User Guide: Getting the most out of the Olympus E-M5
1 User Guide: Getting the most out of the Olympus E-
Getting the most out of the Olympus E-M5
During the process of preparing the review of the Olympus OM-D E-M5 we spent quite a lot of time trying to work out how every little setting worked. Also being in the fairly unusual situation of having tried to describe the menu options of most Olympus cameras over the past couple of years, I thought it'd make sense to share the things I've found, alongside the findings of dilligent E-M5 owner Timur Born.
Some of these are fairly obvious and some are a matter of taste, but they're all things that we think most E-M5 owners will at least want to be aware of. So please join us on a journey through the settings you might want to play with on the E-M5.
Throughout this article, all menus and item names are stated in bold and any symbols in the menus replaced with a [description] in square brackets.
First things first:
When you first insert a battery into the E-M5, it'll try to behave like a DSLR - showing the Super Control Panel settings screen on the back of the camera and using the electronic viewfinder for previewing the image. Which strikes me as odd - one of the main things the E-M5 offers over a DSLR is seamless operation, regardless of whether you shoot with the rear screen or the viewfinder. Pressing the Live View button on the side of the viewfinder hump pushes the camera into live view mode, allowing use of the EVF and rear screen interchangeably.
The other thing you might wish to do, when you enter the menus for the first time, is press 'INFO' to stop the camera hiding most of the screen behind very slightly extended versions of the current menu item's name. If you're ever uncertain about an option's function, you can always hit 'INFO' again, just to see if the lengthier wording helps clarify the matter.
The other thing to remember is that the menus tend to require you to press 'OK' to confirm - it's easy, especially when you're trying to go on an change another setting, to select an option and the press 'left' to move back through the menus, only to find your setting change hasn't stuck.
- Enabling the Super Control Panel
- Choosing live view displays and configuring Highlights & Shadows
- Buttons and dials
- Quickly disabling/enabling the EVF eye sensor
- Configuring Auto ISO
- Image stabilization in the viewfinder...and for legacy lenses
- Faster live view (and Autofocus)
- Setting noise reduction and sharpening
- Shooting Super Fine JPEGs
- Making Auto White Balance less 'warm'
User interface tricks and tips
The Super Control Panel is one of our favorite user interfaces - it puts all your key settings on a single screen, making it easy to check or change your setup. On the E-M5 it's been made even better by being made touch sensitive, meaning you can simply hit OK to bring the screen up, tap the setting you wish to change, then spin the dial to change it. Alternatively, you can press 'OK' to see a list of available settings.
Strangely, though, Super Control Panel isn't enabled, by default, in the E-M5's live view settings. We think this is one of the most important single changes you can make for making the shooting experience faster and more enjoyable.
|The Super Control Panel gives easy access to the camera's key settings|
To enable the Super Control Panel, you need to go to the '[Camera] Control Settings' option in Custom Menu, section D. From here you can decide which user interface is available in the difference exposure modes. You can have more than one interface available in each mode. In general we'd suggest the Super Control Panel - marked as LIVE SCP in the menus - as being ideal for giving you the quickest access to the most functions, all on a single screen.
Once you've made LIVE SCP available for the shooting mode you're using, simply press the OK button from live view and the Super Control Panel should be overlaid as in the screen shot above. If you have left 'Live Control' engaged, you can switch between the interfaces by pressing INFO when the settings are displayed on the screen.
There five main live view display types available on the E-M5, four of which are optional. As with Super Control Panel, the one we think is best is disabled by default. The available views can be selected by visiting Custom Menu D, '[Thumbnail]/Info Settings' - 'LV-Info.' We'd suggest disabling the histogram, which is rather small and hard to read, and enable the 'Highlights&Shadow' view.
Highlights & Shadow indicates the under- and over-exposed regions of an image by replacing them with blue and red, respectively. This gives an immediate idea of which detail you risk losing with your current exposure. They're also easy to interpret, even in bright conditions where you can't see fine contrast differences on the screen.
|Highlight & Shadow simulation|
Better still, the threshold at which the camera indicates under- and over-exposure can be defined in Custom Menu D, 'Histogram Settings.' Depending on how you process your images, you're likely to want to experiment to find settings that suit you, but a setting of 250 - 5 usually provides a good safety-net.
The same options also exist for the electronic viewfinder and are customized in Custom Menu J - '[EVF] Info Settings'. This menu option only has an effect if you've selected Style 1 or 2 from the 'Built-in EVF Style' option at the top of Custom Menu J. These viewfinder styles offer a smaller image preview surrounded by a black or blue information panel but do have the benefit that you can choose a live view display independently of the one you've chosen for the rear screen. We've tended to stick with the default 'Style 3' which exactly mimics the rear display and uses the entire viewfinder area (but also means you have to use the same preview options you selected for the rear screen).
There are three primary configurable buttons on the E-M5's body, with the option of another two, if you're willing to give up direct access to AF point selection on the four-way controller. The three primary buttons - Fn1, Fn2 and REC have a wide range of options that can be configured in Custom Menu B - 'Button Function.'
If you also want to use the 'Right' and 'Down' arrows on the four-way controller as configurable buttons, you'll need to change the '[Four Way] Function' to 'Direct Function.' The two buttons can then be configured separately. With this option chosen, AF selection becomes a mode, accessed by pressing 'Left' on the four-way controller, and requiring a press of 'OK' to confirm each change.
When configuring buttons, there are a couple of things to remember - Fn2, if set to 'Multi Function' allows access to four functions (including magnified live view), so you may find it the most useful option. To switch between functions, simply hold down Fn2 and spin a control dial. Also, only four of the functions that can be assigned to Fn1 are available in movie mode (AEL/AFL, Off, Digital Teleconverter and AF Area Select) - if you select anything other than these, Fn1 will act as focus acquire/hold when shooting movies. More detail can be found later in this article.
May 30, 2014
Dec 4, 2014
Nov 15, 2014
May 5, 2015
|Steamin' Mad by ahrensjt|
from Angered Subjects (Street Photography)
|Smile by Olymguy|
from Ultra Asian Indian Female Faces
|Space Shuttle Cockpit- by vbuhay|
from Aircraft Control Stick
The Polish town of Katowice is not known as an area of beauty, but as all photographers know, that doesn't mean that beauty can't be found if you know where to look. Mariusz Pietranek used a drone to look down on the colorful sedimentation tanks at an ironworks.
New York Times video journalist Ben Solomon spent a harrowing three weeks accompanying Iraqi Major Sajjad al-Hour as he and his men fought to retake Mosul from I.S. forces.
The 3D VR camera launched through a crowdfunding campaign in 2015 goes on sale beginning June 26.
Noctilucent clouds, a crescent moon and Venus were visible in the pre-dawn sky over Budapest yesterday. Photographer György Soponyai captured NASA's astronomy picture of the day.
Squirming pets won't sit still for photos? A Kickstarter campaign is looking to help.
Find out how Chris Burkard shifted from editorial photography to his true passions: landscapes, conservation and, of course, surfing.
The updated EyeEm app scans your camera roll and picks images that are composed particularly well, have the best quality, or highest chance of selling on EyeEm Market.
It's three years old but still a solid option for a Micro Four Thirds shooter looking for a high-quality, fast, wide-angle prime. Take a look at how we got along with it.
Tamron has announced the longest all-in-one zoom lens currently available, the 18-400mm F3.5-6.3 Di II VC HLD. Designed for Canon and Nikon crop-sensor cameras, the lens will be available in July.
When you're ready to step-up to full-frame from an entry-level or midrange camera, the choices can be overwhelming. Find out which models came out on top in our $1200-2000 enthusiast ILC roundup.
Just a guy wearing a VR headset, smashing invisible Goombas in Central Park.
NASA's Mars Reconnaissance Orbiter captured this gorgeous aerial photo of the Martian landscape. And if you look really close, you can actually see the Mars Curiosity rover in the very middle.
The city of Laguna Beach, California has provided some clarification around the kinds of photography permits it offers.
Later this year, a VR180 camera will be Joining Yi's Halo and 360 VR cameras, which will offer stereo 3D capture, yet be as easy to use and compact as a 2D camera.
Caltech researchers have developed an 'optical phased array' chip that uses time delays instead of a lens to focus the incoming light.
Pricing and shipping have finally been revealed for two highly anticipated lenses from Sigma, announced in February.
These macro photos of clouds of paint billowing through clear water might look like high-quality CGI, but they're real photographs. And photographer Alberto Seveso told us how they were made.
Facebook is testing a feature that prevents people from saving, sharing, or even taking a screenshot of your profile picture.
We've reshot the Sony a9 in our studio. The short story: it's sharper! The long story... well you can read it all here.
The collection will be officially launched during the Europeana Transcribathon Campus Berlin 2017 crowdsourcing event which will be held on 22 and 23 June at the Berlin State Library.
Light gives us some insight into the preparations for the launch of the pre-order shipments of its much anticipated L16 multi-lens camera.
OnePlus co-founder Carl Pei has confirmed in a tweet that the second lens on the back of the OnePlus 5 uses a 1.6x optical zoom and that digital zoom is used to reach the claimed 2x zoom factor.
Fujifilm recently unveiled the second in its series of affordable cine lenses, the MK50-135mm T2.9. We got our hands on it for a couple days and took it for a spin.
Leica's first attempt at an M-series digital rangefinder was rough around the edges, but set a pattern for all of the cameras that came after it. In this week's Throwback Thursday article, Barney remembers the M8.
No stranger to extreme situations, legendary climber and filmmaker Jimmy Chin talks to Outside Magazine about his career, and the challenge of filming Alex Honnold's rope-free solo climb of El Capitain.
A company backed by Android co-founder Andy Rubin is attempting to make video conferencing less terrible.
Rangefinder magazine asked five professional portrait and wedding photographers about posting on Instagram; no surprise, they got five different answers.
This captivating stop motion film was created by stripping away one layer of wood at a time. It's hard to look away.
It will enable users to simulate the presence of the sun, moon and Milky Way and see how they interact with an area's topography.
Since its introduction in November last year Instagram's live streaming feature has been used by millions, but videos could not be archived for watching at a later stage. A new update has now added the capability.