Sony has revealed the Planar T* 50mm F1.4 and 70-400mm F4.5.6 G SSM II
Sony has revealed the Zeiss-branded Planar T* 50mm F1.4 ZA SSM and 70-400mm F4-5.6 G SSM II A-mount lenses, alongside a redesigned DT 18-55mm F3.5-5.6 SAM II entry-level kit zoom. The redesigned 70-400mm telephoto zoom offers faster autofocus than the existing version and comes in a white body that matches the recent 70-200mm and 500mm G lenses. Meanwhile, the 50mm F1.4 features a dust and moisture resistant design and quiet autofocus.
Full-frame G Lens 70-400mm telephoto zoom; Full-frame Carl Zeiss Planar 50mm F1.4; DT 18-55mm F3.5-5.6 standard zoom; compact add-on flash and remote commander
- New-generation 70-400mm F4-5.6 G SSM II telephoto zoom – with 4x faster autofocus and improved optical performance
- Full-frame, wide-aperture, single-focal-length Carl Zeiss Planar T* 50mm F1.4 ZA SSM – high-end image quality with renowned resolving power and contrast
- Light, compact, newly-styled DT 18-55mm F3.5-5.6 SAM II standard 3x zoom lens – designed for APS-C cameras
- HVL-F20M flash – space-saving design with wireless control and bounce flash
- RM-VPR1 wired remote – easily control shutter release, video start/stop and zoom
Sony extends the range of A-mount interchangeable lenses with three new models to satisfy the most demanding enthusiasts and photo professionals.
The 70-400mm F4-5.6 G SSM II and Carl Zeiss Planar T* 50mm F1.4 ZA SSM lenses complement the impressive imaging capabilities of Sony’s full-frame α99 SLT (Translucent Mirror) camera. The DT 18-55mm F3.5-5.6 SAM II is a light, compact 3x zoom that’s an ideal partner for A-mount cameras with APS-C sensors.
They’re joined by a compact new on-camera flash and a wired remote that’s ideal for advanced shooting.
“70-400mm F4-5.6 G SSM II” telephoto zoom
Sony’s G lens line-up is strengthened for 2013 with the revised 70-400mm F4-5.6 G SSM II. Ideal for capturing wildlife and action-packed sports, the upgraded super-telephoto zoom builds further on the premium performance of its predecessor with enhanced optics and faster, more responsive autofocus. Thanks to a new LSI drive circuit, autofocus speed of the SSM (Super Sonic Wave Motor) is around four times quicker than before. Teamed with enhanced tracking AF, the upgraded lens is now even more suitable for capturing stills and Full HD video of fast-moving subjects.
While its optical design is carried over from the previous-generation model, the new-generation lens features Sony’s proprietary Nano AR Coating on optical surfaces. Offering around five times the efficiency of conventional anti-reflection coatings, this advanced technology reduces flare and ghosting for exceptionally high-contrast images.
Carl Zeiss “Planar T* 50mm F1.4 ZA SSM”
The new Planar T* 50mm F1.4 ZA SSM joins the existing Distagon 24mm, Planar 85mm and Sonnar 135mm in the A-mount range of prime length optics by Carl Zeiss. Offering a fixed 50mm focal length and extra-bright F1.4 aperture, the premium lens is an ideal choice for quality-critical portraiture and low-light shooting.
Featuring 8 elements in 5 groups with two aspherical elements, the brand new optical design is optimised for superb results with Sony’s full-frame α99. Exceptional resolving power and contrast at all apertures are teamed with smooth, quiet autofocusing and a rear-focus system that maintains the same lens body length during AF. The dust- and moisture-resistant design extends the appeal of the new lens to a wide range of outdoor shooting applications.
“DT 18-55mm F3.5-5.6 SAM II” zoom
Boasting second-generation styling, this new lens succeeds the popular DT 18-55mm F3.5-5.6 SAM that was introduced in 2011. The light, compact 3x zoom lens covers a frequently-used range of focal lengths from wide-angle 18mm to standard 55mm (35mm camera equivalent range: 27-82.5mm). While retaining the same smooth AF motor (SAM) as its predecessor, newly-designed rear lens elements suppresses flare and ghost, while mechanical elements have been upgraded for more positive, comfortable operation.
New accessories for Sony cameras and camcorders
The HVL-F20M is a space-saving, easy to carry new flash for Multi Interface Shoe mounted cameras, that’s ideal for brightening up portraits, interiors and dimly-lit scenes. Despite its compact size, it’s packed with pro-style features like wireless control for fuss-free multi flash set-ups, simple bounce operation and Auto White Balance compensation for more accurate, natural-looking white balance. It’s refreshingly easy to use: just raise the flash head to switch on… then turn off again by lowering when the flash isn’t needed.
Compatible with a growing range of ‘α’ A-mount and E-mount, Cyber-shot™ and Handycam® models that feature the versatile Multi Terminal interface, the RM-VPR1 wired remote commander features handy controls for zoom and video recording start/stop. It also includes a shutter lock function that’s ideal for long-exposure ‘bulb’ shooting with ‘α’ cameras. The remote comes supplied with two cables. One is for use with Multi Terminal-equipped cameras/camcorders, while the other allows simple shutter release with ‘α’ A-mount cameras that only include a REMOTE terminal.
Please see http://www.sony.co.uk/hub/lenses for full details on new lens and accessories.
The new lenses and accessories will start to become available in Europe from March 2013.
Sony Planar T* 50mm F1.4 ZA SSM, 70-400mm F4-5.6 G SSM II, DT 18-55mm F3.5-5.6 SAM II lens specifications
|Sony Carl Zeiss Planar T* 50mm F1.4 ZA SSM||Sony 70-400mm F4-5.6 G SSM II||Sony DT 18-55mm F3.5-5.6 SAM II|
|Lens type||Prime lens||Zoom lens|
|Max Format size||35mm FF||APS-C / DX|
|Focal length||50 mm||70–400 mm||18–55 mm|
|Lens mount||Sony/Minolta Alpha|
|Minimum focus||0.45 m (17.72″)||1.50 m (59.06″)||0.25 m (9.84″)|
|Full time manual||Yes||Unknown|
|Focus method||Internal||Extending front|
|Weight||518 g (1.14 lb)||1500 g (3.31 lb)||222 g (0.49 lb)|
|Diameter||81 mm (3.19″)||95 mm (3.72″)||72 mm (2.83″)|
|Length||72 mm (2.83″)||196 mm (7.72″)||69 mm (2.72″)|
|Zoom method||Rotary (extending)|
|Filter thread||72 mm||77 mm||55 mm|
|Hood product code||ALC-SH126|
|Sony SAL-70400G2 70-400mm F4-5.6 G SSM Super Telephoto...|
|Blue and yellow in water by fireplace33|
from Ink and water
|Kylmä joki kopio by Kaappo|
from Shutter speed 1/25 or slower
|WR_2.8_13 copy copy by photoprof|
Ridiculous test incoming. What happens when you slap a $50 Yongnuo 50mm F1.8 lens onto a $12,000+ 5K RED cinema camera? One YouTuber decided to give it a shot and find out.
Drone giant DJI has released a teaser video titled 'adventure unfolds,' implying that a new folding drone is coming on January 23rd at 10am Eastern time.
Some good inspiration for current and aspiring wedding photographers out there. If you shoot images like these, you're bound to stand out from the crowd and give your clients that "wow" factor.
In his video Structure, photographer Drew Geraci shows how everyday objects become fascinating landscapes when captured in moving 4K shots at up to 1000x magnification.
The 2018 Japan BCN camera rankings are in, and the most surprising bit of news is that Canon is still outpacing Sony in the mirrorless segment, taking the #2 spot in that segment while still dominating in DSLRs.
Nikon's updated D850 firmware brings a number of smaller bug fixes, including fixing a green cast issue that was happening when users had long exposure noise reduction turned on.
Fujifilm's first 1:1 macro lens for the X-system gives a 122mm equivalent view of the world. We gave it a go shooting close-up subjects as well as some portraits – take a look at how it performs when paired with the X-T2.
According to a Reuters report, US Congress is urging US companies to sever ties with Chinese manufacturers of communication equipment.
A firm launch date is still forthcoming, but in the meantime a sample reel from Kodak's new Super 8 camera has been released.
HTC's newest handset, the HTC U11 Eyes, improves on the standard U11 by slapping a dual camera on the front for 'portrait mode' selfies with real-time bokeh simulation.
Missile scare notwithstanding, we spent a lovely few days in Hawaii shooting with Sony's newest APS-C E-mount lens. See how it measures up capturing the spectacular scenery that the Aloha State is known for.
Now that we've completed our review of Panasonic's Lumix DC-G9, we've updated its entry in our Best Cameras Under $2000 and Best Cameras for Sports & Action buying guides.
Hasselblad has introduced its next-generation multi-shot camera body, built to shoot 400-megapixel photos by using sensor-shift technology to combine up to six exposures into a single monster image measuring 23200 x 17400 pixels.
CVS is banning digitally altered beauty imagery on its store-brand beauty products, and plans to mark other brands' images as "Digitally Altered" if they're not up to snuff by the end of 2020.
Canon has announced that it will introduce a series of printers that allow users to refill the ink tanks themselves—a surprising shift that could, in theory, save customers quite a bit of money.
Adventure and lifestyle photographer Lucy Martin put together a useful little video that goes over her 18 favorite Lightroom shortcuts—a great guide for beginners.
Following a series of allegations of sexual misconduct against Bruce Weber and Mario Testino, magazine publisher Conde Nast has severed ties with both of the famed fashion photographers, and released a code of conduct for future photo shoots.
Photographer Christopher Payne captures the 'colorful world of craft and complexity' you'll find in the General Pencil Company's factory in Jersey City... and almost nowhere else.
A new feature in the Google Arts & Culture app compares your facial features to its database of thousands of artworks, finding your fine art "doppelganger."
Recently, we spent a day in Los Angeles with photographer, cook and food blogger Kylie Mazon. Join us and see how Kylie approaches the challenge of shooting lifestyle and promotional images for a downtown hotel with the Canon EOS M6.
Leica has announced a pair of short telephoto lenses for its SL full-frame mirrorless camera. The APO-Summicron-SL 75mm and 90mm F2 ASPH lenses feature an apochromatic design to reduce chromatic aberration, one aspherical element and minimum focusing distances of around 0.5m.
The Panasonic G9 is the brand's top-tier stills camera. We've updated our already large sample gallery with even more photos to enjoy.
The latest product of Huawei's collaboration with Leica is a smartphone with a great all-around imaging feature set that left us very little to complain about.
In this quick video, award-winning travel photographer Bob Holmes shares nine of his most basic and straightforward tips for finding great images, even when you're in a rut.
Gudsen has launched a new gimbal that’s aimed at mirrorless photographers. With a payload of 3.9lbs/1.8kg, the new Moza AirCross can provide stabilization to a mirrorless body even fitted with a cinema lens and a new in-handle option can provide power to Sony and Panasonic cameras.
The Lensbaby 46mm Macro Kit comprises of three stackable filters with different magnification levels, which can be combined with several of the company's "bokeh effect" lenses.
Nikon Rumors is reporting that an upcoming full-frame mirrorless camera from Nikon will sport an all-new "Z-Mount" with an extremely short flange distance of just 16mm.
A lot of people still have positive associations with the Kodak brand and its iconic logos, but it’s worth clearing something up: not everything with the Kodak name on it has much connection to a bunch of clever people in Rochester, New York.
A leaked image of a Galaxy S9 retail box indicates the new model might come with a variable aperture lens and a super-slow-motion video mode.
The portable little scanner features a 3.5-inch color screen, an integrated SD card slot for saving your scans, adapter trays for different types of film, and an HDMI port for viewing your scans directly on an external display.