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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The warm colors of a sunrise or sunset in a wide open landscape, the foreground gently touched by the orange hues, and the sun throwing a nice aperture star—that is what the romanticizing cliché of landscape photography looks like in the heads of many people these days I reckon. Rightfully so, since it is one of the most atmospheric times of day to shoot: the light is soft, and partial illumination of the foreground is desirable for tonal separation and visual flow.
Almost every landscape photographer has at some point of his or her creative journey chased the intensity that comes with the golden hour. Still, even after all these years of shooting mainly landscapes, going after the elusive sunset and sunrise light is one of my favorite things to do while out in the field. One of the reasons is simply because depending on where you live it can be a rare sight—it is not an everyday sight for most of us.
Whenever I am out on a road trip or hiking trip I keep a constant eye on the satellite data—if I have cell reception—to check the cloud coverage in order to find spots right at the edge of a field of clouds to get good conditions for a sunrise or sunset shot. To take this shot, I took a look at the radar over the western parts of Ireland—over the Burren National Park to be exact—and monitored the satellite forecast before I was catching some shuteye.
The predictions for the following morning showed the clouds would most likely pass in the next couple of hours, being carried further north, leaving only a field of scattered patches behind. Furthermore, there would be no clouds at the eastern horizon blocking the sunlight. It is not hard to do these sorts of things if you know the sources for reliable weather data in the area you’re in, but it can be the difference between getting a good shot or none at all. So, for all who don’t do this already I would highly recommend using satellite and radar data to scout your location ahead of time.
When I woke up next morning it was still dark as I made my way out to the karst landscape of the national park grounds which are dominated by limestone ground speckled with shrubs and grass. I had scouted the lake before while I was preparing for my trip by looking at hiking maps of the area, and knew the sun was at the right angle to rise next to one of the limestone hills I had hiked to a day before. With this in mind, I was spending much of the blue hour finding different foreground compositions for the moment the clouds would light up and sun would make its way past the horizon line.
Originally, I intended to include a bigger patch of the lake in my image, but ultimately scrapped the idea for the shrubs and stones for three reasons: A) because the unique feature of the landscape is not the lake but rather the limestone, B) because the clouds were almost entirely gone by the time the sun rose and only covered a narrow strip of the sky, logically much of the reflection would have been just empty sky, and C) the morning light on the shrubs made for a warm and cold color palette with the rocks still in the shade.
I tried to balance out the double sun star in the upper right corner by placing some of the little bushes near the lower left corner of the frame. Due to the perspective, the gaps in between the shrubs appear to becoming shorter the further away they are from the camera, creating a visual flow and implicitly drawing the viewer into the image towards the sun, much like the curvature of the shoreline and the slim layer of mist above the lake. To me the leading lines were appealing in their subtlety, not being too obvious, yet present.
After I walked back to my sleeping bag I was very content, feeling like I did the landscape and the sunrise justice. This was also one of the last shots I took on my two week road trip through Ireland and it seemed like the country had saved the best light for last.
Now I have another cheesy sunset in my portfolio. And sure, for some it may be nothing more than a cliché, but for me it represents a morning alone in Burren National Park, one of the most beautiful areas of Ireland, sitting in the warm morning light and enjoying these sights and taking a couple of shots while eating breakfast—pure bliss for a landscape photographer.
EXIF: Nikon D800 - Nikkor AF-S 20 mm 1:1,8 G ED | FLM CB-48FTR & CP30-M4S | 20mm | 4 Exposures for DRI | f/13 | ISO 100
Nicolas Alexander Otto is a semi-professional landscape photographer based out of North-Rhine Westphalia, Germany. He writes for different online and print media, teaches workshops for several agencies, sells prints and calendars and offers post processing sessions. You can find more of his work on his website, Facebook and Instagram.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|_ERN9064 by ernesto juarez|
from Shoot yourself ! (with your camera)
|walkersons fields by George Veltchev|
from -Waiting for Autumn- (in Full Colours Only)
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.
The devices' camera specs look pretty much identical to last year's iPhone X but under the hood a number of important improvements have been made.
Blackmagic Design has announced the public beta of its new Blackmagic RAW video codec. The company says the new format combines the benefits of shooting Raw video with the ease of use and smaller file sizes usually associated with non-Raw video files.
Serif, the company behind the Affinity suite, has announced the latest update for its mobile Photoshop competitor Affinity Photo for iPad.
The Atomos Ninja V external video recorder and monitor will be ready to ship at the end of this month. The 5.2in Ninja V is designed to provide a smaller option, while still offering many of the features of the larger 7-inch models.