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The Everyday Sling might just be the perfect pack for not carrying too much gear, combining comfort with Peak Design's signature modern style.
Yesterday's announcement by Adobe that it will cease 'perpetual license' sales of Photoshop and its Creative Suite counterparts has generated considerable backlash here on dpreview and across the web. With such a significant change in store, we spoke today with Adobe VP of Creative Solutions, Winston Hendrickson and Bryan O'Neill Hughes, Senior Product Manager for Photoshop for Adobe's response to the uproar.
At the conclusion of the interview, we've put together a brief set of FAQs regarding Adobe's Creative Cloud announcement.
|Winston Hendrickson, VP of Creative Solutions, Adobe Systems, Inc.|
Were you expecting such a negative response from the photographic community?
We expected a higher degree of this type of reaction from the hobbyist photographic community because currently there's not a lot of photography-specific value in our subscription products. That's why we've taken the unusual steps of Tom Hogarty's appearance on The Grid [a Scott Kelby webisode] showing potential Lightroom CC features and the Photoshop Sneak Peek where we showed new features like Camera Shake reduction.
Is a subscription model less prone to piracy?
While service options that connect to our servers are inherently less prone to piracy, once a user downloads software to their computer the piracy threat is the same as for our perpetual products.
The reason behind the subscription-only move is the logistics of supporting two sets of software. The last 12 months of development was brutal. And there were results we were not happy with. We have decided to focus on the CC products.
As far as the future of CS applications, in his Adobe MAX keynote, David Wadhwani said, 'We have no plans' to continue perpetual licenses. We are not ruling that out in the future.
How do you justify the price increase to photographers?
Last year we actually cut the price of Lightroom in half in order to open it up to a broader market of photographers.
What assurances can our readers have that Lightroom will not become a subscription-only option?
[Bryan O'Neil Hughes] Lightroom is for photographers. And the Lightroom team is very aware of the reaction by photographers to Photoshop CC. We don't have plans to make Lightroom a subscription-only option but we do envision added functionality for CC members using Lightroom.
What support can CS6 users expect?
Barring something unforeseen from Apple and Microsoft, we plan to update Photoshop CS6 for the next Mac and Windows operating system releases. Once Camera Raw 8 is completed for Photoshop CC, we are going to release a version of it for CS6 that includes any new camera support but without any of the new CC tools and features.
In addition, DNG Converter will remain a free option to convert new Raw file formats for use in older versions of Photoshop.
What happens to Photoshop CC and my files if I cancel my subscription?
We do not delete any files or software from your computer. You will not be able to use the software but the files you've created and saved on your hard drive are left intact. And you don't need a valid license or Internet connection to uninstall the software.
What can you say to users concerned that a subscription model removes their option to at least stick with an older version of software if they no longer want to continue paying for it?
That's the trade-off for the benefits of a continuously updated application. At the time you decide to stop paying for it, yes you lose access, but after, say 12 months, you've ended up with a different product than the one you subscribed to, because of the new features that have been added. And for existing perpetual users, Photoshop CS can co-exist alongside and independently from Photoshop CC.
One final point I'd like to address is the misconception that you have to be continuously connected to the Internet to use a CC application. Monthly subscribers can go for as long as 30 days without connecting to the Internet for license validation. Users with an annual commitment can go for as long as 99 days.
Below, the editorial staff at dpreview have compiled answers to some of the most commonly asked questions our readers have asked since Adobe's announcement. The explanations here are culled from information Adobe has posted online since the announcement of the Creative Cloud membership.
Adobe has rebranded its upcoming versions of applications with the 'CC' (Creative Cloud) moniker. They will be made available on June 17. A month-to-month or discounted annual CC subscription gives you access to all of the Adobe Creative Suite titles, including Photoshop, Lightroom, Illustrator, Dreamweaver, InDesign, Premiere and After Effects. You can see a full list of the available software here.
The simple answer is that you're not. Once you've subscribed, you still download Photoshop and install it on your preferred hard drive. You can open, edit and save files locally just as you would in CS6. While Adobe is touting the connectivity and collaborative features of its CC applications, and providing 20GB of online storage, you can choose not to take advantage of these services.
You will need an Internet connection to download, install and license the software, of course. You will also be asked to connect to the web periodically in order to validate the license. At launch, annual subscribers will be able to use the products for 99 consecutive days while offline. Eventually, this offline ability will be extended to 180 consecutive days without Internet access.
Yes. Adobe is offering a special introductory price for CS3 and later owners of $9.99 per month for the first 12 months. The regular price for a Photoshop CC-only subscription is $19.99 per month with an annual commitment and $29.99 per month for the ability to cancel at any time. You should also know that Photoshop CC includes all of the additional features and functionality that was limited to Photoshop Extended in CS versions.
As Tom Hogarty states on Adobe's Lightroom blog, CS6 users will gain the camera compatibility updates set to arrive on June 17 in ACR 8. These updates, however, will not include any of the new features seen in the Photoshop CC demo or Lightroom 5 Beta release, such as the Upright tool, Advanced Healing Brush or Radial Gradient Filter. Adobe is not providing a timeline for how long new camera support will continue for the ACR version of Photoshop CS6.
Yes. Lightroom, while available as part of the Creative Cloud bundle, can still be purchased as a standalone piece of software at $149 for new users and $79 for owners of any previous version. Adobe Acrobat can be purchased as a standalone title as well.
Photoshop CS6 is still currently available for a downloadable purchase here on Adobe's site.
One thing that Adobe's move has certainly done is make many photographers ask themselves whether they need all, or even a majority of tools Photoshop currently offers. Indeed, whenever we write about newly announced Photoshop features, there's always a segment of users who claim the features are of no use to them and that they'll happily stick with a previous version. And many, of course have adopted a 'skip every other upgrade' policy.
For users working primarily with Raw files, the current version of Lightroom offers a vast majority of the tools that users producing traditional photographic output require. Indeed, unless you're creating composite images or performing fashion/beauty retouching, we'd argue most Lightroom users are making far fewer trips to Photoshop than they did in previous versions.
And if your image editing needs are limited to exposure and contrast adjustments to 8-bit files there's Photoshop Elements, which is available as a standalone purchase for $99.
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When the Fujifilm X-T2 arrived, it was more than just a modest upgrade to the already impressive X-T1. While the new X-T3 hasn't changed the overall design of the camera, this model is way more than an upgrade; rather, it's a quantum leap.
The Movie Maker is a compact, motorized slider designed for phones, action cams and small mirrorless cameras. We think it's a fun little kit and a good value proposition for the cost, provided you can work around a few of its weak points.
Nikon's Z7 is the first camera to use the all-new Z-mount, the company's first new full-frame mount since 1959. We've put together our first impressions based on quality shooting time with a pre-production camera - check out what we've found.
What's the best camera for a parent? The best cameras for shooting kids and family must have fast autofocus, good low-light image quality and great video. In this buying guide we've rounded-up several great cameras for parents, and recommended the best.
What's the best camera for shooting landscapes? High resolution, weather-sealed bodies and wide dynamic range are all important. In this buying guide we've rounded-up several great cameras for shooting landscapes, and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
|My Garden by Mitchmeister|
from The Secret Garden
|Crowded Skies by Rushlin|
from Seven types of aircraft - lighter than air
The 'I'm Back' is now available for a range of old film-SLRs, such as Nikon's F-Series, the Olympus OM10 or the Canon AE-1.
IRIX has announced its latest lens, the 150mm F2.8 Macro 1:1. IRIX claims the lens features 'close to zero' distortion and stands out with its 150mm telephoto focal length.
The RF 24-105mm F4L IS USM is one of four lenses to launch with Canon's new full-frame mirrorless system, and it boasts the longest reach of the range. Take a look at some of the samples we've gathered thus far as our EOS R testing continues.
Nikon's Sendai factory in the Tōhoku region North of Japan has been churning out cameras and lenses since 1971. We had the opportunity recently to visit Sendai during events to mark the launch of Nikon's new Z mount.
There's no mistaking the Nikon Coolpix P1000 – with a 24-3000mm equivalent zoom, it really is in a class of its own. It's a conspicuous-looking superzoom with one main job: getting you really close to far away subjects. We've put together a gallery showing the kind of results you can expect from it.
A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds.
GoPro has announced its HERO7 camera lineup. The updated action cameras feature new HyperSmooth and TimeWarp modes, as well as improved video and photo specs.
The latest Samsung midrange smartphone offers a super-wide-angle lens in its triple-camera setup.
The Sony 24mm F1.4 is the latest lens to join the company's premium G Master lineup. We've been shooting with one for a couple of days - here's what you need to know.
Apple released iOS 12 a few days ago and some iPhone X users are less than happy with how the new operating system has made their phones look.
Camera bag manufacturer Lowepro has introduced mark II backpacks for its ProTactic AW range with models that are said to feature an improved handling experience as well as a collection of accessories that can be attached to the outside.
Canon has announced its latest superzoom camera, the PowerShot SX70 HS. Compared to the SX60 that came before it, the SX70 has the same lens but offers a higher resolution EVF, 4K video capture and support for Canon's new CR3 Raw format.
Cosina has announced its eighth lens designed specifically for Sony's E-mount system. The Voigtlander 21mm F3.5 lens is due out October 2018.
Sony has taken the wraps off of its new 24mm F1.4 GM full-frame lens, which the company claims is the lightest in its class. Despite its fast aperture, the 24mm F1.4 is remarkably light, weighing just 445 grams (15.7 ounces). The lens will set you back $1400 when it ships next month.
In this episode of DPReview TV we take a look at Sony's brand new 24mm F1.4 GM lens, a desirable focal length for many photographers. How does it perform? Chris and Jordan give us their first impressions.
We've had a little time to shoot with Sony's new wide/fast prime, both close to home and on the water in San Francisco. Check out our initial sample images.
Fujifilm released a firmware upgrade for its X-T3 mirrorless camera that addresses issues with distortion compensation and the mechanical lock on SD cards.
The app's algorithms have been trained using using 200 million cropping data points from real photographers.
Thanks to a software update, the Loupedeck+ editing console can now be used for video editing.
British photographic engineer MTF Services is claiming the world’s first third-party lens adapters for the new Nikon Z system with a collection of four units designed to allow cinema lenses to be mounted on the mirrorless full frame bodies.
Think Tank Photo has updated its line of heavy-duty rain covers and introduced a new, compact version for emergency situations.
The X-T3 is our first opportunity to analyze what's likely to be Fujifilm's next generation image sensor. Take a look at how it performs next to the competition in our studio test scene.
Canon's new normal is seriously sharp wide open. After shooting with it for a few days, we've prepared a gallery of real-world sample images.
Nikon will cease offering Brazil-based customer service and technical support, though the company stresses that it will still offer technical assistance and warranty repairs for valid warranties.
Two years ago, CatLABS of JP announced a plan to save Packfilm from the dead. Now, it's announced it's giving up its efforts to better focus its resources elsewhere.
The GoPro Fusion is designed to make it easy to capture 360-degree video and stills. We took it out recently on a typically hot Seattle summer day to see what it can do.
We've got our hands on a full-production Nikon Z7 camera and have updated our gallery with additional samples.
A new Kickstarter campaign seeks funding for Chroma Chrono, a programmable RGB camera flash that emits multiple colors during long exposures.
Think Tank Photo has launched a new lineup of six dual-access, water-resistant protective lens cases it calls Lens Case Duo.
Canon and Nikon finally entered the full-frame mirrorless market this summer with the brand-new RF and Z mounts. Now that we've had some time with the cameras, we wanted to revisit our earlier predictions and take stock.