Olympus announces OM-D E-M5 II with 40MP high resolution mode
Olympus has unveiled the OM-D E-M5 II. Picking up where its successor left off, the E-M5 II continues to offer weather sealing and 5-axis IS while adding a redesigned 16MP Four Thirds sensor and 5-axis image stabilization. The E-M5 II also boasts a 40MP high resolution shot mode, achieved by shifting the sensor in half-pixel steps and capturing eight images over a period of one second.
The E-M5 II also offers a built-in 2.36 million dot EVF, Wi-Fi and an articulating 3" 1.04 million dot touchscreen LCD. It's capable of 10 fps shooting with single AF (5 fps C-AF), as well as 1080/60p video capture with headphone and microphone jacks.
The camera will be bundled with a dust- and splashproof FL-LM3 flash. Other optional accessories launched for the E-M5 II include an HLD-8 dustproof and splashproof power battery holder and an EE-1 External Dot Sight, similar to the built-in sight on Olympus's SP100 superzoom. Also announced is a PT-EP13 Dedicated Underwater Case, capable of diving 45 meters with the E-M5 II.
The Olympus OM-D E-M5 II will be available this month for $1099.99 body-only. All-black and silver body versions will be sold for the same price.
A FOCUS ON STABILITY: OLYMPUS OM-D E-M5 Mark II® CAPTURES STUNNING MOVIES FROM THE PALM OF YOUR HAND
Industry-Leading 5-Axis Image Stabilization, Variable-Angle LCD, Advanced Video Features and 40-Megapixel High-Res Shot in a Compact Interchangeable-Lens Camera
CENTER VALLEY, Pa., February 5, 2015 — Olympus introduces an exceptional high-resolution still and advanced motion picture hybrid with the new OM-D E-M5 Mark II®. This advanced interchangeable-lens camera features a compact dustproof, splashproof body, with a familiar, premium design. Packed with 5-axis image stabilization, a 40-megapixel high-resolution shot mode, sophisticated, stunning HD video, integrated Wi-Fi® and a variable-angle 3-inch touchscreen, the OM-D E-M5 Mark II makes it easy to get the shot you need, every time. The easy-to-use 2.36 million dot, super-large, high-definition electronic viewfinder has a field of view of 100%, and a viewfinder magnification of 1.48x. The camera is equipped with Adaptive Brightness Technology, which automatically adjusts the backlight brightness in accordance with environmental lighting. The new LV Boost II*1 is convenient for shooting stars, and Creative Control provides complete freedom of control over color, tone, focus, and aspect ratio.
The Olympus OM-D E-M5 Mark II pairs a redesigned16-megapixel Live-MOS Micro Four Thirds® sensor with the Olympus TruePic™ VII processor, enabling brilliant image quality in bright and low-light conditions alike. The 1/8000 mechanical shutter allows photographers to shoot using a large aperture for maximum bokeh, even in bright, daylight conditions. Users can capture RAW images at up to 10 fps with S-AF, or 5 fps with C-AF tracking enabled. An Anti-shock mode utilizes electronic first-curtain shutter to reduce shutter shock during sequential shooting, and a new Silent mode enables a full-time 1/16000 second electronic shutter, eliminating the mechanical shutter noise entirely for absolutely silent shooting. The 81-point Fast AF provides an expanded focus area, with unparalleled speed, while Small Target AF allows users to focus on small areas across the entire frame.
World’s Most Sophisticated Image Stabilization
The Olympus OM-D E-M5 Mark II’s in-body 5-axis VCM image stabilization system offers unprecedented performance. The camera’s 16-megapixel sensor shifts horizontally, vertically and on the X (pitch), Y (yaw) and Z (roll) axes in order to provide 5.0 EV steps of compensation performance. The OM-D E-M5 Mark II can capture sharp images at shutter speeds as low as 1/4-second without the use of a tripod. Sensor shift on the X and Y axes can also assist when photographing close-up subjects. Image stabilization extends to the 3-inch, 1.04M-dot rear vari-angle touchscreen and the 2.36M-dot electronic viewfinder (1.48x magnification), providing a full image stabilization preview when the shutter button is pressed halfway.
40-Megpixel High-Resolution Shot
The Olympus OM-D E-M5 Mark II takes high-resolution imaging to a whole new level. In addition to the exceptional 16-megapixel stills you’ve come to expect from OM-D, the E-M5 Mark II captures 40-megapixel images*2 using an innovative pixel-shift technique that is facilitated by the voice-coil motor IS unit. The 40-Megapixel High-Res Shot mode captures eight sequential images, moving the sensor by 0.5-pixel steps between each shot. Then, the E-M5 Mark II compiles those images to produce a super-high resolution shot that rivals those captured with a 40-megapixel full-frame camera.
A tripod and a high-resolution M.ZUIKO® DIGITAL PRO or M.ZUIKO Premium lens are recommended to use the 40-Megapixel High-Res Shot mode, which captures eight shots over a period of one second1. Another two seconds are required to compile the final image. Images can be captured at up to f/8 with a shutter speed of up to eight seconds and a sensitivity of up to ISO 1600. When shooting in RAW+JPEG mode, the camera will save a 40M JPEG file, a 64M RAW (ORF) file and a 16M RAW (ORI) file. 64M RAW images may be processed using Photoshop CS4 and later with a required plug-in.
The OM-D E-M5 Mark II’s advanced video features enable photographers to capture cinema-quality movies from the palm of their hand. The camera’s 5-axis image stabilization compensates for even the slightest movement, allowing the camera to capture stable footage without the use of a sophisticated and expensive stabilization rig, or even a tripod, letting users shoot in environments where adding heavy equipment may not be practical. The mechanical IS unit can also work in concert with Electronic Stabilization if desired.
The OM-D E-M5 Mark II captures 1080p video at up to a 60p frame rate with up to 77 Mbps high bit-rate recording possible at the 30p setting. Additionally, the OM-D E-M5 Mark II supports 50p, 30p (29.97p), 25p and 24p (23.98p) frame rates, making it easy to blend footage captured using other camera systems. An integrated microphone jack supports external audio input, while a headphone jack positioned in the HLD-8G External Grip enables real-time audio monitoring. Focus Peaking with four color choices (red, yellow, black and white) as well as three selectable intensities for optimal manual focus results. Settings can be adjusted while recording using the 3-inch touchscreen, including AF-point selection, exposure, electronic zoom and Movie Tele-converter, microphone sensitivity, headphone volume and art effects. Additionally, OM-D Movie supports time code settings and connection to an external HDMI® monitor during recording. You can also add an Olympus PCM recorder for high-quality audio capture.
Photographers can take advantage of the OM-D’s popular Art Filters while in Movie Capture mode. Users can select from Pop Art, Soft Focus, Pale and Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line and Watercolor while capturing video. A Movie Tele-converter lets users touch an area on the screen to enlarge it without losing image quality, while the Clips tool enables short clip capture, allowing users to combine footage and effects directly on the camera for instant sharing.
The OM-D E-M5 Mark II includes integrated Wi-Fi, enabling remote shooting, geotagging and easy image sharing using the Olympus Image Share app on an Android® or iOS® smartphone or tablet. Photographers can use the Olympus Image Share app to apply Art Filters. Users can also start and stop movie recording using a wirelessly connected smartphone, or with the RM-UC1 Remote Cable Release. Studio photographers can take advantage of Olympus Capture support, enabling complete control of the OM-D E-M5 Mark II from a connected Mac® or PC.
Portability and Build
The OM-D E-M5 Mark II features a dustproof, splashproof body, that, when properly sealed and paired with select M.ZUIKO DIGITAL lenses, can even be used in the rain. Olympus’ renowned Supersonic Wave Filter technology uses super high speed frequency movement to “shake” any dust or debris off the sensor, eliminating dust marks that irreparably spoil images. Two body colors are available: a luxurious black with texture casting, and a bright, gorgeous silver. The camera includes machined metal dials, an extended grip and a lowered center of gravity that makes the OM-D E-M5 Mark II comfortable to hold in a variety of positions. The camera (body only) weighs just 417 grams, or 14.7 ounces, making it one of the lightest models in its class.
The OM-D E-M5 Mark II includes a dustproof and splashproof bundled flash, the FL-LM3, with Guide Number 9 (at ISO 100) and tilt and swivel positioning, enabling users to light subjects directly or by bouncing the flash off of a ceiling or wall.
The HLD-8 is a dustproof and splashproof power battery holder for exclusive use with the OM-D E-M5 Mark II, which enhances both the camera grip and power supply. The HLD-8G Non-powered Grip pairs a substantial camera grip with a headphone jack for monitoring audio during video capture, and an HLD-6P Power Grip, which can attach directly to the camera or to the HLD-8G, provides additional battery power for extended shoots. Because the grip (HLD-8G) and battery holder (HLD-6P) can be separated, the grip can be used alone when necessary. The HLD-6P battery holder is the same as the HLD-6 which was previously designed for the OM-D E-M5. The ECG-2 Metal External Grip can be attached to and removed from a tripod easily, and includes a battery pass-through for changing batteries without removing the grip.
An EE-1 External Dot Sight, which is compatible with any camera with a hot shoe, makes it easier to frame subjects during super-telephoto shooting An EP-16 Large Eyecup is also available, which blocks sunlight, making the electronic viewfinder easier to use. A redesigned version of the OM-D E-M5’s popular full-cover case, which includes a body cover and removable front cover, is also available as the CS-46 FBC Leather Cover and Body Jacket. The PT-EP13 Dedicated Underwater Case can be used at depths of up to 45 meters, and is designed specifically for the OM-D E-M5 Mark II. The case is equipped with a pick-up viewfinder and can be used with the cameras bundled FL-LM3 flash, along with a variety of lenses.
U.S. Pricing and Availability
The Olympus OM-D E-M5 Mark II will be available in February 2015 in the following configurations:
Estimated Street Price
$1,099.99 Body only in Black or Silver
HLD-8G Non-powered Grip (pricing & availability to be announced)
HLD-6P Power Grip (pricing & availability to be announced)
HLD-8 Combination HLD-8G + HLD-6P Grip (pricing & availability to be announced)
ECG-2 Metal External Grip (pricing & availability to be announced)
$139.99 CS-46 FBC Leather Cover and Body Jacket (Available in March, 2015)
$129.99 EE-1 External Dot Sight (Available in May, 2015)
$22.99 EP-16 Large Eyecup (Available in March, 2015)
$999.99 PT-EP13 Dedicated Underwater Case (Available in February, 2015)
To find out more about the OM-D E-M5 Mark II, and for a complete list of specifications, visit the Olympus website at http://www.getolympus.com/us/en/digitalcameras/omd/e-m5-mark-II.html.
*1 Approximately 5 steps brighter than OM-D E-M5 LV Boost
*2 40-megapixel results are optimal with still life and landscapes with no movement.
Olympus OM-D E-M5 II specifications
|MSRP||$1099 (body only)|
|Body type||SLR-style mirrorless|
|Body material||Magnesium alloy|
|Max resolution||4608 x 3456|
|Image ratio w:h||1:1, 4:3, 3:2, 16:9|
|Effective pixels||16 megapixels|
|Sensor photo detectors||17 megapixels|
|Sensor size||Four Thirds (17.3 x 13 mm)|
|Sensor size notes||High resolution mode produces Raw images at 9216 x 6912 or JPEGs at 7296 x 5472.|
|Color space||sRGB, AdobeRGB|
|Color filter array||Primary color filter|
|ISO||Auto, 200-25600, expands to 100-25600|
|Boosted ISO (minimum)||100|
|White balance presets||7|
|Custom white balance||Yes (4 slots)|
|Image stabilization notes||5-axis|
|JPEG quality levels||Superfine, fine, normal, basic|
|Optics & Focus|
|Autofocus assist lamp||Yes|
|Number of focus points||81|
|Lens mount||Micro Four Thirds|
|Focal length multiplier||2×|
|Screen / viewfinder|
|Articulated LCD||Fully articulated|
|Minimum shutter speed||60 sec|
|Maximum shutter speed||1/8000 sec|
|Maximum shutter speed (electronic)||1/16000 sec|
|Built-in flash||No (Compact external flash included)|
|External flash||Yes (via hotshoe)|
|Flash modes||Auto, redeye, fill, off, redeye slow sync, slow sync, 2nd-curtain slow sync, manual|
|Flash X sync speed||1/250 sec|
|Continuous drive||10.0 fps|
|Self-timer||Yes (2 or 10 secs, custom)|
|Exposure compensation||±5 (at 1/3 EV, 1/2 EV, 1 EV steps)|
|AE Bracketing||±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV steps)|
|WB Bracketing||Yes (+/- 7 stops in each A-B/G-M axis)|
|Resolutions||1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p, 24p), 640 x 480 (30p)|
|Format||MPEG-4, H.264, Motion JPEG|
|Videography notes||Supports ALL-I and IBP recording modes|
|USB||USB 2.0 (480 Mbit/sec)|
|Remote control||Yes (wired and via smartphone)|
|Battery description||BLN-1 lithium-ion battery & charger|
|Battery Life (CIPA)||310|
|Weight (inc. batteries)||469 g (1.03 lb / 16.54 oz)|
|Dimensions||124 x 85 x 45 mm (4.88 x 3.35 x 1.77″)|
Jul 18, 2017
May 8, 2017
Jul 25, 2017
Jul 20, 2017
|Sophisticated construction by the nature by Orchideon|
|After the Rain by Flor Tempra|
from Macro - Something Pink
|Asilah by Limburg|
from Cozy Corners
With card readers disappearing from MacBooks, USB-C card readers are now a necessity. Macworld's helpful guide compares five models and decodes the current mess of card speeds and certifications.
A Sony a7S II mounted on the outside of the ISS' Japanese Experiment Module (KIBO) for the last seven months has sent back some impressive 4K video and stills.
A Federal judge has refused to throw out a copyright case against controversial artist Richard Prince, who used an image by photographer Donald Graham in an exhibition.
Sony has teased its customers with news of an upcoming announcement: it will soon take the wraps off a new CineAlta motion picture camera, one sporting a 36x24mm sensor.
QuikStories is integrated into the latest version of the GoPro app and automatically creates 'stories' using the video clips you've shot during a day.
Journalists photographing a protest in the US Capitol building claim they were told by Capitol Police to delete photos and videos of arrests.
The Meizu Pro 7 Plus secondary display can be used for music playback, date and weather-related information, or as viewfinder when taking selfies with the rear cameras.
Nikon is marking its 100th anniversary in many ways, including the creation of a new scholarship program for 'future visual creators' in the USA and Canada.
Take one Digital ELPH (or IXUS), rotate it vertically, add a fully articulating LCD and a lens with a camcorder-like focal length, and what do you get? Why, the Canon PowerShot TX1, of course. In this week's Throwback Thursday we revisit Canon's one-of-a-kind hybrid stills/video camera.
Just in case there was any doubt in your mind, here's the definitive video proof that yes, a $50,000 cinema camera beats the pants off a $50 camcorder in a side-by-side test.
Photographers who fly frequently in the US may want to finally invest in that TSA Pre-check status: in standard security lines, cameras and all other electronics larger than a smartphone will need to be placed in a separate bin for screening.
Images have appeared which claim to show Nikon's forthcoming D850 DSLR, the development of which was announced this week. If genuine, the pictures indicate that the D850 will offer illuminated controls and a tilting LCD screen, but no built-in flash.
To celebrate the Daguerreotype Achromat 2.9/64 lens' successful Kickstarter campaign, Lomography has announced a chrome-plated version of the lens in Nikon and Canon DSLR mounts.
Nikon just released four new firmware updates, adding features and fixing bugs in the D600, D610, D750 and the KeyMission 80.
It probably hasn't made your landscape photography bucket list just yet, but there's a good reason to visit Idaho. Here are 9 must-visit locations in this beautiful state.
Oops... Adobe accidentally leaked their unfinished Lightroom-powered cloud-based photo editor 'Project Nimbus' to some Creative Cloud users yesterday.
Storm chaser and award-winning photographer Mike Oblinski just released his latest time-lapse, and it is absolutely stunning.
Looking to level up your video capture capabilities without buying a whole new camera? Blackmagic's Video Assist 4K is well worth considering, despite a few flaws and its lack of 4K/60p support.
We're big fans of Fujifilm's fast-growing GFX system, and the GF 110mm F2 lens is no exception. Positioned as the system's classic portrait lens, its optics are just as impressive with non-human subjects as well.
Nikon turns 100 years old today, and the company is celebrating with a wacky music video, some tributes to its history, and a new vision presented by president Kazuo Ushida.
Phottix just released the Premio Parabolic Umbrellas series, replacing their Para-Pro line with a stronger, deeper and better made set of parabolic umbrellas.
The Moto Z2 is Motorola's first dual-camera smartphone and, compared to its predecessor, comes with a number of improvements and new camera features.
Researchers at Stanford have revealed a new '4D camera system' built for robots. The system is based on the same light field tech that allowed Lytro cameras to refocus images after they were taken.
If you want 'beautiful rendition' from your lenses, follow this simple rule: only buy classic low-element prime lenses with lead glass elements—everything else is junk.
In an interview with CNBC, Leica Chairman Andreas Kaufmann said he dreams of a 'true Leica phone,' and hinted at what's next for the Leica and Huawei partnership.
Wildlife and nature photographer Peter Mather tells the story behind this exceptional shot of a mama grizzly and her cub searching for salmon in Yukon, Canada.
Popular YouTube channel TastyTuts has put together this 33-video Beginner's Guide to Adobe Photoshop—a godsend for anybody who wants to learn Photoshop from scratch.
The long anticipated replacement for the popular Rode VideoMic Pro is almost ready for shipping. The price of the upgraded VideoMic Pro+ will be £290/$300 when it goes on sale in mid-August.
A new iOS app called Explorest wants to help you find new locations to shoot. It's limited to Singapore for now, but the app is packed full of useful location scouting features.
Nikon's D850 development announcement is extremely light on details, so we assembled a wish list of upgrades and features we'd love to see.