Tamron ultra-wide released for Canon and Nikon
Pre-Photokina 2008: Tamron has announced the availability of the SP AF 10-24mm f/3.5-4.5 Di II LD Aspherical (IF) lens for Canon and Nikon APS-C DSLRs. This ultra wide-angle lens offers a minimum focus distance of 0.24m throughout its range and a maximum magnification ratio of 1:5 at 24mm. The lens will be available later this month, initially in Japan. Pentax and Sony versions will follow at an unspecified date.
New Tamron SP AF10-24mm Di II High-Performance Ultra Wide-Angle Zoom Lens with unprecedented focal length range (Model B001)
Designed for Exclusive Use for Canon and Nikon (with Built-in AF Motor) Small Sensor DSLR Cameras
Tamron Co., Ltd (Mr. Morio Ono, President) announced the SP AF10-24mm F/3.5-4.5 DiII LD Aspherical (IF) featuring an unprecedented 2.4X zoom ratio in its class of ultra wide-angle zoom lenses. The innovative, high-performance ultra wide-angle zoom lens (model B001) is designed exclusively for Canon and Nikon digital SLRs with APS-C sized image sensors*1. Pentax and Sony mount models will be announced at a later date.
The SP AF10-24mm Di II, the first-ever ultra wide-angle lens for digital SLR cameras, features a focal length range with the 35mm equivalent of 16mm ultra wide-angle to 37mm semi-wide-angle*2 in a user-friendly lightweight, compact design. With this versatile ultra-wide-angle zoom lens, photographers can capture magnificent vistas and extraordinary close-ups, bold compositions and unique perspectives, creating imagery impossible with standard wide-angle lenses.
The advanced optical system of this ultra wide angle lens features large-aperture, glass-molded aspherical elements, hybrid aspherical elements, as well as elements made of special low-dispersion glass and high-refractive index glass, all of which combine to deliver high-quality imagery and performance
Covers the Broadest Range Ever-from 10mm Ultra Wide-angle to 24mm-in Its Class.
The new Tamron ultra wide-angle zoom lens covers the 35mm full-size format equivalent of 16-37mm, for the first time in this class of zoom lenses . This focal length range-10mm ultra wide-angle to 24mm semi wide-angle-enables the user to enjoy hassle-free wide-angle photography.
Features an Optical Design Optimized for Digital Camera Characteristics
- Special Optical Glass Materials for High Optical Performance
The new zoom lens uses a high-precision, large-aperture glass-molded aspherical lens element and three hybrid aspherical elements to minimize spherical aberration, coma, and distortion. In addition, a pair of LD (Low Dispersion) glass elements and an HID (High-refractive Index) glass element together compensate for on-axis and lateral chromatic aberrations, delivering high optical quality.
- Optical System Designed to Optimize Angles of Incidence of Light Rays Reaching the Imager
The new ultra wide-angle zoom lens uses a new optical system designed to confine the changing angles of incidences of light rays reaching the imager within a certain scope over the entire image field, from the center to the periphery, addressing the effects of variances caused by zooming.
- Enhanced Peripheral Illumination
Peripheral light fall-off that becomes an image-degrading factor in wide-angle photography is minimized to ensure high optical quality from the center to the periphery.
- Outstanding Resolution
As an SP Di II class lens, it provides high optical quality in resolution, contrast, and flatness of image field.
- Internal Surface Coatings Reduce Ghosting and Flare
The lens uses newly developed multiple-layer coatings and internal surface coatings (i.e., multiple-layer coatings on cemented surfaces of plural lenses) to reduce the image degradation caused by the reflection of light rays entering from the lens front and affected by the imager.
Ultra-Compact, Lightweight Design
The new zoom lens covers a wider focal length range with a greater zoom ratio and offers a faster maximum aperture and enhanced optical quality than the existing SP AF11-18mm zoom lens (Model A13). Despite the higher specifications, the new zoom lens is lightweight and compact and accepts a 77mm filter, the same as the existing SP AF11-18mm F/4.5-5.6 Di II zoom lens (Model A13).
Minimum Focus Distance of 0.24m (9.4") Across Zoom Range
Because a close-focusing capability is essential in wide-angle photography, Tamron engineered a 0.24m (9.4") minimum focus distance across the zoom range. This capability gives the user freedom to create images with an exaggerated perspective at the 10mm ultra wide-angle end and shoot with a maximum magnification ratio of 1:5 at the 24mm semi-wide-angle setting, the largest magnification ratio in its class.
Flower-shaped Lens Hood Is a Standard Accessory
A glare-reducing, flower-shaped lens hood is included as a standard accessory. The special hood provides optimum shading of light rays that enter from the rectangular frame outside the image field.
New External Design Expressing "State-of-the-Art Ultra Wide-angle Zoom Lens" in the Digital Era
- The new zoom lens features a refined exterior design that enhances its uniformity and smoothness, matching the designs of current digital SLRs.
- The metallic finish of the gold band on Tamron lenses makes it stand out as a Di II lens, and the layout of alphanumeric markings, including the TAMRON logo in the center of the control ring, has been improved for greater visibility.
- Exquisite black mat finish is applied to the black paint over the lens barrel for improved quality appearance.
- The rubber patterns on the zoom and focus rings have been enhanced to compliment today's digital camera design style and ensure better handling
*1 Di (Digitally integrated design)-II lenses are designed for exclusive use on digital cameras with APS-C sized smaller image sensors. Di II lenses are not designed for use with 35mm film cameras and digital SLRs with image sensors larger than 24mmx16mm.
*2 Tamron's conversion value is 1.55x
|Maximum Aperture||F/3.5 - 4.5|
|Angle of View||108° 44' - 60° 20'
|Lens Construction||12 elements in 9 groups|
|Minimum Focus Distance||0.24m (9.4") (Over the entire zoom range)|
|Maximum Mag. Ratio||
1 : 5.1 (at 24mm)
|Overall Length||86.5mm (3.4")*|
|Weight||406g (14.3 oz.)|
|Diaphragm Blades||7 blades|
|Standard Accessory||Flower-shaped lens hood|
For Canon, Nikon, Pentax, and Sony
Jun 1, 2009
Feb 11, 2009
Feb 11, 2009
Aug 23, 2011
I own it
I want it
I had it
Discuss in the forums
Join DPReview editors Rishi Sanyal and Carey Rose on Facebook Live as they share their experience and answer your questions about the new Sony a9, Wednesday at 9:30 AM Pacific time. Click here for additional details and time zones
German media reports that the founders of the company behind the Panono 360-degree ball camera have filed for bankruptcy at a court in Berlin. Read more
With a claimed 800 new custom parts, Microsoft's updated Surface Pro comes with the latest Kaby Lake processors, better battery life, a new hinge, plus the Surface Pen is updated as well. Read more
DW Photo is attempting to resurrect the Hy6 medium format camera, though the legal tangles of its development may stop it being branded Rolleiflex.
The Kodak EKTRA, the company's 'camera first' smartphone, is now available to purchase in the United States. Read more
Apple and Nokia have settled their years-old patent dispute. Apple will make an undisclosed payment to Nokia and sign a licensing agreement related to digital health products with the Finnish company.
David Gibson, one of Britain's best known street shooters, shares all.
Photographers from the SKYGLOW project travelled 150k miles and took 3 million photos in increasingly rare locations: those without light pollution.
The world's fastest 200mm was produced for 16 years. In that time, only 8000 were made.
Photokina, the biennial photo industry trade show in Cologne, Germany, has announced that it will become an annual event beginning in 2018, and expand its focus to additional areas of imaging technology. Read more
No mic socket? No problem. In this video, Daniel Peters at Photo Gear News shows you how to make a lapel microphone using just a smartphone and a pair of earbuds.
How does the iPhone 7 Plus stack up against the Arri Alexa cinema camera? Watch this short video to find out.
Canon Australia's video series "The Lab" is designed to make photographers experiment and think outside the box. In the latest video a group of photographers create images based on their sense of taste.
The GH5 is expected to get a firmware update this summer to support 400Mbps internal recording. NewsShooter explores what memory cards you'll need to make it work.
Microsoft's new Surface Pro offers Intel's latest processor generation and improved battery life.
Riding a mountain bike downhill is dangerous enough in daylight, but potentially lethal at night. Which is where drones come in.
Rumors abound that Canon (and maybe Nikon) may produce a mirrorless camera based using their existing DSLR mount. Does this guarantee immediate great lens choice or a perpetually second-rate experience? Read more
According to rumors, the next camera from Nest will be able to capture 4K video, though that resolution will be only used for 'virtual' pan and tilt functions.
Boundary's Prima 'fully modular' backpack is expandable to 30L and has a removable camera case and tablet sleeve. Early Kickstarter backers can get one for $189.
Stanley Greene captured 'brutally honest' photographs in the war zones of the Middle East, Chechnya and Georgia. He was also one of the few African-American photographers working internationally.
Owners of Leica M cameras that suffer from peeling CCDs will be able to claim a free repair in the future so long as the camera was purchased within five years of the fault becoming apparent, the company has announced. Read more
The Carl Zeiss Jena BIOTAR 75mm F1.5 Red T lens is very rare and priced accordingly. It can be yours today for the low, low price of $15,000.
The MIT’s Computer Science and Artificial Intelligence Laboratory (CSAIL) has developed a drone that does not require any human control for recording tracking shots. Read more
In this terrifying video, Iraqi journalist Ammar Alwaely narrowly misses a sniper's bullet, which takes out his chest-mounted GoPro. Warning: strong language. Watch the video
A new report expects action camera growth to increase about 15% by 2021, with Ultra HD cameras driving demand. Read more
Profiles for Adobe Photoshop and Lightroom have been released for Irix's ultra-wide 11mm and 15mm primes. Like all profiles, these correct for distortion and vignetting.
An upcoming firmware update from DJI will cripple its drones unless they are 'activated' on the company's website. Live streaming will be turned off and flight radius/altitude will be limited.
Brent from ShareGrid rounds up the 10 most common products filmmakers are renting from one another for productions; chances are good you own one or more of them.
DaVinci Resolve is making strong moves to compete with Premiere and Final Cut Pro, including affordable control panels for colorists. According to Premium Beat, they're really good.
If you are not planning to fly your drone commercially you are not required to register it with the FAA anymore. This decision was handed down by a federal court in Washington, D.C.