Erez Marom: Why you shouldn't always believe the forecast
Landscape photographers love looking at weather forecasts, and for good reason. The more prepared you are for what’s going to happen, the logic goes, the better equipped you are to deal with cloud conditions, the light direction and intensity, and the more you can plan your shot to make sure you get to the right place at the right time to achieve the image you've been planning.
|You can't always believe the forecast. With the aurora forecast predicting no activity, I was focused on shooting some star trails at lake Mývatn in Iceland, but against the odds, the sky broke into the most amazing aurora I've ever photographed.|
I fully support people who direct themselves mainly using weather forecasts. But the way I see it, if you limit yourself to shooting only in conditions that you've prepared for in advance, you miss out on all of the beauty, the adventure, the surprise – things that make out a whole experience, not only a planned shoot. Some of my favorite shots were taken in seemingly adverse conditions: extremely bad weather, poor Aurora forecast, in the 'wrong' season, you name it.
What started as a result of lack of knowledge and time – going to shoot when and where it's possible, instead of in the 'right' place and time - has now evolved into a conscious strategy, an awareness that forecast is only that – a forecast, and you can find most of the interest outside of the boundaries it seems to dictate. I find this attitude liberating, and even more importantly – beneficiary to my shots, in both diversity and visual appeal.
For example, let’s go back to a magical night in northern Iceland, February 2013. I had been working hard scouting locations for my Iceland workshops, and shooting, withstanding winds and fighting my way in the deep snow took all the precious energy I had. By evening, temperatures were down to -15 degrees and I was getting quite exhausted. On top of that, the Aurora forecast was a disappointing zero!
The logical thing to do was give up and go to sleep, but instead I decided to go and shoot star reflections on the snowy lake Mývatn. I wasn't expecting much more than stars, but then the magic of the unexpected happened: a faint green line appeared, first on my images (long exposure and high ISO reveal more than the eye can see at night), and then in front of my eyes. The green line gained strength and brightness and slowly began rising above the horizon. A few minutes later, a spectacular Aurora Borealis light show began – one of the most amazing I've seen to this day.
On another occasion, again in Iceland, I was shooting with a friend in the southern village of Vik. The weather was terrible: a day or two before we were confined to our hotel for 24 hours under a monstrous snow storm, and the snow was still falling, accompanied by harsh winds. Against all sense, we decided to try our luck and ignore the forecast. When approaching the black beach, we were struck by sharp hail stinging our faces.
My friend and I had to stand there like penguins, unable to see or do anything for the good part of an hour. But then, the hail stopped for a few minutes, and I was left with a black beach, completely covered by white grains. This was one of the most unique landscapes I'd seen, and without a doubt a very original capture of this ultra-photographed location. Again, going against the forecast proved the right thing to do in retrospect.
There are many more examples, one of them being a personal favorite, 'Dark Matter', an image I shot during a rain storm in southern Iceland. To read more about this image and how I shot it, see here.
Ignoring the forecast can seem counter-intuitive. But as nature photographers, the most interesting, visually compelling and exciting shooting experiences come at the time and place where we least expect them.
Erez Marom is a professional nature photographer, photography guide and traveler based in Israel.
If you'd like to experience and shoot some of the most fascinating landscapes on earth with Erez as your guide, you're welcome to take a look at his unique photography workshops around the world:
Land of Ice - Southern Iceland - view trailer
Winter Paradise - Northern Iceland - view trailer
Northern Spirits - Lofoten Islands
Desert Storm - Namibia
Giants of the Andes and Fitz Roy Annex - Patagonia
More articles by Erez Marom:
- Winter Photography in Iceland
- Behind the Shot: Dark Matter
- Behind the Shot: Nautilus
- Behind the Shot: Lost in Space
- Behind the Shot: Winter Paradise
- Mountain Magic: Shooting in the Lofoten Islands
- Behind the Shot: Flames of the North
- Behind the Shot: Spot the Shark
- Ghost Town: Shooting in Kolmanskop
- Behind the Shot: Dali's Dream
- Quick Look: The art of the unforeground
Nov 1, 2016
Jul 3, 2016
'I instinctively felt I had an extraordinary image': Ansel Adams on capturing Moonrise over Hernandez
Jun 25, 2016
Oct 25, 2015
- Fujifilm X-T223.6%
- Nikon D50025.4%
- Nikon AF-S 105mm F1.4E8.2%
- Olympus M.Zuiko 12-100mm F47.5%
- Panasonic Lumix DMC-G857.2%
- Sigma 85mm F1.4 Art6.7%
- Sigma 50-100mm F1.8 Art5.1%
- Sony a63006.4%
- Sony Cyber-shot RX10 III3.7%
- Sony Cyber-shot RX100 V6.3%
|winterblues by richmot|
from Best Landscape 2016
|Cold morning by Kaappo|
from A Winter Wonderland
|The Rock. by SpartanWarrior|
from Sea colors