn a living. But also there are a lot of creative opportunities with moving images that you couldn’t possibly dream of doing with stills. I’m surprised though that relatively few other photographers have made that conversion.'
Why do you think that is?
'I divide my time between the UK and China and it seems to me that photojournalists in the UK have been really slow to adopt video whereas China and in fact Asia in general there’s a much higher take-up and the same is true of the US.'
'A lot of it has to do with what editors are asking photographers to do and my impression is that editors are basically asking for video more in the US and Asia than they are in the UK. I’ve been running DSLR video workshops in the UK now for a year and they’re always packed out, so there’s obviously an appetite there, but it’s early days.'
Was moving to video a hard choice for you?
'It wasn’t really a choice at all. The way I look at it is convert or die. It’s a very steep learning curve but once you get into it, it’s like anything - you get into your stride and away you go. I’m constantly amazed by the fact that amateurs seem to do a much better job of adapting to new ways of working than professionals.'
'If you look at Vimeo.com there’s a lot of really good stuff on there, shot by amateurs. A lot of them have come from a stills photography background, and might have never shot a movie before, haven’t been to film school, and don’t know one end of a video camera from the other, but that doesn’t stop them from going out and shooting great-looking videos.'
What does the future hold?
'The arrival of DSLR video has been a great creative revolution and in the long run I think the beneficiaries are actually amateurs. Maybe they don’t know it yet, and maybe not all of them realise the potential of video. Things like Nikon’s Motion Snapshot mode on the V1 and J1 might seem kind of wacky right now, but maybe in a few years time functions like that will be perfectly normal.'
'I’m very upbeat about DSLR video actually, and I think it’s here to stay. The functionality is getting better and better, and it’s giving lots of people an opportunity to start doing some really creative multimedia shooting, mixing stills and video and everything else.'
'We're looking at the tip of the iceberg really. Broadcast professionals have already figured out what to do with this technology and are using it, and are investing in a new generation of more expensive, pro-oriented cameras. For the rest of us, the increase in quality in DSLR video from a new generation of cameras like the Nikon D4 and the Canon EOS 1-DX means is that you don’t need to go out and spend tens of thousands of dollars in order to compete.'
'Increasingly, as an enthusiast or semi-pro videographer, the quality of DSLR video is getting so good that it really doesn’t matter what you shoot on. The technology isn’t the barrier any more, the barrier is imagination.'
About Dan Chung
Award-winning photojournalist and videomaker Dan Chung made his name working as a staff photographer at both The Guardian and Reuters news agency, and has since pioneered the use of DSLRs in filmmaking, particularly in news coverage.
|Iraqi families leave Basra via a bridge manned by British soldiers, in March 2003. This photo earned Dan the Photographer Of The Year Award at The Picture Editor Awards 2004. (Dan Chung, Pool Photo)|
Dan's many accolades include the Picture Editors' Guild Photographer of the Year 2004, the Nikon Press Photographer of the Year awards in 2002 and he also won the Digital film category in the 2011 Press Photographer's Year.
Dan now lives and works in China, but travels the world on assignment. He also runs the industry blog www.dslrnewsshooter.com
Jan 26, 2015
Jan 22, 2015
Feb 6, 2015
Jan 13, 2015
|Rocks at Dawn by phucthang|
from The Rock
|Sarlat, France by poppyjk|
from Your City - Dinertime!
|Double Eagle by herbymel|
|Great White Egret vs Lizard by jose garcia|
from Strong - Weak
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.
CopyTrack's study also found that the second most-stolen image is a woman wearing painted jeans. That's apparently a thing.
Forget expensive lenses with fancy coatings and special lens elements – photographer Robin de Puy took these portraits using just a water drop for a lens.
Adobe reports a record quarterly revenue of $1.77 billion for the second quarter fiscal year 2017 ended June 2, 2017.
Zeiss says its new lens is particularly suited for portrait photography but also a good all-rounder and can be used in video applications.
We present to you the top photos from the Kennel Club's 2017 Dog Photographer of the Year photo contest – take a look at 10 of the award-winning puppers.
In case you were looking for any more inspiration to go fly one.
Following a couple of successful Kickstarter campaigns, Videre 35mm's creator has re-tooled the camera with sturdier components and a simpler user assembly process.
The two hour long video covers everything an aspiring drone pilot needs to know.
This is what happens when a Canon 17-85mm F4-5.6 lens meets 60,000 PSI of water pressure. Spoiler Alert: the water jet always wins.
Andrew Harnik discusses the challenges – and rewarding moments – of a career making images for the Associated Press in his native DC.
The VMic Pro, VMic Recorder and VMic microphones are targeted at DSLR users who want to record high-quality audio.
While our full OnePlus 5 review is underway, we've put together a sample gallery with images that were taken with both the wide-angle and tele lens in a variety of lighting situations.
The OnePlus 5 main camera comes with a 1/2.8" 16MP Sony IMX 398 sensor and a fast F1.7 aperture. It is supported by a 2x tele-module featuring a 20MP 1/2.8" Sony IMX 350 sensor and F2.6 aperture.
In this video, Vincent Laforet explains why the RED 8K Weapon camera has mostly replaced his still cameras, and it's not all about resolution.
Dupe, Dupe Negative is not a pop song, and Newton's Rings are not NASA's next destination. If you've ever wondered what all that film terminology means, Kodak has you covered.
Fujifilm's X-A3 is the company's only offering to use a new 24MP sensor without their trademark X-Trans color filter array. We've had it out and about with a variety of lenses to see how it compares.
If you thought Nikon had the market cornered on expensive commemorative products, we've got news for you.
The simple drag-and-drop web app reveals the Lightroom edits applied to any JPEG, along with its associated EXIF data, provided that metadata is intact.
Danish photographers Ulrik Hasemann and Mathias Svold spent time documenting the 75,000 refugees currently in Serbia's capitol city. Most are young men from conflict zones in Pakistan and Afghanistan.
It takes a highly-skilled drone operator to execute a video like this in one take.
According to a report by Nikkei Ricoh is facing its biggest crisis ever and will have to cut costs in order to survive.
Air Koryo started flying in 1952, and much of its current fleet still dates from the 1960s. Danish commercial photographer Arthur Mebius has taken 24 flights on some of its oldest airplanes, so you don't have to.