Nikon launches 55-300mm F4.5-5.6 G ED VR lens
Nikon has launched an extended-range telephoto zoom for DX users: the AF-S DX Nikkor 55-300mm f/4.5-5.6G ED VR. Offering an 85-450mm-equivalent range and VR II image stabilisation technology, it's designed as an accompaniment to the 18-55mm kit lens. It includes a Silent Wave motor for quiet focusing, and will be available from 2nd September 2010 at a price of £369.99 / €379.
AF-S DX NIKKOR 55-300MM F/4.5-5.6G ED VR: EXTENDING THE REACH
Sales start date: 2nd September 2010
UK Pricing: £369.99
Nikon UK today announces a new super telephoto zoom lens – the AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR. With a focal length ranging from 55mm to 300mm (equivalent to 82.5mm to 450mm on DX format D-SLRs) it enables the user to really get up close and personal with distant subjects.
Zurab Kiknadze, Product Manager Lenses, Accessories & Software, Nikon Europe BV, says: “The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is a really useful and economical second lens alongside today’s standard 18-55mm kit lenses, enabling coverage of all subjects both near and far. The compact dimensions and lightweight construction make it an ideal choice for the compact D-SLR customer.”
Go further for less
The 5.5 times zoom ratio offers flexibility by drastically extending the telephoto reach. With 300mm (450mm equivalent on DX format cameras when compared to 35mm format) at the telephoto end, this lens leads the way in affordable and portable telephoto photography, ideal for family sport events and holidays.
Incorporating the latest VR II (second generation Vibration Reduction) technology, the lens delivers sharper images when the camera is hand-held. This is especially useful when using slower shutter speeds at longer focal lengths, or when shooting in low light.
The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR incorporates Nikon’s SWM (Silent Wave Motor). This ensures that the autofocus is fast and quiet so you don’t miss that crucial moment, nor draw attention to yourself in more private settings.
The AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR incorporates high quality ED and new HRI (High Refractive Index) glass elements to help deliver crisp images, even under harsh lighting conditions. The lens has a weather sealed mount, which prevents moisture and dust infiltrating the lens or camera sensor.
Ready for adventure, the AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR is an affordable and compact lens that will be a welcome addition to any camera bag. The lens is supplied with HB-57 lens hood to prevent flare in strong light and a lens pouch for safe storage and transportation. The lens will also be available in zoom kits with Nikon’s popular D-SLR range.
|35mm equivalent focal length||82.5mm to 450mm|
|Lens construction|| 17 elements in 11 groups
2 ED glass elements
1 HRI lens element
|Angle of view (APS-C crop)||28°50' - 5°20'|
|Closest focus distance||140cm|
|Maximum reproduction ratio||0.28x|
|Aperture blades||9 (rounded)|
|Filter attachment size||58 mm|
|AF motor||Silent Wave Motor|
|Dimensions||76.5mm x 123mm (3.4 in x 3.3 in)|
Canon's mirrorless EOS R5 comes with a ton of features and capability stemming from its design inside and out. Come along with us on a guided tour of Canon's new high-end, high-megapixel camera and check it out for yourself.
Announced alongside the EOS R5, the R6 offers a lot of the same technology but in a more affordable, slightly more enthusiast-focused model. Take a closer look.
Alongside the EOS R5 and R6, Canon has announced a brace of lenses, all in the short to long telephoto range. Filling out the 'long' end are one L-series zoom, and two innovative primes.
Alongside a trio of telephoto lenses, Canon also announced a new 85mm this week. The RF 85mm F2 Macro IS STM is a compact, affordable alternative to the pro-oriented 85mm F1.2L.
The EOS R5 has been a long time coming – we knew it had 8K and we knew it had an AF joystick. But now that's it's here, what is it really like to use? Find out in our initial review based on hands-on time with the camera.
The R6 doesn't promise quite such headline-grabbing specs as its big brother, but it still packs a punch, whether you shoot stills, video or both.
Think you've read everything there is to know about the new Canon cameras? Chris and Jordan share eight important things you may have missed from today's Canon EOS R5 and R6 announcements.
We've been shooting around with the new Canon EOS R6. Initial impressions of image quality are positive, and out-of-camera JPEGs appear similar to that of the gold award-winning Canon EOS-1D X III. Have a look for yourself.
Canon has officially released the long-awaited EOS R5, the company's top-end full-frame mirrorless camera. Featuring a new 45MP CMOS sensor, Dual Pixel AF II system, 8K video capture and 20 fps bursts, this is the RF-mount camera we've been waiting for.
Although the Canon EOS R6 doesn't have the 45MP sensor and 8K video capture of the higher-end R5, it's still an incredibly capable camera with specs that outshine similarly priced peers.
The Canon RF 100-500mm F4.5-7.1L IS USM is the company's first super-zoom lens for RF-mount. Despite a relatively slow aperture range, it's very versatile, offering five stops of stabilization, weather-sealing and compatibility with Canon's new teleconverters.
Canon's RF 85mm F2 Macro IS STM is an inexpensive telephoto prime lens with a minimum focus distance of just 0.35m (14") and a 0.5x magnification. When attached to the new R5 and R6, it offers a whopping eight stops of shake reduction.
Canon has announced a pair of super-telephoto fixed-aperture primes. The 600mm and 800mm use diffractive optics to keep their size and weight down. They'll also be compatible with new 1.4x and 2x RF teleconverters.
Canon has announced a new small-footprint inkjet photo printer, the imageProGraf Pro-300. it will produce prints up to 13 x 19" and it goes on sale later this month for $900. A new textured photo paper will also arrive in July.
The new compression standard is set to reduce video file sizes by half to save space and speed-up transmission, paving the way for more portable 8K footage.
Sony recently confirmed plans to launch a successor to the video-centric a7S II. We don't even know the name of the camera, but Jordan already has a feature wish list for the new 'a7S III' – and it doesn't include 8K.
The Profot B10 is the first studio flash system that can be used when shooting with an iPhone camera.
The Pixii camera is an interesting little rangefinder camera that features a 12MP APS-C sensor and lacks a rear LCD display, opting instead to pair with your mobile device, which can be used to view and transfer images.
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.