Preview: Fujifilm X-Pro1 mirrorless interchangeable lens camera [Updated]
Just Posted: Our preview of the Fujifilm X-Pro1 and Fujifilm's X system lenses. The X-Pro1 is, in many respects, the camera that many people hoped the X100 was foreshadowing: interchangeable lenses and a cutting-edge sensor combined in a classically-styled body and retaining the excellent hybrid optical/electronic viewfinder. We've had a chance to get our hands on the X-Pro 1 and the 18mm F2, 35mm F1.4 and 60mm F2.4 primes that are being launched alongside it, to get to really make sense of the camera, its capabilities and that unusual color-filter array.
Hands-on preview of the Fujifilm X-Pro1 System:
Video preview of the X-Pro1:
Update from Fujifilm press conference at CES 2012 [9/1/2012]: The X-Pro1's price will be around $1700, with lenses in the $650 region. The company says it will release 9 lenses for the X-mount over the next three years, including zooms, as well as prime lenses. The widest currently planned lens is a 14mm (21mm equivalent), and there will be mount adapters, with the Leica M-mount being the first to become available.
|A slide from the launch presentation at CES 2012|
Interchangeable lens system camera from FUJIFILM
FUJIFILM X-Pro1- featuring the new X-Trans CMOS sensorTM and an FUJIFILM original X-Mount and Hybrid Multi Viewfinder
FUJIFILM Corporation (President and CEO: Shigetaka Komori) are proud to announce the FUJIFILM X-Pro1, an all-new interchangeable lens camera system. The X-Pro1 features a 16 megapixel APS-C X-Trans CMOS sensorTM, a brand new X lens mount, Hybrid Multi Viewfinder and three prime lenses.
Setting new standards in image resolution
FUJIFILM have developed a new CMOS sensor called the X-Trans CMOSTM. The X-Trans CMOSTM sensor is capable of delivering resolution that is parallel, if not superior, to a full frame sensor.
The new colour filter array paves the way for an ideal sensor that does not need an optical low-pass filter. While the optical low-pass filter is indispensable for the reduction of moiré and false colour generated by conventional sensors, it also degrades resolution. FUJIFILM has developed a new colour filter array that is inspired by the random arrangement of fine film grain, removing the need for an optical low-pass filter to solve moiré and false colour issues. In the array, RGB pixels are arranged in 6x6 pixel sets with high aperiodicity. Increasing the degree of randomness eliminates the fundamental cause of moiré and false colours – a problem that occurs in conventional arrays when shooting stripes and other repeating patterns. The presence of an R, G and B pixel in every vertical and horizontal pixel series minimizes the generation of false colours and delivers higher colour reproduction.
EXR Processor Pro – As a result of using a film-inspired array, a more powerful processor is required to process the image signal data. So FUJIFILM have created the EXR Processor Pro. This development will maximise the full potential of the X-Trans CMOSTM sensor and deliver high speed and high precision image processing.
Prime FUJINON XF lenses deliver the highest image quality
Fujinon lenses have long been associated with delivering high quality images, with optics used for both broadcast TV and medium format cameras. Now the expertise borne out of this enviable optical heritage has been put into lenses for the FUJIFILM X-Pro1
Three compact XF Fujinon fast aperture prime lenses will be available at launch. The “XF18mmF2 R”, “XF 35mmF1.4 R” and “XF60mmF2.4 R Macro” all offer precise control over depth-of-field and deliver excellent out-of-focus bokeh thanks to the design of the moulded aperture diaphragm blades. The blades are curved to create a circular image at all aperture settings, while the very edges of each blade are meticulously rounded off rather than simply cut off, which delivers a sharper image. In addition, the solid feel of the high-quality metal barrel and detailed exposure setting in 1/3 step increments using the aperture ring fuel your desire to capture more photos with every shot.
FUJIFILM original “X-Mount” maximises lens performance
Specifically designed to maximise the mirror less design of the body the X-Mount has a short flange back distance of just 17.7mm. This means the rear lens elements are as close as possible to the sensor. The wide opening allows the lens to be mounted deeper within the body – up to 7.5mm (approx) from the mount surface – reducing the back focus distance of each lens to the minimum possible, thus achieving high resolution all the way to the edge of the image
Hybrid Multi Viewfinder – seeing is believing
FUJIFILM’s revolutionary Hybrid Viewfinder first appeared in the X100. With its ability to instantly switch between an Optical Viewfinder and Electronic Viewfinder the Hybrid Viewfinder has added a new dimension to the pleasure of composing photographs. For the brightest viewing image, and to keep shutter lag to a minimum, users should choose the Optical Viewfinder. Those wanting focus confirmation, exposure information, white balance information and depth of field indicators should switch to Electronic Viewfinder.
The Electronic Viewfinder provides an excellent “Live View” of your composition. This fusion of technologies allows users to enjoy composing their images through a bright viewfinder, but has the option to overlay vital picture taking information should this be required.
Changing between the two viewfinders is simple, thanks to the switch on the front of the X-Pro1 body. When attaching a FUJINON XF-series lens on X-Pro1, both the viewfinder magnification and bright frame size automatically switch to support the lens focal length. Viewfinder magnification switches to 0.37x for the 18mm lens, and to 0.60x when the 35mm or 60mm lens is mounted, letting you compose your shot with the bright, crystal clarity of an optical image. The X-Pro1 also gives you the freedom to manually set a focal distance and switch between viewfinder magnifications.
Cutting-edge technology in a beautiful camera body
The top and base are made from die-cast aluminium alloy which, combined with high quality touches like precise engraving on the top-plate and hand-enamelled lettering on the lenses, underlines the fact that the entire X-Pro1 system is built without compromise.
This eye for detail extends to the shutter speed dial and exposure compensation control that is precision milled from solid metal. Details like the shutter speed dial lock mechanism and the recessed exposure compensation dial are designed to prevent accidental movement of settings. The knurled finish on the sides of the dials feature rows of minutely milled squared pyramids for superb grip and confidence.
“Made in Japan” confirms that every part of the construction has had to meet FUJIFILM’s highest standards. The lightweight, precision-milled lens hood (included with the lens) has been exclusively designed and machined from aluminium for the FUJINON XF lens. Its compact size delivers superb light shading performance in a design that perfectly matches X-Pro1 styling.
Diameters of the aperture ring and focus ring of the 3 Fujinon XF-series interchangeable lenses are only slightly larger than the barrel for sleek uniformity of design. Precision machined from metal, the reassuring click of the aperture ring at each setting and the comfortable torque resistance when operating the focus ring enhances the shooting experience.
The X-Pro1’s leather-like finish designed for a quality look and durability. The synthetic leather offers resistance to the elements and high durability, while an original manufacturing process produces a texture with the look and feel of authentic leather.
The X-Pro1 has been designed with the photographer’s comfort in mind. The natural fit of the eyepiece provides excellent shielding from light leakage. A dioptric adjustment lens can also be attached.
Extending FUJIFILM’s photo film legacy
In film cameras, multiple exposures is the unique photographic technique of superimposing one image on another by double exposing a single frame of film. Through advanced digital processing the X-Pro1 can simulate this technique - just select Multiple Exposure mode and take your first shot. By viewing it in the Hybrid Multi Viewfinder or on the LCD screen, you can see how the finished multiple exposure will look and precisely frame the second shot.
Further enhancements have been made to the Film Simulation modes with the new Professional Colour Negative Film Modes (Pro Neg. Std and Pro Neg. Hi) designed for X-Pro1 users working in the studio. If you’d like to shoot the same scene in a variety of Film Simulation modes, the X-Pro1 offers Film Simulation bracketing, along with AE, Dynamic and ISO bracketing.
FUJIFILM has also included Film Simulation modes, where the X-Pro1 simulates the colours and tonal qualities of popular FUJIFILM emulsions. These include the vibrant colours of Velvia, the softer skin tones of ASTIA and the natural look of PROVIA.
Enhance Monochrome Expression with Colour Filters - Replicating the effects of monochrome film photography the X-Pro1 lets you use colour filters to expand your photographic interpretation. Heighten contrast with the yellow filter and red filter or brighten greens and deepen reds with the green filter. Just as professional film photographers once selected a filter and printing paper to complement their creative vision, you can easily fine tune image quality with these filters. For those after a more nostalgic theme there’s a sepia filter too.
Premium Accessory Lineup
Hand Grip, HG-XPro1 (sold separately) - Giving you more secure and balanced handling of the camera, the X-Pro1 accessory grip smoothly moulds to the lines of the camera body for a uniform look. The grip helps balance the weight of the camera body, allowing for a more comfortable hold.
Shoe Mount Flash EF-X20 (sold separately) - Being designed to match X-Pro1’s distinctive styling. One dial lets you choose between two modes: AUTO - automatically optimizes flash for both outdoor daylight and dark indoor shots; MANUAL - for hands-on control. In addition, the built-in flash diffuser has an easy one-touch operation to soften harsh flash effects.
Leather Case LC-XPro1 (sold separately)* - Beautifully moulded to protect the X-Pro1, leather case is designed to allow fast access for easy shooting. Attention has been given to every detail, from the colour and spacing of the stitches to the adoption of a hidden magnet rather than a snap for closing the case. The premium case is completed by the inclusion of the authentic leather neck-strap and hood case.
Protector Filterφ39mm and Protector Filterφ52mm - This is a protection filter with high transmissivity without affecting the visible light. The Super EBC (Electron Beam Coating) of these would control harmful borrowed light effectively. The frame of filter given the semi-gloss black coating fits a high sense design. Or the inner side of filter given the matt black coating restrains a reflection effect and does design well.
*Case not suitable for FUJINON XF60mm lens
|Body type||Rangefinder-style mirrorless|
|Max resolution||4896 x 3264|
|Other resolutions||4896ｘ2760,264 × 3264, 3456ｘ2304, 3456ｘ1944, 2304 × 230, 2496ｘ1664, 2496ｘ1408 , 1664 × 1664|
|Image ratio w:h||1:1, 3:2, 16:9|
|Effective pixels||16 megapixels|
|Sensor size||APS-C (23.6 x 15.6 mm)|
|Color filter array||Primary colour filter|
|ISO||Auto (400), Auto (800), Auto (1600), Auto (3200), 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400 (100, 12800, 25600 with boost)|
|Boosted ISO (minimum)||100|
|Boosted ISO (maximum)||25600|
|White balance presets||7|
|Custom white balance||Yes (1)|
|JPEG quality levels||Fine, Normal|
|Optics & Focus|
|Autofocus assist lamp||Yes|
|Lens mount||Fujifilm X|
|Focal length multiplier||1.5×|
|Screen / viewfinder|
|Screen type||TFT color LCD monitor|
|Viewfinder type||Electronic and Optical (tunnel)|
|Viewfinder magnification||0.37× (0.25× 35mm equiv.)|
|Minimum shutter speed||30 sec|
|Maximum shutter speed||1/4000 sec|
|External flash||Yes (via hot-shoe with EF-20, EF-42, EF-X20)|
|Flash modes||Auto, On, Off, Red-Eye, Slow Sync, Rear-curtain|
|Flash X sync speed||1/180 sec|
|Continuous drive||6.0 fps|
|Self-timer||Yes (2 or 10 sec)|
|Exposure compensation||±2 (at 1/3 EV steps)|
|AE Bracketing||(at 1/3 EV, 2/3 EV, 1 EV steps)|
|Resolutions||1920 x 1080 (24 fps), 1280 x 720 (24 fps)|
|USB||USB 2.0 (480 Mbit/sec)|
|HDMI||Yes (Mini connector)|
|Battery description||Lithium-Ion NP-W126 rechargeable battery & charger|
|Battery Life (CIPA)||300|
|Weight (inc. batteries)||450 g (0.99 lb / 15.87 oz)|
|Dimensions||140 x 82 x 43 mm (5.51 x 3.23 x 1.69″)|
|The X-Pro1's new Quick Menu||Optional EP-X20 flash unit|
|X1-Pro with XF 60mm F2.4 R Macro and hood||Optional handgrip|
Dec 18, 2014
Jun 27, 2014
Mar 6, 2014
Jan 14, 2014
I own it
I want it
I had it
I own it
I want it
I had it
I own it
I want it
I had it
I own it
I want it
I had it
|Fujifilm 18mm f/2.0 XF R Lens|
|Fuji XF18mmF2 R (International Version) No Warranty...|
|It's good to be at home by Nightcrawler12|
from Best photo of the week...
|Tiny tree by Kaappo|
Smartphones once again dominated Flickr's most popular cameras of 2017, making up half of all uploads, but it's not all bad news for 'real' cameras. In fact, DSLR use is on the rise again.
NiSi Filters has announced a new variable ND filter that offers 1.5 stops and 5 stop of density variation and, at least according to the company, doesn't suffer from the dreaded X-effect at its most extreme settings.
National Geographic photographer Paul Nicklen and the Sea Legacy team were filming through tears, as they documented some of the final hour of a starving polar bear's life. The resulting video is haunting.
This year, plenty of amazing cameras, lenses, accessories and other products came through our doors. As 2017 winds down, we're highlighting some of our standout products of the year. Check out the winners of the 2017 DPReview Awards!
Maybe you want better photos in low light. Maybe you're tired of digital zoom. Whatever the reason, if you're looking for a capable, beginner-friendly camera to grow and learn with, we've got you covered.
The Olympus 17mm F1.2 promises to open up new possibilities for Micro Four Thirds shooters seeking razor-thin depth-of-field and smooth, 'feathered' bokeh. Take a peek at our extensive sample gallery.
Are you a speed freak? Hungry to photograph anything that goes 'zoom'? Or perhaps you just want to get Sports Illustrated-level shots of your child's soccer game. Keep reading to find out which cameras we think are best for sports and action shooting.
Still yearning for an Aperture replacement? Here's a quick overview of RAW Power, a Raw image editor for iOS that pairs with the Mac application introduced in 2016. Take a look at some of its capabilities.
Video features have become an important factor to many photographers when choosing a new camera. Read on to find out which cameras we think are best for the videophile.
Tech lover Albert Lee was one of the first to pre-order the intriguing 16-camera module Light L16. Two months in, here's what he has to say about using this not-so-little computational camera.
The public art installation featured blurred portraits, ostensibly captured by the artist under that same underpass... except they weren't. They were actually portraits of comedians, pulled from the 2015 Edinburgh Fringe Festival program.
Edelkrone has upgraded its SliderOne with a SliderOne Pro and introduced a new generation of Wing and Wing Pro models, all while simultaneously improving the app that controls its entirely lineup.
People have waiting a long time for the Canon 85mm F1.4L IS lens, but how does it compare to Canon's 85mm F1.2L and Sigma's 85mm F1.4 Art? Phillip Pettit of Lensrentals took all three lenses for a spin to find out.
Affinity Photo for iPad, one of the first full-featured Raw editors designed specifically for tablet use, has been named Apple's Best iPad App of 2017. And what's more, it's currently 50% off!
VSCO Messages allows VSCO X subscribers and free users alike to share text, images, photo editing 'recipes', VSCO journal entries and more.
Flickr has revealed their top 25 photos of 2017, and there are some truly stunning shots in the mix.
Testing of the Canon G1 X Mark III is well underway, inside of the studio and out. We've just added it to our test scene comparison tool, where you can take a look at its performance side-by-side against peers like the Sony Cyber-shot RX100 V.
Whether it's a trip to the beach for some snorkeling or scrambling up a 10,000 ft volcano, the Olympus Tough TG-5 proved to be a great travel companion for Jeff. That's why it's his 2017 Gear of the Year.
Last year, the DJI Mavic Pro and the Phantom 4 Professional took top honors in our end of year buying guide. Read on to find out who it this year for beginners, consumers, prosumers, and professionals at a price tag less than $2,000.
Meyer Optik Goerlitz is resurrecting yet another classic lens. This time, the company has set its crowdfunding sights on the Primoplan 75mm F1.9, a lens originally manufactured in a run of just 2,000 back in the 1930s.
The folks at Kolari Vision—an infrared camera conversion company based in New Jersey—recently tore down a brand new Sony a7RIII, giving everybody a peek at the camera's much-improved weather sealing.
Resource Travel's Brandon Cunningham recently joined The Giving Lens for a 10-day adventure in India. A trip he won't soon forget, to a country that left him in "sensory and soul overload."
Meet the new Freefly Movi, a handheld gimbal stabilizer designed by cinema stabilization pros for use with the iPhone. Freefly is calling this little beast "the world's most portable, adaptable, and intuitive cinema robot."
Photography portfolio site PhotoShelter is adding their voice to the growing group of online companies that are speaking out in favor of net neutrality, and against the FCC's upcoming vote to kill it.
The Direct app would replace the current Inbox on the Instagram app, doing for Instagram what the Facebook Messenger app did for Facebook on mobile.
Qualcomm's latest high-end mobile chipset offers higher frame rates and a wider color gamut, among other important camera improvements you can expect to see in next year's flagship smartphones.
Photographer Josselin Cornou recently got trapped in a blizzard in the Snowy Mountains of Australia with his Fujifilm GFX 50S and new Tamron 15-30mm F2.8 lens. Find out how they held up to 110km/h winds and -15°C temperatures.
While film nostalgia reaches an all-time high, Seattle-based pro photographer Sofi Lee is turning back to 'digicams' made between 2008 and 2011.
The fixed prime lens camera market may be a bit niche, but it's here that you'll find some of the best cameras you can buy. Sensors ranging from APS-C to full-frame are designed to match their lenses, which cover ranges from 28-75mm equivalent, so image quality is top-notch.
With a capacity of 512GB, Samsung's new UFS chips take built-in storage on smartphones to desktop-PC levels. Will this eliminate the need for microSD slots?