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Topaz Labs' flagship app uses AI algorithms to make some complex image corrections really, really easy. But is there enough here to justify its rather steep price?
Just Posted: Our preview of the Fujifilm X-Pro1 and Fujifilm's X system lenses. The X-Pro1 is, in many respects, the camera that many people hoped the X100 was foreshadowing: interchangeable lenses and a cutting-edge sensor combined in a classically-styled body and retaining the excellent hybrid optical/electronic viewfinder. We've had a chance to get our hands on the X-Pro 1 and the 18mm F2, 35mm F1.4 and 60mm F2.4 primes that are being launched alongside it, to get to really make sense of the camera, its capabilities and that unusual color-filter array.
Update from Fujifilm press conference at CES 2012 [9/1/2012]: The X-Pro1's price will be around $1700, with lenses in the $650 region. The company says it will release 9 lenses for the X-mount over the next three years, including zooms, as well as prime lenses. The widest currently planned lens is a 14mm (21mm equivalent), and there will be mount adapters, with the Leica M-mount being the first to become available.
|A slide from the launch presentation at CES 2012|
FUJIFILM X-Pro1- featuring the new X-Trans CMOS sensorTM and an FUJIFILM original X-Mount and Hybrid Multi Viewfinder
FUJIFILM Corporation (President and CEO: Shigetaka Komori) are proud to announce the FUJIFILM X-Pro1, an all-new interchangeable lens camera system. The X-Pro1 features a 16 megapixel APS-C X-Trans CMOS sensorTM, a brand new X lens mount, Hybrid Multi Viewfinder and three prime lenses.
FUJIFILM have developed a new CMOS sensor called the X-Trans CMOSTM. The X-Trans CMOSTM sensor is capable of delivering resolution that is parallel, if not superior, to a full frame sensor.
The new colour filter array paves the way for an ideal sensor that does not need an optical low-pass filter. While the optical low-pass filter is indispensable for the reduction of moiré and false colour generated by conventional sensors, it also degrades resolution. FUJIFILM has developed a new colour filter array that is inspired by the random arrangement of fine film grain, removing the need for an optical low-pass filter to solve moiré and false colour issues. In the array, RGB pixels are arranged in 6x6 pixel sets with high aperiodicity. Increasing the degree of randomness eliminates the fundamental cause of moiré and false colours – a problem that occurs in conventional arrays when shooting stripes and other repeating patterns. The presence of an R, G and B pixel in every vertical and horizontal pixel series minimizes the generation of false colours and delivers higher colour reproduction.
EXR Processor Pro – As a result of using a film-inspired array, a more powerful processor is required to process the image signal data. So FUJIFILM have created the EXR Processor Pro. This development will maximise the full potential of the X-Trans CMOSTM sensor and deliver high speed and high precision image processing.
Fujinon lenses have long been associated with delivering high quality images, with optics used for both broadcast TV and medium format cameras. Now the expertise borne out of this enviable optical heritage has been put into lenses for the FUJIFILM X-Pro1
Three compact XF Fujinon fast aperture prime lenses will be available at launch. The “XF18mmF2 R”, “XF 35mmF1.4 R” and “XF60mmF2.4 R Macro” all offer precise control over depth-of-field and deliver excellent out-of-focus bokeh thanks to the design of the moulded aperture diaphragm blades. The blades are curved to create a circular image at all aperture settings, while the very edges of each blade are meticulously rounded off rather than simply cut off, which delivers a sharper image. In addition, the solid feel of the high-quality metal barrel and detailed exposure setting in 1/3 step increments using the aperture ring fuel your desire to capture more photos with every shot.
Specifically designed to maximise the mirror less design of the body the X-Mount has a short flange back distance of just 17.7mm. This means the rear lens elements are as close as possible to the sensor. The wide opening allows the lens to be mounted deeper within the body – up to 7.5mm (approx) from the mount surface – reducing the back focus distance of each lens to the minimum possible, thus achieving high resolution all the way to the edge of the image
FUJIFILM’s revolutionary Hybrid Viewfinder first appeared in the X100. With its ability to instantly switch between an Optical Viewfinder and Electronic Viewfinder the Hybrid Viewfinder has added a new dimension to the pleasure of composing photographs. For the brightest viewing image, and to keep shutter lag to a minimum, users should choose the Optical Viewfinder. Those wanting focus confirmation, exposure information, white balance information and depth of field indicators should switch to Electronic Viewfinder.
The Electronic Viewfinder provides an excellent “Live View” of your composition. This fusion of technologies allows users to enjoy composing their images through a bright viewfinder, but has the option to overlay vital picture taking information should this be required.
Changing between the two viewfinders is simple, thanks to the switch on the front of the X-Pro1 body. When attaching a FUJINON XF-series lens on X-Pro1, both the viewfinder magnification and bright frame size automatically switch to support the lens focal length. Viewfinder magnification switches to 0.37x for the 18mm lens, and to 0.60x when the 35mm or 60mm lens is mounted, letting you compose your shot with the bright, crystal clarity of an optical image. The X-Pro1 also gives you the freedom to manually set a focal distance and switch between viewfinder magnifications.
The top and base are made from die-cast aluminium alloy which, combined with high quality touches like precise engraving on the top-plate and hand-enamelled lettering on the lenses, underlines the fact that the entire X-Pro1 system is built without compromise.
This eye for detail extends to the shutter speed dial and exposure compensation control that is precision milled from solid metal. Details like the shutter speed dial lock mechanism and the recessed exposure compensation dial are designed to prevent accidental movement of settings. The knurled finish on the sides of the dials feature rows of minutely milled squared pyramids for superb grip and confidence.
“Made in Japan” confirms that every part of the construction has had to meet FUJIFILM’s highest standards. The lightweight, precision-milled lens hood (included with the lens) has been exclusively designed and machined from aluminium for the FUJINON XF lens. Its compact size delivers superb light shading performance in a design that perfectly matches X-Pro1 styling.
Diameters of the aperture ring and focus ring of the 3 Fujinon XF-series interchangeable lenses are only slightly larger than the barrel for sleek uniformity of design. Precision machined from metal, the reassuring click of the aperture ring at each setting and the comfortable torque resistance when operating the focus ring enhances the shooting experience.
The X-Pro1’s leather-like finish designed for a quality look and durability. The synthetic leather offers resistance to the elements and high durability, while an original manufacturing process produces a texture with the look and feel of authentic leather.
The X-Pro1 has been designed with the photographer’s comfort in mind. The natural fit of the eyepiece provides excellent shielding from light leakage. A dioptric adjustment lens can also be attached.
In film cameras, multiple exposures is the unique photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing the X-Pro1 can simulate this technique - just select Multiple Exposure mode and take your first shot. By viewing it in the Hybrid Multi Viewfinder or on the LCD screen, you can see how the finished multiple exposure will look and precisely frame the second shot.
Further enhancements have been made to the Film Simulation modes with the new Professional Colour Negative Film Modes (Pro Neg. Std and Pro Neg. Hi) designed for X-Pro1 users working in the studio. If you’d like to shoot the same scene in a variety of Film Simulation modes, the X-Pro1 offers Film Simulation bracketing, along with AE, Dynamic and ISO bracketing.
FUJIFILM has also included Film Simulation modes, where the X-Pro1 simulates the colours and tonal qualities of popular FUJIFILM emulsions. These include the vibrant colours of Velvia, the softer skin tones of ASTIA and the natural look of PROVIA.
Enhance Monochrome Expression with Colour Filters - Replicating the effects of monochrome film photography the X-Pro1 lets you use colour filters to expand your photographic interpretation. Heighten contrast with the yellow filter and red filter or brighten greens and deepen reds with the green filter. Just as professional film photographers once selected a filter and printing paper to complement their creative vision, you can easily fine tune image quality with these filters. For those after a more nostalgic theme there’s a sepia filter too.
Hand Grip, HG-XPro1 (sold separately) - Giving you more secure and balanced handling of the camera, the X-Pro1 accessory grip smoothly moulds to the lines of the camera body for a uniform look. The grip helps balance the weight of the camera body, allowing for a more comfortable hold.
Shoe Mount Flash EF-X20 (sold separately) - Being designed to match X-Pro1’s distinctive styling. One dial lets you choose between two modes: AUTO - automatically optimizes flash for both outdoor daylight and dark indoor shots; MANUAL - for hands-on control. In addition, the built-in flash diffuser has an easy one-touch operation to soften harsh flash effects.
Leather Case LC-XPro1 (sold separately)* - Beautifully moulded to protect the X-Pro1, leather case is designed to allow fast access for easy shooting. Attention has been given to every detail, from the colour and spacing of the stitches to the adoption of a hidden magnet rather than a snap for closing the case. The premium case is completed by the inclusion of the authentic leather neck-strap and hood case.
Protector Filterφ39mm and Protector Filterφ52mm - This is a protection filter with high transmissivity without affecting the visible light. The Super EBC (Electron Beam Coating) of these would control harmful borrowed light effectively. The frame of filter given the semi-gloss black coating fits a high sense design. Or the inner side of filter given the matt black coating restrains a reflection effect and does design well.
*Case not suitable for FUJINON XF60mm lens
|Body type||Rangefinder-style mirrorless|
|Max resolution||4896 x 3264|
|Other resolutions||4896ｘ2760,264 × 3264, 3456ｘ2304, 3456ｘ1944, 2304 × 230, 2496ｘ1664, 2496ｘ1408 , 1664 × 1664|
|Image ratio w:h||1:1, 3:2, 16:9|
|Effective pixels||16 megapixels|
|Sensor size||APS-C (23.6 x 15.6 mm)|
|Color filter array||Primary colour filter|
|ISO||Auto (400), Auto (800), Auto (1600), Auto (3200), 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400 (100, 12800, 25600 with boost)|
|Boosted ISO (minimum)||100|
|Boosted ISO (maximum)||25600|
|White balance presets||7|
|Custom white balance||Yes (1)|
|JPEG quality levels||Fine, Normal|
|Optics & Focus|
|Autofocus assist lamp||Yes|
|Lens mount||Fujifilm X|
|Focal length multiplier||1.5×|
|Screen / viewfinder|
|Screen type||TFT color LCD monitor|
|Viewfinder type||Electronic and Optical (tunnel)|
|Viewfinder magnification||0.37× (0.25× 35mm equiv.)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/4000 sec|
|External flash||Yes (via hot-shoe with EF-20, EF-42, EF-X20)|
|Flash modes||Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain|
|Flash X sync speed||1/180 sec|
|Continuous drive||6.0 fps|
|Self-timer||Yes (2 or 10 sec)|
|Exposure compensation||±2 (at 1/3 EV steps)|
|AE Bracketing||(at 1/3 EV, 2/3 EV, 1 EV steps)|
|Resolutions||1920 x 1080 (24 fps), 1280 x 720 (24 fps)|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (Mini connector)|
|Battery description||Lithium-Ion NP-W126 rechargeable battery & charger|
|Battery Life (CIPA)||300|
|Weight (inc. batteries)||450 g (0.99 lb / 15.87 oz)|
|Dimensions||140 x 82 x 43 mm (5.51 x 3.23 x 1.69″)|
|The X-Pro1's new Quick Menu||Optional EP-X20 flash unit|
|X1-Pro with XF 60mm F2.4 R Macro and hood||Optional handgrip|
Dec 18, 2014
Jun 27, 2014
Mar 6, 2014
Jan 14, 2014
To celebrate the 10th anniversary of Fujifilm's X-mount, Chris and Joran from DPReview TV took to the streets with the original X-mount camera: the X-Pro1. Check out their sample gallery to see how its image quality stacks up ten years later.
This month marks the 10th anniversary of Fujifilm's X-mount camera system. To celebrate, Chris takes a new look at the system's first camera, the Fujifilm X-Pro1, and discovers that it holds up quite well a decade later.
The guys at DPReview TV always go above and beyond to produce their videos. This video comparison of Fujifilm's F1.4 and F2 primes show just how dedicated they are, with Chris powering through the pain after suffering a nasty injury.
It's been eight years since Fujifilm released its XF 35mm F1.4 R lens, but that's not stopping the company from releasing a new promotional video for the popular prime.
Topaz Labs' flagship app uses AI algorithms to make some complex image corrections really, really easy. But is there enough here to justify its rather steep price?
Above $2500 cameras tend to become increasingly specialized, making it difficult to select a 'best' option. We case our eye over the options costing more than $2500 but less than $4000, to find the best all-rounder.
There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. We've combed through the options and selected our two favorite cameras in this class.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both the speed and focus to capture fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Family moments are precious and sometimes you want to capture that time spent with loved ones or friends in better quality than your phone can manage. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
|Wild American Flamingos by Fotorequest|
from Flamingos Unlimited
|No Space Race Here by Nilesh Trivedi|
from Empty spaces in the city
|Two Surfers by JeffryZ|
from Reflections on the Shore
|_MG_5014 by tim and jan|
from Cruise Liners
We've gone hands-on with Nikon's new 17-28mm F2.8 lens for its line of Z-mount cameras. Check out the sample gallery to see what kind of image quality it has to offer on a Nikon Z7 II.
The winning and finalist images from the annual Travel Photographer of the Year awards have been announced, showcasing incredible scenes from around the world. Check out the gallery to see which photographs took the top spots.
The rumor mill suggests the announcement will be a 50mm F1.4 DG DN lens for full-frame mirrorless camera systems.
The a7R V is the fifth iteration of Sony's high-end, high-res full-frame mirrorless camera. The new 60MP Mark IV, gains advanced AF, focus stacking and a new rear screen arrangement. We think it excels at stills.
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According to Japanese financial publication Nikkei, Sony has moved nearly all of its camera production out of China and into Thailand, citing geopolitical tensions and supply chain diversification.
Got a new camera? Get started with your Canon EOS R7 by changing these critical settings.
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AI is here to stay, so we must prepare ourselves for its many consequences. We can use AI to make our lives easier, but it's also possible to use AI technology for more nefarious purposes, such as making stealing photos a simple one-click endeavor.
This DIY project uses an Adafruit board and $40 worth of other components to create a light meter and metadata capture device for any film photography camera.
Scientists at the Green Bank Observatory in West Virginia have used a transmitter with 'less power than a microwave' to produce the highest resolution images of the moon ever captured from Earth.
The tiny cameras, which weigh just 1.4g, fit inside the padding of a driver's helmet, offering viewers at home an eye-level perspective as F1 cars race through the corners of the world's most exciting race tracks. In 2023, all drivers will be required to wear the cameras.
The announcement is believed to be the M.Zuiko Digital ED 90mm F3.5 Macro IS Pro lens, which was confirmed on the OM System roadmap last year.
The new ultrafast prime for Nikon Z-mount cameras is a re-worked version of Cosina's existing Voigtländer 50mm F1 Aspherical lens for Leica M-mount cameras.
There are plenty of hybrid cameras on the market, but often a user needs to choose between photo- or video-centric models in terms of features. Jason Hendardy explains why he would want to see shutter angle and 32-bit float audio as added features in cameras that highlight both photo and video functionalities.
SkyFi's new Earth Observation service is now fully operational, allowing users to order custom high-resolution satellite imagery of any location on Earth using a network of more than 80 satellites.
The firmware update adds eye-detection AF to video capture and improves autofocus performance in other modes.
In some parts of the world, winter brings picturesque icy and snowy scenes. However, your drone's performance will be compromised in cold weather. Here are some tips for performing safe flights during the chilliest time of the year.
The winners of the Ocean Art Photo Competition 2022 have been announced, showcasing incredible sea-neries (see what we did there?) from around the globe.
Venus Optics has announced a quartet of new anamorphic cine lenses for Super35 cameras, the Proteus 2x series. The 2x anamorphic lenses promise ease of use, accessibility and high-end performance for enthusiast and professional video applications.
We've shot the new Fujinon XF 56mm F1.2R WR lens against the original 56mm F1.2R, to check whether we should switch the lens we use for our studio test scene or maintain consistency.
Nature photographer Erez Marom continues his series about landscape composition by discussing the multifaceted role played by the sky in a landscape image.
Check out some of our full resolution Canon EOS R6 Mark II photos, captured over the holidays and in the mountains.
After weeks with a production Canon EOS R6 Mark II, Chris and Jordan get into more detail than they could in their initial review.
The NONS SL660 is an Instax Square instant camera with an interchangeable lens design. It's made of CNC-milled aluminum alloy, has an SLR-style viewfinder, and retails for a $600. We've gone hands-on to see what it's like to shoot with.
Recently, DJI made Waypoints available for their Mavic 3 series of drones, bringing a formerly high-end feature to the masses. We'll look at what this flight mode is and why you should use it.
Astrophotographer Bray Falls was asked to help verify the discovery of the Andromeda Oxygen arc. He describes his process for verification, the equipment he used and where astronomers should point their telescopes next.
OM Digital Solutions has released firmware updates for the following cameras to add compatibility support for its new M.Zuiko Digital ED 90mm F3.5 Macro IS PRO lens: OM-D E-M1 Mark II, E-M1 Mark III, E-M5 Mark III, E-M1X, and OM-5.
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