Canon unveils EOS C500 4K cinema video camera and four lenses
Canon has officially announced the EOS C500, the professional 4K video camera output that it promised at the NAB trade show in April. A continuation of the concept of the C300, it can capture Raw 4K video footage and offers frame rates of up to 120fps in compressed 4K. It also captures 2K footage (2,048 x 1,080 pixels) at 12-bit, with 4:4:4 Y'CbCr chroma sub-sampling for high colour resolution. The company has also confirmed four cinema EOS lenses alongside it - the EF mount CN-E15.5-47mm T2.8 L S and CN-E30-105mm T2.8 L S, and the same optics in PL mount (known as the CNE15.5-47mm T2.8 L SP and CN-E30-105mm T2.8 L SP respectively). The C500's price will be in the region of $30,000.
Quality, performance and creative choice – Canon strengthens the Cinema EOS System
London, UK, 29 August 2012 – Canon today expands the Cinema EOS System with the official launch of the company’s eagerly-awaited 4K cinema camera and four compact EF Cinema Lenses. Originally unveiled as a development announcement in April 2012, the EOS C500, the CN-E15.5-47mm T2.8 L S/SP and the CN-E30-105mm T2.8 L S/SP join the new EOS C100 and ground-breaking EOS C300 in creating Canon’s strongest ever line-up, offering outstanding quality and performance in a range of different
Canon’s Cinema EOS System brings together unique expertise from the company’s DSLR, video, broadcast and lens divisions – offering exceptional quality and creative freedom to professionals of all kinds. With the new entry-level EOS C100 and the 4K EOS C500, the system has grown to meet a range of production requirements for users of all levels. Additionally Canon’s new cine zoom lenses provide excellent value and performance in EF and PL variants – offering compatibility with virtually any camera in production today. All new products will be showcased at IBC 2012, marking the first time the complete Cinema EOS System has been displayed in Europe.
“This is our strongest-ever professional video line-up” said Kieran Magee, Professional Imaging Marketing Director, Canon Europe. “Each of these new products has been developed with the needs of professionals in mind, empowering our customers to be more creative than ever before. With the EOS C500 and our new cinema zoom lenses, as well as the new EOS C100, we’re extending the range to meet the needs of an even
wider range of users – from independent users through to cinematographers.”
EOS C500 – revolutionary 4K video capture
Following a development announcement in April 2012, Canon today confirms the European launch of the EOS C500, a new digital cinema camera capable of 4Kresolution (4,096 x 2,160 pixels) video output. Designed for motion picture and high resolution digital production industries, the EOS C500 offers the ability to output 4Kresolution images as RAW data for recording using an external device. The camera’s uncompressed 4K output also unleashes the full potential of Canon’s expanding range of 4K-resolution EF Cinema Lenses, while an EF mount with Cinema Lock makes it easier for operators to switch lenses during shooting.
As well as uncompressed 4K footage, the EOS C500 supports 12-bit or 10-bit RGB 4:4:4 output signals for 2K (2048 x 1080 pixels) or Full HD off-board recording – delivering rich colour and high compatibility with image processes such as chroma key positioning. The camera also supports frame rates up to 120p in both 4K and 2K
modes, providing enhanced creative flexibility for high-speed (slow motion) video capture. The inclusion of Canon Log Gamma delivers the high quality video and wide exposure latitude demanded by professional cinematographers.
Based on the same advanced platform as the EOS C300, the EOS C500 delivers exceptional performance, incredible mobility and outstanding expandability. The availability of a PL mount variant provides support for industry-standard lenses, while the EF mount model is the first Cinema EOS camera to feature a modified EF mount with Cinema Lock. Designed as a result of user feedback, EF mount with Cinema Lock has been developed to make it simpler to swap lenses mid-shoot. Instead of the user having to rotate the lens, the new mount rotates to lock lenses into place – providing easier operation during studio and field-based shooting.
New cinema zoom lenses – flexibility, performance and value
The arrival of four new EF Cinema Lenses expands the Cinema EOS System further, with each designed to offer premium performance, mobility and competitive pricing. Two wide-angle cinema zoom lenses, the CN-E15.5-47mm T2.8 L S (EF mount) and CNE15.5-47mm T2.8 L SP (PL mount) launch alongside two telephoto cinema zoom lenses, the CN-E30-105mm T2.8 L S (EF) and CN-E30-105mm T2.8 L SP (PL) and all
offer sufficient resolution for 4K production, making them ideal for use with Canon’s EOS C500 and EOS-1D C cinema cameras – both of which support 4K video capture.
All four lenses offer compatibility with industry-standard Super 35 mm-equivalent cameras, while cutting-edge optical constructions provide superior flexibility for use in a wide range of situations. Each lens features a compact, lightweight body that supports a versatile focal range, making them ideal for handheld shooting, and a
variety of design enhancements made in recognition of the way users work, such as a uniform front diameter, standard gear pitch and 300 degree focus travel for precise focus adjustments. Perfectly complementing Canon’s existing Top-End Cinema zooms and EF Cinema primes, these new zoom lenses offer a greater variety of creative
possibilities for cinema and video professionals of all types – whether studio-based or in the field.
|Canon CN-E15.5-47mm T2.8 L S|
|Canon CN-E30-105mm T2.8 L S|
Aug 20, 2015
Aug 28, 2015
Canon EF 35mm F1.4L II USM boasts new Blue Spectrum Refractive Optics for improved chromatic aberration control
Aug 27, 2015
Aug 27, 2015
|Moon 99% D55 C14 St-Zénon 20170806 DP by MarioSS|
from Best Picture of the Week
|Reeds on lake by kkardster|
from Abstracts in Nature
|Florence & the Machine by Dutch Newchurch|
from Second chances..
If you're shooting the solar eclipse here's a hint: don't fry your camera's sensor. Use a proper solar filter that offers at least 16 stops of light filtration, along with UV and IR filtering. More important? Don't look at it unless you've got solar filters. Sensors can be replaced, your retinas can't.
Photographer Rick Wenner recently captured an odd event called the Race of the Gentlemen with a rather odd camera: The Phase One XF IQ3 Achromatic, the world's only 101MP black-and-white digital back.
Buying used is a good way to save some dough, and with the right precautions you can protect yourself from falling victim to a scam.
This two-part video series takes a deep dive into the world of dynamic symmetry and geometric composition, using iconic photographer Henri Cartier-Bresson's brilliant photographs as a guide.
Award-winning photographer Jeremy Cowart tells the moving story behind this drone photograph, captured in the aftermath of the devastating wildfire in Gatlinburg, TN in 2016.
Happy 2017 World Photo Day! We asked everyone on staff at DPReview to share one photo that they took within the last year that makes them jazzed on photography. Here's what we chose.
French President Emmanuel Macron has lodged a legal complaint against a paparazzo who snuck onto the president's private vacation property to take pictures.
Ever wonder what the difference is between compressed, uncompressed and lossless compressed Raw files? Photography Life's Nasim Mansurov breaks it down for you in this informative article.
The oldest known portrait of a US president was just discovered after over a century in storage. It's going up for auction in October, where it's expected to fetch between $150,000 and $250,000.
If you're using the popular Sigma 24-70mm F2.8 Art lens with Sigma's MC-11 converter, listen up: you'll want to update your lens and converter firmware ASAP.
If you've heard it once, you've probably heard it a thousand times: never check in your camera gear when flying. This shattered $11,000 lens is what can happen when you do.
Lensrentals just did its first Cine lens comparison, pitting five top-notch 35mm primes against each other: the Zeiss CP.2 35mm T2.1, Canon CN-E 35mm T1.5, Sigma 35mm T1.5 FF, Rokinon Xeen 35mm T1.5 and Schneider Xenon 35mm T2.1.
A team of Google researchers have found that slightly warping watermarks when embedding them into images can help prevent automatic removal.
You don't have to empty your savings account to take your photography to the next level. These cheap buys cost about $50 or less, and come with outsized benefits for your photography.
Joey L, Dani Diamond, Brandon Woelfel and Jessica Kobeissi go head-to-head in an episode of "4 photographers shoot the same model."
The latest flagship phone from Asus combines a 12MP 1/2.55" Sony IMX362 main sensor with a smaller Sony IMX351 chip for 2x zoom and a background-blurring portrait mode.
The company behind popular photo editor Picktorial 3 just released the X-Pack: a preset package that allows you to add Fuji's in-camera film simulation profiles to your RAF files in post.
Photoshop. GoPro. Every once in a while a product emerges that defines a category. And sometimes, it vanishes just as quickly as it arrived on the scene. This week's Throwback Thursday remembers the Flip, the pocket camcorder everyone had – until they didn't.
The Nokia 8's dual-cam combines the image data from a 13MP RGB sensor and a 13 monochrome chip for better detail, improved dynamic range and lower noise levels.
The company behind retail giant B&H Photo has agreed to pay out $3.2 million in monetary relief and back wages to settle a discrimination and harassment case from 2016.
After a popular Facebook teaser and some studio portrait samples, Godox has finally officially released the Godox A1 smartphone flash and flash trigger. Cheap, versatile and innovative, color us intrigued.
Canon’s EOS 5D Mk IV has won the European Imaging and Sound Association’s Professional DSLR of the Year award, making this the third year in a row that the brand has beaten Nikon to the top spot in the professional camera category.
A photograph and quote tweeted out by former president Barack Obama has officially become the most popular tweet of all time, receiving over 1.3 million retweets and 3.4 million likes.
Edward Weston was one of the most influential photographers of the 20th century, and in this episode of Advancing Your Photography we learn the extreme technique he used to capture one of his most famous still life photos.
Instagram just released a small update that will make a huge difference if you're active on the photo sharing app: threaded comment replies.
Venus Optics has announced the price and delivery date of the second lens to join its Zero-D line up: the 15mm F2 for Sony’s E mount. A lens they've dubbed, "the world's fastest 15mm rectilinear lens for full-frame."
Cinnac is a new social network for photographers that will help you separate your good photos from your great ones through a Tinder-like community-based rating system.
The Canon EF 35mm F2 IS USM is an understated jewel of a lens, and one that we've enjoyed on a variety of cameras since its release almost five years ago. Its relatively small size and image stabilization make it a versatile tool for a variety of photography - check out our sample gallery.
You don't need a fancy studio or tons of gear to capture the kind of classic product photography you see in magazines. In this video, Dustin Dolby shows you how to do it with just a couple of speedlights and some know-how.
The life-logging camera is trying to make a comeback. Say hello to FrontRow, a live-streaming enabled life-logging camera from Ubiquiti that hangs on a necklace like a pendant.