Foveon today announced that Sigma Photo Pro 2.0 (for the SD10, also works with the SD9) has a new and important feature called 'X3 Fill Light'. This feature works by lightening dark areas of the image much in the same way a flash fill light would (auto dodge and burn or 'locally varying tone correction'). As the new X3 Fill Light operates using the RAW data stored in the X3F file it appears to produce far better results than we have seen from any similar Photoshop plug-in type enhancement. The new X3 Fill Light feature is implemented as an adjustment slider in Photo Pro and its setting can be stored in the X3F file along with all other rendering adjustments (another new feature of Photo Pro 2.0).
Phil: Personally I was amazed at the difference this adjustment can make, it's far more sophisticated and capable than anything I've seen to date and because it's operating on the X3F RAW data the results are bound to be better than attempting the same kind of 'fix' on a JPEG.
FOVEON ENHANCES DIGITAL IMAGES WITH X3 FILL LIGHT
New technology easily corrects lighting problems in digital photos
Santa Clara, CA (October 27, 2003) Foveon, Inc., a technology leader in high-quality digital image capture, today announced the release of X3 Fill Light, a powerful new technology that dramatically improves the quality of digital images affected by difficult lighting conditions. The technology is incorporated as a new software feature in the Sigma Photo Pro 2.0 application for the Sigma SD10 digital Single-Lens Reflex (SLR) camera.
The X3 Fill Light feature simulates the photographic method of dodging and burning adding extra light to shadow regions, while preserving highlight detail. It is a powerful method for simultaneously adjusting overexposed and underexposed areas of a digital image with a single simple control. The feature is bundled exclusively with the new Sigma SD10 digital SLR (Single-Lens Reflex) camera, which uses a Foveon X3 direct image sensor.
X3 Fill Light is designed for images taken under lighting conditions such as indoor-outdoor scenes, backlit portraits, or scenes with mixed lighting. Use of the X3 Fill Light feature creates natural-looking images that can be faithfully reproduced in a print.
Challenging lighting conditions, such as backlighting from a window or subjects in front of snow, can result in disappointing images. The X3 Fill Light technology allows photographers to make excellent prints from poorly exposed images which otherwise would have been discarded due to poor lighting and exposure. said Eric Zarakov, Foveons vice president of marketing.
X3 Fill Light is implemented as a simple slider interface that allows the user to control the amount of correction. By increasing the amount of X3 Fill Light, the brightness and contrast of the shadow regions are increased to add visibility into areas that have been underexposed. Simultaneously, the contrast in highlight regions is automatically increased and the brightness is adjusted to avoid saturation.
The Sigma Photo Pro 2.0 software, incorporating Foveons X3 Fill Light, is shipping with the Sigma SD10 digital Single-Lens Reflex (SLR) camera from Sigma Corporation.
X3 Fill Light samples
The samples below were shot with a pre-production Sigma SD10, output from Photo Pro 2.0 at the half-size 1134 x 756 (to save bandwidth). Adjustments noted below the images were made in Photo Pro before saving.
|No adjustment||+2.0 EV Exposure Compensation||+0.4 EV Exposure Compensation
+0.5 X3 Fill Light
|No adjustment||+1.2 X3 Fill Light|
Sirui is launching an Indiegogo campaign for a wide-angle answer to its existing 50mm F1.8 anamorphic lens. The 35mm APS-C lens will come in a Micro Four Thirds mount with adapters for other systems.
Sony has added a 12-24mm F2.8 to its top-shelf 'G Master' series of lenses. It's the widest constant F2.8 zoom currently offered for full-frame, with a hefty price tag to match: it will sell for $3000 when it ships in mid-August.
Take a look at the view from Sony's new ultra-wide F2.8 zoom – we paired it with the a7R IV for some initial shooting.
Canon's EOS-1D X Mark III is one of the best DSLRs ever made. With fast burst speeds, great video quality and impressive autofocus, the 1D X III is equal parts cinema rig and sports shooter. Find out how it fares against steep competition in our full review.
Nikon Rumors is reporting that Nikon will announce successors to its Z6 and Z7 camera systems by the end of the calendar year.
Canon says the event, set to take place at 14:00 CEST in two days on July 9, will be its 'biggest product launch yet.'
The Verge Video Director, Becca Farsace, shows how she built a custom Raspberry Pi camera with effectively zero coding knowledge over the course of just three days.
The EOS R5 has been in the works for some time, and Canon has published a handful of specifications, but there's still plenty we don't know. What are you hoping to see from Canon's forthcoming flagship camera?
Canon's CE-SAT-IB satellite camera was destroyed alongside six other satellites during Rocket Lab's ironically-named 'Pics or It Didn't Happen Mission.'
This sample gallery includes images from our recent review of the Tamron 28-200mm F2.8-5.6 Di III RXD zoom lens. Check out these photos to see how it performs, from wide-angle to telephoto and everything in between.
The Tamron 28-200mm F2.8-5.6 Di III RXD provides a wide zoom range in compact, weather-sealed design. Find out why it's Chris and Jordan's new favorite travel lens.
Kodak Portra 800 is a wonderful and versatile color film. And any rumors of it being discontinued, we're pleased to report, are simply untrue. That's a good thing, because it's capable of producing lovely results in all sorts of conditions.
Boering has left the World Press Photo without much of an explanation from either him or the organization, but he tells DPReview the COVID-19 pandemic is forcing the WPP to change the way it makes money.
The standard-size deck of playing cards features unique photography-oriented artwork and act as cheat sheets for photographers.
The Sony ZV-1 and Panasonic Lumix DC-G100 are the first cameras we've seen that are overtly designed with vlogging in mind – and the changes they represent could have implications for the future of all cameras.
The utility allows the E-M1X, E-M1, E-M1 Mark II, E-M1 Mark III and E-M5 Mark II cameras to be used with video conferencing apps over USB.
Olympus is showing final images of its under-development 150-400mm F4.5, which it says will arrive this winter. An unspecified macro and 8-25mm F4 Pro have also been added to the lens roadmap, and the E-M1X's AF gains bird detection.
The scam, which involves sending fake copyright violation notices, has been circulating on the social media platform since at least June 9.
Fujifilm is one of just two producers of tape media (the other being Sony) and it is hard at work on a breakthrough that will allow single tape storage drives to offer 400TB capacities in the coming years.
The National Parks Service says it's investigating the incident, which took place just two days after the park opened following a shutdown due to the COVID-19 pandemic.
Professional full frame lenses are usually large and have fast apertures. In this episode of DPReview TV, Chris and Jordan argue that there's a need for slow professional lenses – inspired by some of their favorite Micro Four Thirds lenses.
The camera maker joins Olympus, Fujifilm and others is a legal tussle over US digital camera technology patents held by DigiMedia Tech.
NASA's Solar Dynamics Observatory (SDO) photographs the sun every 0.75 seconds. In its first decade in space, the SDO has captured more than 425 million images of the sun. NASA has compiled these images into an amazing time lapse, come check it out.
The lens is available for Leica M, Sony FE, Nikon Z and L-mount camera systems, and now holds the title as the world's widest rectilinear lens for full-frame camera systems.
Tamron's new 28-200mm F2.8-5.6 is a versatile zoom lens for Sony E-mount. Well-suited for travel photography, it's compact, lightweight, and fast/quiet to focus.
Fujifilm has announced that its GF 30mm F3.5 R WR wide-angle lens for its medium format cameras will ship in late July or early August.
Fujifilm's latest lens is a sharp, reasonably compact and well-built wide-angle for the company's GFX medium-format cameras. We took it out and about in the warm Seattle summer with the company's 50 and 100 Megapixel camera bodies to see what it can do.
Fujifilm has issued firmware updates to the GFX 100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.
Although the channel is still growing, it currently has nine videos that offer concise overviews of just a few of the cameras Japan Camera Hunter founder Bellamy Hunt has sitting around his Japanese storefront.
ON1 has launched ON1 360, the latest version of ON1 Photo RAW 2020 with ON1's new Photo Mobile application for iOS, iPadOS and Android mobile devices. The new solution syncs raw processing between your mobile device and computer.