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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
The enormous growth in popularity of smartphones in the past three years has had many consequences, some of which were in retrospect easy to predict, and some of which are not yet fully understood. This is true especially in the field of digital photography. Smartphone users, it appears, take a lot of photographs. The Apple iPhone 4 is currently the most popular 'camera' on Flickr.com, and millions of dollars are being made by mobile developers who can't create photo apps quickly enough to satisfy the demands of a new breed - 'serious' cameraphone photographers.
It would be a hard-hearted soul indeed who would argue that more people taking more pictures is a 'bad' thing, but not everyone is excited about the potential of mobile photography. Just ask Cisco. Just two years ago, Cisco acquired Pure Digital Technologies, manufacturer of the then-popular Flip pocket camcorder for a hefty $590 million. Cisco was convinced that it was onto a winner. But then the Flip flopped.
|The Flip pocket camcorder went through several iterations and was - for a while - a hugely sucessful device. However, the growth in popularity of video-enabled smartphones made the USB-reliant flip look out of date, and Cisco 'retired' the line in April this year.|
There are many possible explanations for Ciso's failure to make good on its investment, but there's no denying that once HD video recording became standard on smartphones in 2009-10, the smartphone-sized Flip lost its unique selling-point. Why take two devices out with you when you can just take one?
This article isn't about camcorders, pocket or otherwise, but the rapid demise of the Flip is worth mentioning since it might have worrying consequences for the mainstream digital camera industry. According to Nigel McNaught, Director of the Photo Marketing Association, quoted recently in Amateur Photographer magazine in the UK: 'It’s realistic to assume some of the loss in compact camera unit sales is down to smartphones'. His explanation is simple: 'Smartphones are getting better’. Whatever the reason, compact camera sales have plummeted and in July 2011 plunged 13%, compared to only the month before. In the UK, figures from the PMA show that the revenue generated from compact camera sales fell by £46m for the year to June 2011. Sales of compact cameras dropped 5% in this period, but DSLR sales rose by 9% and mirrorless interchangeable lens camera sales rose by an astonishing 166%.
It will take time before cameraphones are good enough to seriously challenge enthusiast compact cameras in terms of baseline functionality, but more and more, images from smartphones are appearing in online publications and even the occasional newspaper story, that would traditionally have been the preserve of professionals carrying 'serious' cameras. It's not just the spontaneity of cameraphones or their increasingly impressive image quality that makes them appealing to photographers. There are a huge range of photo-related apps available that can enhance the picture-taking process.
|Every smartphone operating system supports 'apps' - dedicated applications which can be downloaded and installed to your phone. Apps are available to do anything from helping you find a local restaurant to checking your bank balance. To the left is Apple's App Store for iOS, which contains a huge number of apps designed to cater to the needs and desires of photographers.|
|The Android App store pictured on the left contains over 250,000 apps, compared to roughly 425,000 in Apple's App Store. While some of the most popular photography apps are offered in both platforms, several of the most popular either began life on or remain exclusive to Apple's iOS platform.|
One of the areas in which cameraphones beat traditional cameras hands-down, at least for now, is connectivity. The vast majority of cameras are 'dumb' devices in the sense that they cannot send and receive data wirelessly. If you want to manipulate, resize and share photographs taken with a traditional digital camera, you're going to need a computer with an Internet connection. With a smartphone, however, you can take, manipulate and disseminate your shots in no time at all, on the same platform.
For evidence of the appeal of this way of working, you need look no further than Instagram. Only eight months old, Instagram currently has over 5 million users and hosts 100 million images, all uploaded from iPhones.
Instagram is incredibly popular but of course it isn't alone. Images are an integral part of social networking sites like Facebook, Flickr, Google+, Photobucket and Tumblr. There are also websites dedicated to mobile photography, including EYE’EM and MobiTog. P1XELS is another excellent site dedicted to 'iPhoneography' as an art form. Set up by new media artist Knox Bronson in December 2009, it has a huge following.
One of the apps most strongly associated with 'iPhoneography' is Hipstamatic. Hipstamatic and its various competitors have been embraced not only by the consumer market but also by professional photojournalists. Damon Winter, Staff Photographer from The New York Times garnered some unwarranted notoriety after winning third place for a feature submitted to the Pictures of the Year International 2011 competition. The pictures were made with an iPhone using Hipstamatic - an app not known for its subtle manipulation. The pictures had previously appeared in print in the New York edition of the NYT along with a version on the newspaper's site.
|Photographer Damon Winter took third prize in the Pictures of the Year International 2011 photo competition with a portfolio of images taken using Hipstamatic on his iPhone. Winter said he couldn't have taken those particular pictures using his SLR, claiming that using the larger equipment have made his subjects uncomfortable. |
He likened the informal and discrete picture-taking with a camera-phone to that of those taken by the soldiers themselves, letting him in only capturing the snap-shots with a professional photographer's eye.
|Barbara Davison won the same competition with a more traditional portfolio of images shot with a dedicted stills camera. |
Her monochrome studies are heavily vignetted and are shot with a very shallow depth of field. Hardly a strictly 'naturalistic' view of the world but one that we're more used to seeing from conventional photojournalism.
The controversy surrounding Winter's entry was not so much the choice of camera, but more the Hipstamatic app's manipulation of the scene compared to a 'straight' shot. Winter asserted no content was altered or obscured and that the choice of Hipstamatic to give a certain 'look' was analogous to choosing a particular type of camera (he mentioned a Holga, specifically), film stock, or film processing method.
We're not all professional photojournalists working in warzones of course, but wherever you are, you might sympathise with Winter's argument that sometimes snapping pictures with a smartphone is much more practical than it would be with a DSLR. A common complaint amongst photographers all over the world, peaceful and war-torn alike is that police and security officials, as well as ordinary people regard them and their equipment at best with suspicion, and sometimes with open aggression. In this environment, the cameraphone comes into its own. Small, discrete and connected, it can send photos and video around the world in seconds, from places where pulling out a DSLR or compact camera might just create unwarranted attention.
The increase in popularity and variety of mobile photography apps isn't a huge surprise given the explosion in smartphones, but few people foresaw the emergence of third-party hardware accessories for for cellphone photographers. Amongst those manufacturers jumping on the bandwagon is Schneider Optics, which recently announced an iPro Lens System for the iPhone 4.
|Schneider Optics' iPro Lens System for the Apple iPhone 4 is designed to turn the phone's fixed camera lens into a telephoto or fisheye via included converter lenses. Schneider is not alone - several other manufacturers are exploring the potential of hardware 'add-ons' to expand the photographic abilities of today's smartphones.|
The iPro Lens System consists of wide angle and fisheye lenses that attach onto a dedicated iPhone case via a bayonet mount. At $199 it’s not cheap, but Schneider clearly believes that it will sell enough of the kits to make development worthwhile. Rollei has thrown its hat into the ring as well, and has created a telephoto lens specifically designed for the iPhone 4. Where will it end?
Who knows. As this article was being prepared for publication Apple announced the long-anticipated iPhone 4S, which, even if it wasn't the apocryphal iPhone 5 that a lot of people had hoped for, offers significant improvements to the iPhone 4 in terms of its photographic specification. Leading up to the launch, mobile advertising company InMobi commissioned a report which discovered that 41% of smartphone users in the US were planning to buy the rumored iPhone 5, 50% of whom intended to make that purchase within 6 months of its launch.
Asked whether they would be interested in a hypothetical upgrade model to the 4, only 15% suggested that they might buy a new handset. Whether or not you regard the iPhone 4S as a 'warmed over' iPhone 4 depends of course on your priorities as a smartphone user. If those consumers who said they would buy an iPhone 5 decide to invest in the new iPhone 4S, Apple’s current share of the US smartphone market will be propelled from 27% to an estimated 41%.
Whichever smartphone you choose (and even if you don't), experts are predicting that in the coming years, desktop computers are in danger of being made obsolete by smartphones and tablet computers. Will traditional digital cameras find themselves in the same position? No-one knows exactly what the future of photography will look like but one thing is for sure - things are about to get interesting...
Joanne Carter is the founder and editorial director of TheAppWhisperer.com, a professional photographer and Associate of the British Industry of Professional Photographers, BIPP, as well as a professional journalist, specializing in technology.
The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
Micro Four Thirds users will soon get a super fast, constant aperture wide angle zoom.
Panasonic has announced it is developing two full frame mirrorless cameras: the 47MP S1R and the 24MP S1. We've been shown fairly advanced-looking but non-functional prototype cameras, and have been able to squeeze a few details from Panasonic.
Panasonic is developing a pair of full-frame mirrorless cameras that use Leica's L-mount. The S1R will feature a 47MP sensor, while the S1 will be 24MP. Both cameras will support Dual IS shake reduction 4K/60p video capture and will have XQD and SD card slots.
Leica, Panasonic and Sigma are teaming up. Expect L-mount cameras from Panasonic as well as L-mount glass from Sigma.
Ricoh has announced the development of the GR III enthusiast compact, due to ship in early 2019. The camera gains sensor-shift image stabilization and an updated 24MP sensor with phase-detection. The 28mm equivalent F2.8 lens has also been redesigned and a touchscreen added.
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.