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With its unusual form factor can the Tourbox aid the editing process? Will its price and variety of tactile controls appeal to photo and video editors who would like to streamline their workflow?
Pre-Photokina 2008: Tamron has announced the availability of the SP AF 10-24mm f/3.5-4.5 Di II LD Aspherical (IF) lens for Canon and Nikon APS-C DSLRs. This ultra wide-angle lens offers a minimum focus distance of 0.24m throughout its range and a maximum magnification ratio of 1:5 at 24mm. The lens will be available later this month, initially in Japan. Pentax and Sony versions will follow at an unspecified date.
Designed for Exclusive Use for Canon and Nikon (with Built-in AF Motor) Small Sensor DSLR Cameras
Tamron Co., Ltd (Mr. Morio Ono, President) announced the SP AF10-24mm F/3.5-4.5 DiII LD Aspherical (IF) featuring an unprecedented 2.4X zoom ratio in its class of ultra wide-angle zoom lenses. The innovative, high-performance ultra wide-angle zoom lens (model B001) is designed exclusively for Canon and Nikon digital SLRs with APS-C sized image sensors*1. Pentax and Sony mount models will be announced at a later date.
The SP AF10-24mm Di II, the first-ever ultra wide-angle lens for digital SLR cameras, features a focal length range with the 35mm equivalent of 16mm ultra wide-angle to 37mm semi-wide-angle*2 in a user-friendly lightweight, compact design. With this versatile ultra-wide-angle zoom lens, photographers can capture magnificent vistas and extraordinary close-ups, bold compositions and unique perspectives, creating imagery impossible with standard wide-angle lenses.
The advanced optical system of this ultra wide angle lens features large-aperture, glass-molded aspherical elements, hybrid aspherical elements, as well as elements made of special low-dispersion glass and high-refractive index glass, all of which combine to deliver high-quality imagery and performance
Covers the Broadest Range Ever-from 10mm Ultra Wide-angle to 24mm-in Its Class.
The new Tamron ultra wide-angle zoom lens covers the 35mm full-size format equivalent of 16-37mm, for the first time in this class of zoom lenses . This focal length range-10mm ultra wide-angle to 24mm semi wide-angle-enables the user to enjoy hassle-free wide-angle photography.
Features an Optical Design Optimized for Digital Camera Characteristics
Ultra-Compact, Lightweight Design
The new zoom lens covers a wider focal length range with a greater zoom ratio and offers a faster maximum aperture and enhanced optical quality than the existing SP AF11-18mm zoom lens (Model A13). Despite the higher specifications, the new zoom lens is lightweight and compact and accepts a 77mm filter, the same as the existing SP AF11-18mm F/4.5-5.6 Di II zoom lens (Model A13).
Minimum Focus Distance of 0.24m (9.4") Across Zoom Range
Because a close-focusing capability is essential in wide-angle photography, Tamron engineered a 0.24m (9.4") minimum focus distance across the zoom range. This capability gives the user freedom to create images with an exaggerated perspective at the 10mm ultra wide-angle end and shoot with a maximum magnification ratio of 1:5 at the 24mm semi-wide-angle setting, the largest magnification ratio in its class.
Flower-shaped Lens Hood Is a Standard Accessory
A glare-reducing, flower-shaped lens hood is included as a standard accessory. The special hood provides optimum shading of light rays that enter from the rectangular frame outside the image field.
New External Design Expressing "State-of-the-Art Ultra Wide-angle Zoom Lens" in the Digital Era
*1 Di (Digitally integrated design)-II lenses are designed for exclusive use on digital cameras with APS-C sized smaller image sensors. Di II lenses are not designed for use with 35mm film cameras and digital SLRs with image sensors larger than 24mmx16mm.
*2 Tamron's conversion value is 1.55x
|Maximum Aperture||F/3.5 - 4.5|
|Angle of View||108° 44' - 60° 20'
|Lens Construction||12 elements in 9 groups|
|Minimum Focus Distance||0.24m (9.4") (Over the entire zoom range)|
|Maximum Mag. Ratio||
1 : 5.1 (at 24mm)
|Overall Length||86.5mm (3.4")*|
|Weight||406g (14.3 oz.)|
|Diaphragm Blades||7 blades|
|Standard Accessory||Flower-shaped lens hood|
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What’s the best camera for under $2000? These capable cameras costing less than $2000 should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing under $2000 and recommended the best.
What’s the best camera costing over $2000? The best high-end camera costing more than $2000 should have plenty of resolution, exceptional build quality, good 4K video capture and top-notch autofocus for advanced and professional users. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing over $2000 and recommended the best.
We've updated our 'best cameras over $2000' buying guide, and the Sony a7R IV is now our favorite mirrorless camera in the $2000-4000 price range. It sits alongside the Nikon D850, which is our choice for those who prefer DSLRs.
If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that might be a bit older but still offer a lot of bang for the buck.
What's the best camera for shooting sports and action? Fast continuous shooting, reliable autofocus and great battery life are just three of the most important factors. In this buying guide we've rounded-up several great cameras for shooting sports and action, and recommended the best.
|Rainbow 🌈 of Friendship 🤝 by robbiesydney|
from rainbow challenge
|Sleek, Mysterious......And Fast!! by G Gordon MacDonald|
from Aviation Legends: Lockheed SR-71 Blackbird
|Summer night view of the fjord by Kaappo|
from My Best Picture of the Week
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from The Floor
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